The origins of Singing Wells Story
…son, who helped design the mobile studio, noted, ‘I’m a sound engineer and used to recording in professional studios, but I must say, my favourite studios are the ones we create in these villages where even the chickens that wander on to the set add hugely to the essence of the recording.’ So, we piloted the project on Kenya’s Coastal Region around Malindi and Mombasa and have now travelled across the country recording 30 musicians and traditional…
Meet our ‘Influences’ artists News
…ng to Winyo an almost heavenly experience. Winyo is also a professional photographer, actor and a TV producer. He is currently the executive video producer for a Kenyan media company called Big Foot productions, which has produced several local TV shows. His goal is to take African music all over the world and enliven people to dance and sing to the sweet and melodic sounds of African songs and music. Winyo’s debut album ‘Benga Blues’ has recently…
Day 9 (AM): Ketebul Studio – Influences session for Cheri Story
…and with extraordinary sound and video quality. Our second mission is then to use these visits as inspiration for new artists to write music inspired by their tribal heritage. We now have developed a pattern – each field visit involves about 9 days in the field recording new groups AND then we return to Nairobi to work in the studio with tribal musicians discovered previously. Yesterday we worked with Mwenzele-Nyerere wa Konde Music Club on five s…
Northern Uganda: Day 6 – Soroti to Kampala (a driving story) Story
…ng the weaknesses of 1 and 2’s position). We even sorted out after a while how to stop the groups from starting the song while our poor clapper board person (Nick) was still running from the shot. Third, we then had to sort out interviews and research. We’re really good now at doing interviews on songs, villages and groups and supporting that with research. This all sounds like pretty basic things and we agree. But imagine arriving at a village th…
An Evening with Mserego Mwatela Group News
…feel the rhythms and I try to teach them what I’m doing, but I also adapt to how they feel the music. I let them take the music where they want to take it as long as it is rooted in our traditions. I just watch them dance and move and create the linkages. Q to the grandson: Why are you doing this? Are you viewed as cool by your friends, or somewhat ‘out of touch’? A: Maybe it’s the friends I pick, but I’m viewed as a role model by my friends. I p…
Northern Uganda: Day 6 – Soroti to Obuell-Lira to Soroti Story
…e band’ played for the rebels and were visited by all the leaders. They refused, however, to play rebel songs or support the rebel side. They said over and over again the music was neutral and only had alligience to Uganda not to one side or the other in the war. There were lots of scary moments when rebels would try to force them to declare alligence or die. But by miracle the rebel leaders let them live and play music as neutrals. In 1992, the U…
Northern Uganda: Day 5 – from Pakwach to Soroti (a road trip) Story
…things Uganda. These are the background colours over which you splash the yellow of bananas, the blacks of clay pots, the grays of cutting boards, etc… And now a word about the genders. Hmmm. Let’s see how to put this. We see women working for dawn to dusk, with babies tied to their backs. We see men sitting in blue plastic chairs under big trees. Jimmy On the road to Soroti …
A day in the field with Singing Wells News
…crease the number of inputs, while still working off battery power. The laptops use Avid ProTools recording software – an industry standard for recording and music production. The microphones we have chosen are industry standard models used in studios the world over but, most likely, not seen in the villages of East Africa. The equipment has been carefully selected so it can easily fit into four rugged peli-cases which protect everything while in…
Northern Uganda: Day 3 – from Gulu to Awach to Pakwach Story
…kids, over our equipment and through performers Part of our routine now is to have Vicki on top of one of the vans to get a good 3rd angle (much of the Acholi dancing involves circling a drummer, meaning you can’t see said drummer unless from above…) The Music Groups Rubanga Kingom (Awach Boys) Our first group was Rubanga Kingom (Awach Boys), a full Likembe band. They formed thirty years ago and their goal is ‘Edu-Tainment’, helping African childr…
Northern Uganda: Day 2 – from Gulu to Acet Story
…) and the Gwara (calabash or tambourin with Samba drumming, in this case a tortoise sized shell that they hit with a brush of wire). In addition, one of the groups featured the Uvure, a wonderful horn. The Uvure in action… Omee Odokomit Our first group was Omee Odokomit, who played Apiri style. The group is led by Evelyn Ojok and was formed in 1981, disbanded for the war and reformed in 1999. The leader summons the band to practice by playing drum…
The Tribal and Musical Structure of East Africa – Worldmap Research News
…ue Foundation in 2011. They were keen on this new technique and trained me to use it for mapping health data in Ghana (example shown below). This was in collaboration with Harvard University. Following on that I spent some time working with the GIS department at Harvard in Boston specifically learning how to use the mapping software, and I also attended GIS classes given at Harvard. I then brought the idea to Singing Wells when I began work in the…
African Strings: The Nyatiti and The Adungu News
…ns made functional. The harp is constantly evolving, and while in the past tortoise shell was used to make it, it is now largely made out of wood. They come in a variety of different sizes and are often played as an ensemble: Tradition: Traditionally, the harpist was the only musician ever allowed to play in the room of the royal ladies, whilst there would often have been a harpist situated in the Kabaka’s palace (the chief of the Baganda tribe in…
Lango Tribe Profile – Music of Northern Uganda News
…and. Origins: Their original homeland was north of Lake Turkana where they used to live along with the Jie and the Karimojong. This means, by implication, that the Langi are also related to Dodoth, Lotuko, Topsa, and Turkana of Kenya. Together with the Iteso, Kumam and Karimojong, they comprise the Atekerin family in Uganda. Customs: The Lango have a cultural distaste for witchcraft, and a strong work ethic. They live in small groups, and recognis…
Day 6: Recording the Tugen & back to Nairobi Story
…d our departure time from the two hotels (Eldoret Club and Pine Tree) from 8am to about 9.30am. The tyre had a damaged tube that just wore out. We reassembled and headed off for a spectacular trip from an altitude of 2,800m down to 1,114m at one of the floors of the Great Rift Valley. The roads were more winding and steeper than on our trip to Rwanda last November but there was no rain and there were guard rails on the roadside which made it all f…
Alur Tribe Profile – Music of Northern Uganda News
…himself in a cool beautiful land where he met an old woman. The Old woman took him to Labongo’s spear and then gave him a bead.When he reached home, the bead was handed over for everyone to see and, in the process; Labongo’s son accidentally swallowed it. Nyapiri, in revenge, also demanded that his own bead be given back. He refused all the possible substitutes. Left with no alternative, Labongo handed over the child to Nyapiri to open and retrie…
Day 3 continued – an interview with Steve Kivutia Story
…llage and two groups stranded and wet. As we write this we are working out how to see them this week. Chelagat Lebo – ‘Chela’ Finally, we have been joined by Chela. She’s amazing and was there taking down the tent during the deluge. It should be noted that most of the Singing Wells crew were in the vans by this time. Chela is a professional documentary maker and Kathy interviewed her in detail. That’s it. We are spending our evening backing up fil…