South Teso Jazz Group
Patrick Okodoi and his group – the SOUTH TESO JAZZ are based on the adeudeu– a traditional Teso string instrument. This group plays an interesting folk local sound and is very popular in the area. They combine several adeudeu(arched harps) of various sizes and functions, notably: ADEUDEU BASS – 6-strings instrument played by two people sitting on it; struck as a percussive by player in the back; RHYTHM ADEUDEU – 10-string adeudeu; ADEUDEU SEKETA…
FAQ’s Page
…rd? Of course – we believe that musicians should be paid for their time performing for us. We pay a recording gratuity on the day of the recording. This amount varies based on a number of factors such as the number of members in the group and the number of songs we record. In the event of any music we record making money directly (through sales, sync licensing or performance royalties) we will endeavour to channel this money back to the original p…
Day 5: Wednesday, February 22nd, 2017 Story
…audience of his supporters. A dance troupe danced in the Segere style for many of the songs. This is a Tanzanian style from the south. Here’s Leo performing:…
Day 3: Monday, 2017 February 20th Story
…on of Singing Wells is to preserve the traditional music and dance of East Africa, before, sadly, some styles and instruments die. But another mission is to bring these traditions to new audiences, allowing new artists to work with traditional artists to bring new life to these sounds and movements. So, we want the grandson of Mzee Morris to work with current artists like Leo, Sophie and Elliot. We want Leo, Sophie and Elliot to be inspired by Raj…
Day 1: Saturday, 2017 February 18th Story
…cers pulls it back by the tail just before it strikes. Breath-taking. This form of performance is new to us (but, of course not to Tanzanians) and we’ve not seen it in Kenya or Uganda. In fact, ‘clown’ acts are quite central to Tanzanian dance as are acrobatic acts. We spoke to Leo about this. “Yes, we love to bring comedy to our music. If you look at most circus troupes that are touring in the world today, a huge number of the acrobats and clowns…
A Report by Professor James Isabirye – Indigenous music learning in contemporary contexts: Nurturing learner identity, agency, and passion News
…r website here. We are very grateful to be partnered with such a visionary for the future, and protector of traditional East african music and instruments. We know that generations to come will be grateful for the work he has put in to continue these traditions. He has also written a report analysing how indigenous learning can inform modern schooling, in which Singing Well’s gets a featured mention as collaborators within his project. You can rea…
Fundraiser for Matthew Watmon News
…hat some of our followers may be able to help us. If you are based in East Africa, please get in touch with Matthew’s brother, Constantine Odida ((MTN) +256-782-236-742 and (Airtel) +256-704-261-037). If you are based elsewhere in the world, we have created a GoFundMe page: https://www.gofundme.com/f/support-mathew-watmon The donors of Abubilla Music Foundation, who support the Singing Wells project, will match these contributions up to £1000 so w…
Ketebul Music presents Shades of Benga Online News
…altz to Afro Cuban Rumba and how they helped mould new music styles across Africa. Rumba was brought to Eastern Africa via the itinerant Congolese musicians Edouard Masengo and Jean Bosco Mwenda who’s intricate guitar-picking styles largely shaped the present Kenyan sound, with the Benga playing a dominant role. Currently, you can get advance copies from Ketebul Music Studios or place your order by contacting them directly. #shadesofbenga #legenda…
Singing Wells Approaches 5 Million Views News
…k is paying off – in the last few months we have almost doubled our views on our Youtube channel and are now approaching 5 million total views across our videos. When we started Singing Wells almost ten years ago, we set an aim to bring the traditional music of East Africa to a wider audience. It amazing to see the Youtube algorithm agreeing that this is a project worth showing people! We can’t wait to bring more songs and stories to the world. Ke…
Central & Eastern Uganda: Day 4, Part 1 – Reflections Story
…Step 4: if there is support, build the infrastructure. This involves seeds for gourds for trumpets, or drum-making for drums. Inevitably something needs to be invested in the infrastructure. Step 5: Bring on the young. Inevitably, you then need to bring on the people to learn and enjoy this music. And here we had an interesting debate. Some of our palace musicians felt the young people didn’t care anymore. But it was Ben Nsumugo Ntabula who provid…
Singing Wells Youtube Channel hits 2.5Million views News
…pact our work is having. We want to take this opportunity to thank you all for supporting us over the last few years, and for creating such a thriving community in the comments below. As we build towards our ten year anniversary in 2021, we are thrilled to know that we have the support of such an engaged audience. Here’s a few of the highlights from our channel. First place on the view count – at 272,000 views, goes to our awesome session with Oti…
The History Of Benga Music: A Report by Ketebul Music Story
…ked to Congolese rumba and West African highlife, but differs sharply from South African kwela, taarab, chakacha and kidumbaak; the most well-known Swahili music forms from the coastal strip of East Africa. The peculiarity of the Benga beat comes from the combination of a sharp lead guitar overriding the rhythm and bass. The pace of the guitars, with a steady rise to a climax or crescendo and an equally quick refrain, together with the arrangement…
Central and Eastern Kenya: Days 5-11: Ketebul Studios, Nairobi Story
…ottle percussionist.’ In the 80’s, Shem formed a new band, Les Bunyore , before reforming Abana ba Nasery in the ’90’s. We recorded six songs with him. Muhanna Mulando Obuyanzi Kali Munda Olubo Mary Queen John Nzanze One of the founders of “African Twist”, John enjoyed a major hit with ‘Angelique Twist’ in 1961. Born in 1940, he started playing his father’s guitar at 12. His band, Air Fiesta Matata, achieved fame, having come in third in the 1968…
Central and Eastern Kenya: Day 3 – Nkubu to Mariene to Murungurune to Nkubu Story
…Video 1’s location. This is a balance. We want to give the groups complete freedom to perform as they would normally do, without our intervention. But we also need a good recording – and too often the groups will stray far off camera and far away from the mics. Or, as often can happen, the leader will plant him or herself directly in front of Video 1, meaning we don’t get a take of the groups. Finally, we use lapel mics on the lead singers so ther…
Central and Eastern Kenya: Day 1 – Nairobi to Kiongwe to Muranga Story
…ambani District. 12 women and 2 men, formed in the 80’s and inspired to perform at political forum. The group also uses the Vilingi (whistle). They performed 4 songs: Kiuluni Kui Landeni (going to London) Mbovoi Kisanga Kumbaka Asee The group is led by Margaret Mbia and plays in the musical style of Kilumi, wathi wa kikamba. They are also from the Kamba ethnic community (ukamba wa kitui). They have 15 members and are inspired by kithio kya mukambu…
Central Uganda: Day 7 – A Magic Day in Entebbe Story
…he project. It was great to see them and hear about their charitable goals for Africa. Group 1: Matia Kakumirizi: Matia is 70 years old, plays the guitar he bought in 1972 and knew Dr. Albert Senior in late 70’s. Matia was taught to play guitar by a priest called Father Mugambe from Mulajje Parish in 1966. He is living in Kampala and sings in Luganda and Kirwahdi, C&C Busega, C&C Kibuye. He has recorded in 1971 in Polygram studios in Nairobi. His…