FAQ’s Page
…aterial will be donated back to the project via The Abubilla Music Foundation and wherever possible royalties will be paid to the original performers. New Influences material is jointly owned by Ketebul Music and Abubilla Music. Profits arising from the sale of Influences material will be used to support the artists and music projects and aspiring musicians in East Africa. Can I help in some way? We’d love it if you could help – be in in drumming…
Day One: 7 March 2022 (Shikangania and Mukumu) Story
…smoothly with Johnstone Mukabi and the Omutibo Stars coming on stage at 11:00am. Accompanied by Francis Massanga on vocals, they were joined by guest musicians, Fiston Lusambo on guitar and Ben Mukabwa (a college tutor whose other calling happens to be music), on guitar and percussion. On shakers was Ben’s elder brother, Fredrick Mukabwa, while veteran musician and producer Gido Kibukosya (formerly of the groups Musically Speaking and Zanaziki) wa…
Day Four: 10 March 2022 (Rongo) Story
…at he has become, gave an exemplary performance without any re-takes. By 7:00pm his session was completed and he was on his way back to Kisii County. The next group was Otacho Young Stars who began their performance at 8:00pm. Otacho Young Stars were also no strangers since we recorded them in 2011 as part of the Singing Wells project. These musicians are now in their 30s and no longer answer to the name Young Stars and are appropriately simply kn…
Day Two: January 19, 2019 From Tarime to Buturi to Bariadi Story
…nd is constrained into a single shot. Magic Moment: We loved the percussion and wanted to capture this as magic moment. https://youtu.be/u7xcXahAlzI Group 2: Upendo Jazz: The group is from the Murangi Village in the Mara Region and their community is Wajita and their style is Vidogori. They were founded in 1999. Their instruments included: Ngoma za Budogori (drums, with a kick) and Njiga (shakers from gourds). It is worth taking a minute on the…
Support Singing Wells Page
…red charity which funds the Singing Wells project Sponsor a Recording Day£3000 Your Gift to Us Your money will be used to support a complete day of recording traditional music for the Singing Wells project. Your donation will be spent in East Africa, funding the recording sessions in the field. There may be as many as six different music groups performing on one day and your donation will mean that every music group is able to perform and their so…
The Revival of the Entongooli Page
…rs. Some of the instruments that Mr Mukadisi has in his position are over 100 years old. Once the correct tree has been found that is of an appropriate age, around 10 years old so the wood is fully formed, it is chopped down and into smaller pieces to begin the drying process. When the wood has appropriate time to dry, it is prepared for chopping and shaping, and the next process of preserving the wood through the use of animal dung. More on that…
Day Zero: February 15, 2020 – Assemble in Zanzibar Story
…in Arabic as ‘having joy with music.’ Taarab’s origins are in the late 1800s. Mohamed Ibrahim, studied music in Egypt, where he learned to play the Qanun and returned to Zanzibar to form the Zanzibar Taarab orchestra. Of course, there are a variety of musical styles in Zanzibar, including (every use of quotes in this post are direct quotes from the DCMA): Ngoma: “Ngoma literally translated means drum and is a term to encompass all local tra…
Global Influences Project: Artist Submissions Page
…balInfluncesProejct is another amazing track that makes you want to get up on your feet! We love this submission from Beats by Maggy, a producer based in Nakuru, Kenya. “The African sounds were so inspiring, I created the beats using fruity loop Fl studio. The African loop was so energetic so I had to feature some more energy to make it more lively.” We love this energy too – a perfect tune to get the party going! You can follow more Beats by Magg…
Field Recording Report by Kahithe Kiiru Story
…trative areas of Samia district. Ekhunjwe ya Abasamia was formed in April 2008 with common focus on using music as a tool for community development. The group promotes traditional African values and acts in both education and local economy. Members also engage in traditional crafts like basket weaving and jewellery making for exhibition and sale. Their chairman, Mr. Bwire, also chairs the County Culture Committee and says he is “biased towards eth…
Aynu Traditional Group Group
…ums) and a tin sheet for percussion. The Lugbara Tribe Population: Around 900,000 History: They were known in the 19th century as ‘The Naked People’, due to the lacking importance of clothes in their culture. In the early days, the Lugbara were a mainly chiefdom-based community. They did not have kingdoms and kings presiding over them as like other ethnic groups in Uganda. They mainly had chiefs who were their leaders. They formed friendly allianc…
Day Four: February 19, 2020 (Maruhabi Palace) Story
…ng and dancing with some Taarab influence. They sing for weddings, celebations and the harvest. They use traditional Zanzibar drums: Vumi – a tall, narrow, large drum based on the floor, Kinganga – a short medium sized drum, a Bati – a high hat, a Chapuo – a long narrow drum held under the arm, a Dutu – a smaller version of the Chapuo and Masewe – shakers worn on the legs. The most notable instrument was a type of horn made out of a gourd. Perfor…
Here for Research? Page
…t they are playing. Alongside this, expect interviews, historical information and first hand accounts of the way East African music has developed and grown. Instruments In depth information and photography of the different musical instruments used in East Africa. This database is constantly evolving as we discover and record more instruments. The instruments are tagged by their ethnicity, their recording location and the type (simply broken down i…
Ayub Ogada Group
…Bomas of Kenya in the 1980s. He remembers he had gone for 6 lessons (at a 100 shillings) only and then continued practicing and experimenting by himself. It was equally interesting to hear his theory of the name nyatiti, which he translated from the Luo word nyar as queen and titi, making it “the queen of the clan”. The most interesting points Ayub had made were on the difference between playing at home, in an informal or traditional setting and p…
The Luo of Kenya Album
…titi Group. The Kochia Traditional Dancers gave a very visual performance, and one of their tracks, recorded on the shores of Lake Victoria at the Homa Bay Hotel is also included. The final day of recording on the trip saw us head to Rongo – and the settings of Dinky’s Resort Club. The Otacho Young stars, whose image graces the album cover, are featured, as are the Kanindi Jazz Band and Josey Kokeo, performing a special collaboration. As an added…
Chibite Group
…of music which relies on the Zeze (stringed instruments made from gourds) and Ilimba (a lamellophone, or modified thumb piano). We will spend a lot of time with Chibite over the next two days and meet many different family members. For this first recording in Boma, the line-up was Ndahani Bwani, the older brother, his sister Ndekwa and two daughters Grace and Leah. They played 4 songs: Dunia Nigahira Samamba: Streamlined. Ma…
The Northern Tribes of Uganda Album
…awo were our fourth group. A long drive out west brought us to Fort Murchison and Pakwach. We went on further to Widianga village and the Alur Kingdom Troupe. Later that day we were treated to Cieng Dwong back at Fort Murchison – darkness descending as we recorded. A travel day to Soroti was followed by another Likembe band – the Macedonia band, before the long drive back to Kampala. One night in Kampala was followed by a recording in Naguru, reco…