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A day in the field with Singing Wells News

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…st Hotel in Kisoro, Uganda!) We can also combine the two recording units into one to increase the number of inputs, while still working off battery power. The laptops use Avid ProTools recording software – an industry standard for recording and music production. The microphones we have chosen are industry standard models used in studios the world over but, most likely, not seen in the villages of East Africa. The equipment has been carefully selec…

Northern Uganda: Day 2 – from Gulu to Acet Story

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…) and the Gwara (calabash or tambourin with Samba drumming, in this case a tortoise sized shell that they hit with a brush of wire). In addition, one of the groups featured the Uvure, a wonderful horn. The Uvure in action… Omee Odokomit Our first group was Omee Odokomit, who played Apiri style. The group is led by Evelyn Ojok and was formed in 1981, disbanded for the war and reformed in 1999. The leader summons the band to practice by playing drum…

The Tribal and Musical Structure of East Africa – Worldmap Research News

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…ng the Singing Wells community. Rosie has made some ‘how-to’ guides on how to add to a map yourself which you can access easily on our website too, in a few steps, ‘Housekeeping’, ‘The Map Outline’, ‘Prepare Your Data’. I met with Rosie to talk about her experience using the map for the benefit of Singing Wells. How did you discover the mapping software? I am currently reading medicine at UCL, but during my gap year I spend time doing work experie…

Northern Uganda: Day 1 – Entebbe to Gulu Story

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…us stages of manufacturer (either drying or firing), pyramids of potatoes, tomatoes on patches of blankets under trees, tiny goats tethered near the road side to pick at a fresh patch of grass, bike rider riding with small loads or walking their bikes with large loads (this trips winner was a large door, but fails miserably to our Rift Valley coffin), bed frames in all shapes and sizes gathered in front of workshops, big steel gates leaning agains…

Northern Uganda: Day 0 – London to Entebbe Story

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…r essential supplies (alcohol, sunglasses, papers) and then took the train to C57, where we boarded our flight and left pretty much on time. Jimmy sat next to Andrew who lives in Kampala and married to a Uganda woman with whom he’s had a one year old son. He was passionate about West African music and did a paper on drumming in Ghana. So Vicki switched seats with Jimmy and talked to Andrew about the Singing Wells project for an hour. We then all s…

Day 6: Recording the Tugen & back to Nairobi Story

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…d our departure time from the two hotels (Eldoret Club and Pine Tree) from 8am to about 9.30am. The tyre had a damaged tube that just wore out. We reassembled and headed off for a spectacular trip from an altitude of 2,800m down to 1,114m at one of the floors of the Great Rift Valley. The roads were more winding and steeper than on our trip to Rwanda last November but there was no rain and there were guard rails on the roadside which made it all f…

Day 5: Recording the Marakwet Story

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…steep hill sides. Every few acres there was a beautiful homestead, similar to where we recorded yesterday. Each had a round house with thatched roof, each had several chicken coops and pens for goats. Every twenty had an additional rectangular house with pitched roof balcony. There were no other buildings or dwellings for 10 kms of travel and then a little market would pop up which would be filled with thirty or so stalls. Then more empty roads an…

Day 4: the Pokot Tribes Story

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…aperwo, Chemining Tie, Chepo Chepkai, Kimnakiy Mitinge, Kisech. Click here to go to Song Translations Everything Else Everything else from today can be divided into three key events. First, we survived the drive. There were a few scary moments, the first being driving to the village for the shoot – straight up a very steep hill. This was not a hill for most humans and certainly wasn’t a hill for cars and certainly not cars filled with Ketebul folk…

Day 3 continued – an interview with Steve Kivutia Story

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…sted in first class audio equipment and can record using 8 mics directly into Pro Tools. But during the March Pilot programme, we realised that the visual experience was as important as the audio. So for our November trip we invested in two more digital cameras and worked out our new Camera 1-3 approach. Camera 1 is static group shot. Camera 2 focuses on instruments. Camera 3 is context. This worked extremely well but created a separate issue – lo…

Singing Wells – Origins News

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to do. Finally there was a eureka moment – the best thing we could do was to go the musicians, to their villages, to their homes and record them with their families. We would record them singing their songs to their children, three generations dancing together in their village. Andy Patterson, who helped design the mobile studio, noted, ‘I’m a sound engineer and used to recording in professional studios, but I must say, my favourite studios are t…

Day 3: Kitale to Kapsokwony, Kenya Story

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…Sigerer’. Kathy interviewed him about all his songs and this is a classic (to go to Kathy’s Blog on Songs from Day 1, click here). Sigerer tells the story of two bulls in Teriet’s family that we were stolen and taken to Uganda. The family dog was able to follow the scent and led a posse of 20 armed men 75kms to a butchers where sadly one bull had been killed. The surviving bull, Sigerer, was re-taken and brought back to Kitale. In celebration, the…

Day 2: Nairobi to Kitale & an interview with Pato Story

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…knew he would be involved in music. “No, but from high school I knew I was going to be working on videos. And music is my life. I started listening to Joseph Kamaru when I was growing up in the Ngara Estate, another part of Nairobi. He was the biggest Kikuyu artist around and would walk around our area with a guitar and play to all the little kids. My brothers all love salsa music and I grew up listening to Ochieng Nelly, a huge Benga star”.      …

Day 1: In Nairobi, packing and talking to Tabu Story

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…he next day we will drive to Kapenguira to record the Pokot. After that we go to Eldoret then onto Iten and Kapsowar to record the Marakwet and Keiyo. The last day to go to L Baringo to record the Tugen. Tabu is not sure what to expect of the tribal music in the villages we are visiting but he is always surprised by the quality of music we discover with Singing Wells. “I didn’t really know what to expect of the Batwa of Uganda, and was blown away…

How to Map 3: Prepare Your Data News

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…will become clear later). The only way to make absolutely sure of that is to go into ArcMap and look at the attribute table of the shapefile (that’s basically the data that makes the shapefile look how it does), and check the names of the counties. To do this open the map, which is saved at C:\How To Map\How to Map 1, or wherever you put it. Then right-click on GBR_adm2 and select Open Attribute Table. This will open a box with the attribute tabl…

Victoria’s reflections on the music of the Batwa Story

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…tely stunned. Henry explains that this lady would need to make the journey to town 2 or 3 times a week, leaving her home one day, staying with another Batwa community overnight and returning the next. Extraordinary. Getting a lift in the van saved her half a day’s walk. The van pulls up on the track and Henry says we are there – or nearly there. The village is just up here he says, pointing to the top of the hill which looms high above us. We can…