Imachina Group
…t the moment the horns lock between the two fighting bulls and the context really begins. Ing’ombe: This is about the bulls (I can’t read my handwriting here!) Iminyi: This is a type of bird that hides in roofs and is difficult to find, but is a strong bird. The song tells the story that the best fighting bulls are not the ones preening around the village, but rather they keep to themselves until the fight. And then they win. The Shiselelo process…
Day Four: January 21 2019 Mwanza Story
…RfFn7ZgUrU Group 2: Camera: Camera, who has been performing since 1999, is from Nzega and from the Sukuma community, playing in the Kadete style. Camera plays the Kadete (like the Zeze from earlier and Orutu from Kenya). He is an extremely cool cat, who we actually discovered walking the streets with his instrument during the RECCE. We recorded five performances: Changamoto: This is about life’s challenges Mawazo Gakwira: About deep worries Nkewan…
Day One: 7 March 2022 (Shikangania and Mukumu) Story
…sed team and all went according to plan until a group of mourners appeared from nowhere with a coffin of a dead relative that had just recently arrived from Nairobi. Although the burial was planned for the following day, the emotional villagers were already wailing loudly and playing mournful dirges. This dramatic twist of events threw us off guard and we were forced to stop our program temporarily. As required by local custom, we dutifully went t…
Day Zero: 6 March 2022 – Travel To Stream Story
…r mission to travel and stream in Western Kenya was made possible by funds from Hivos, with the additional support from the Abubilla Foundation. Travel to Stream After one week’s training and familiarization with the new software and equipment, we took the road to Western Kenya on the morning of Sunday, 6 March 2022. The Ketebul Music team met at our new offices at the GoDown Arts Centre on Kayahwe Road off Dennis Pritt by 9:00am. It took us an ho…
Day Three: February 18, 2020 (Stonetown, Mpendae, Maungani) Story
…ule to Tarajazz. He combined African rhythms such as Msewe and Kyaso (both from Zanzibar) with Singeli (a new tribal rhythm). Taarab came from early 1800’s as Egyptian music. In Zanzibar the Mother of Taarab, Siti Binti Saad, made Taarab more popular in the 1920’s to 1950’s. We spoke to Hassan Mahenge, the assistant director of this band. He is a teacher at the DCMA. He teaches the Oud and plays the saxophone. All the students at the DCMA study tr…
Day Zero: February 15, 2020 – Assemble in Zanzibar Story
…ountries. The most important and famous of the musical styles originating from Zanzibar is Taarab, which roughly translates in Arabic as ‘having joy with music.’ Taarab’s origins are in the late 1800s. Mohamed Ibrahim, studied music in Egypt, where he learned to play the Qanun and returned to Zanzibar to form the Zanzibar Taarab orchestra. Of course, there are a variety of musical styles in Zanzibar, including (every use of quotes in this pos…
Day Three: 9 March 2022 (Kisumu) Story
…Mamano Daa which enjoyed massive radio airplay locally. However, earnings from royalties accrued from the song could not sustain him in the city and a disillusioned Olith Ratego went back to his village in Siaya County. He came back to Nairobi two years later and signed up with Ketebul Music where he released the album osuga in 2003. Olith Ratego has performed in many European cities and collaborated with internationally acclaimed musicians such…
Day Three: January 20th, 2019 Story
…be/dHeTdA5m5gQ Group 3: Awilo: The group, which is a comedy circus act, is from Ikungu lya nkoma and performs in the Bununguli style. They are from the Sukuma community and were formed in 1981. They played the Ng’oma and entertained the kids with circus acts involving fire, razor blades, knives, etc… It wasn’t really part of the Singing Wells Field Visit but we were thrilled to stumble across it! From the village, we then drove a little over three…
Support Singing Wells Page
…oject is funded by the Abubilla Music Foundation, the below link will direct you to make a donation to the Abubilla Music Foundation: — CLICK HERE TO DONATE NOW — Donate your time, products or services We are always keen to hear from people who are happy to offer their time to help the project and from companies which may be able to support us with products or services free of charge. If you can help out in this respect please contact: info@singin…
The Revival of the Entongooli Page
…e look at how to shape these trees to create and tune each note on the Xylophone. From Embaire to Entongooli: Part 2 In this video, we continue to learn about the process of building the Embaire, also known as the xylophone, to help educate our young music scholars about music, melody and instrument building. We are shown how they finish off their Embaire and then talk to some young students about what they have learned. What is clear from our tri…
FAQ’s Page
…ording gratuity on the day of the recording. This amount varies based on a number of factors such as the number of members in the group and the number of songs we record. In the event of any music we record making money directly (through sales, sync licensing or performance royalties) we will endeavour to channel this money back to the original performers. Can I buy the music you have recorded? A selection of our music is available to download fro…
Day Two: January 19, 2019 From Tarime to Buturi to Bariadi Story
…e recorded three groups: Group 1: Maisha Bora Suba Group: Our first group, from the Mara Regio (Roria District) was formed in 2012. They are from the Abhasimbete community. Their style is Rirandi and they play the Zeze/Endongwe (a one stringed instrument similar to the Kenyan Orutu and Ugandan Rigi Rigi), Rirandi (a giant horn, similar to the Uganda Big Wala, but made with 6 gourds, not one), Ekeborogo (flute), the Ekedomwa (drums), Ama’ghorro (hu…
Day Six: January 24, 2019 From Mwanza to Dodomo to Nzali to Nairobi Story
…ent used (the wooden trough) Group 2: Nyati Muchoya (also spelt Mchoya): From Nzali, the group is from the Wagogo Tupu community and was formed in 1966 by the grandfathers of the current performers. Their instruments include: Nindo (jingles), Njuga (Shakers), Mbega (animal Skins), Muheme (drums), Kabati (kayamba-shakers), Manyanga ( Maracas), Madodolo (cow bell), and Pangwa/Kipangwa (a double headed lyre). We recorded four performances, where…
Field Recording Report by Kahithe Kiiru Story
…unded by the Norwegian government that brought together performing artists from all disciplines from Norway, Uganda, Ethiopia, Tanzania & Kenya in a 14-day creative camp. This experience gave him a very wide perspective in music and he “discovered that his style of music was actually world music”, too wide to be placed in one musical style or category. This marked the end of our interview with Fadhilee, as Wilbert and his group – the Bungoma Roots…
Day Four: 10 March 2022 (Rongo) Story
…usic in 1985 and recorded his first song ‘Bikundo Obaba mbono’ in 1994 and from then on he has been the main star of the obukano music genre from the region. Ontiri has performed in most entertainment venues within Kenya and is among the few Kenyan musicians with a huge fan base in the US and Canada, where he has also toured extensively. Ontitri has been invited to perform in South Korea and Germany, not mention that he was one of the leading perf…
Ekhunjwe Musical Group Group
…Oduor, this is a very organized group of twenty eight (28) members coming from the different administrative areas of Samia district. Ekhunjwe ya Abasamiawas formed in April 2008 with common focus on using music as a tool for community development. The group promotes traditional African values and acts in both education and local economy. Members also engage in traditional crafts like basket weaving and jewellery making for exhibition and sale. Th…