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Day Five: Ilesi, Khayega to Kisumu Story

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…is for weddings. The songs include: Hoya: This is encouraging the groom to forward and be welcome. Mbabo: This is about everyone coming together for the wedding. Khuchende Pole: This song is telling everyone to walk slowly to and from the wedding so all the people can gather and honour the bride and groom. The Shishebo process – this is about rites of passage, and specifically male circumcision. The songs include: Bikubanda: This is a song that mo…

Global Influences Project: Artist Submissions Page

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…rgy too – a perfect tune to get the party going! You can follow more Beats by Maggy by following Amina Muta on Facebook. ATIENO OLUOCH X ADUNGU CULTURAL TROUPE This newest submission is called Wena and is by Atieno Oluoch. We loved the vocals and the way they complimented the rhythmic musical workings of the Adungu Cultural Troupe. This new version gave us summer vibes and felt incredibly uplifting! “I’m humbled by this opportunity and glad to hav…

Day One: January 18, 2019. Assemble in Tanzania Story

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…o one field visit a year, recording roughly 20-25 groups, and a 100-125 performances. We have roughly 1,000 videos online. Our general setup for a recording is: a) Steve is in charge of audio and we typically have two general mics for the group and 5-6 specific microphones for singers and musicians, b) we have three video cameras operating – one wide shot for full performance, one close up to capture details of instruments and one roving camera to…

Day Zero: February 15, 2020 – Assemble in Zanzibar Story

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…of marriage.  As this music moved from the secret rites to more public performance, you find the audience laughing at all the double meanings.  To be more specific, the women are laughing and the men are scratching their heads.  As we tried to identify the meanings of the lyrics of these songs, the women often laughed with each other as they tried to hint at the hidden meanings of these songs.   We met this style on our first day in our third gro…

Day Three: 9 March 2022 (Kisumu) Story

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…favorite genre in Kisumu, the Asego Ensemble soldiered on ending their performance by 9:00pm. Profile: Peter Akwabi Peter Okutoyi Akwabi, was born in 1946 in Ebuhonga village in Kisa, Kakamega County. He started his musical career in 1963 when he cut his first disc ‘Kifo Cha Mukabi’, a song he composed while still in primary school as a tribute to his mentor, the legendary king of omutibo, George Mukabi. He went on to study music at Kenyatta Coll…

Here for Research? Page

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…d during our yearly trips. Head here for detailed information about the performances we record, the musicians we meet and the instruments that they are playing. Alongside this, expect interviews, historical information and first hand accounts of the way East African music has developed and grown. Instruments In depth information and photography of the different musical instruments used in East Africa. This database is constantly evolving as we dis…

Elgon Ngoma Troupe Group

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…rs. They are roughly divided between the two bands. For income, they do performances and also work four acres of land to feed themselves. Many of the members also do arts and crafts or a skilled trade – Julius’s dream is to open up a hair and beauty studio so they can support the bride with her beauty and music. He hopes the troupe will give them opportunities to travel away from their homes, but also to preserve the traditions of Eastern Uganda t…

Day One: 7 March 2022 (Shikangania and Mukumu) Story

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…ording routine preparations, having been part of the Singing Wells project for many years. Hence, it did not take long for our sound team to determine the best site for the stage within the well-groomed homestead and in less than an hour we had the mobile studio all set. Normally, our preferred device for capturing sound on these trips is the Zoom digital recorder, having started with H4 before upgrading to Zoom H6. On this occasion we opted to re…

Day Two: February 17, 2020 (Stonetown) Story

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…s. They sing in a mix or Arabic and Swahili. They could not break their performance into individual songs so they broke it down into three acts so it could be filmed.  Dakha 1 Dakha 2 Dakha 3 Singers/Performers names: Nasir Sallum Juma (lead singer), Said Issa Khamis (drums), Rashid Haroum Rashid, Wissam Omar Rashid, Humaid Abdul, Abdallah, Salum Ali Juma (drums), Abdallah Moha Khamis, Mohamed Rashid Mohamed, Aidha Ghalib Salum, Saleh Ahmed Thabit…

FAQ’s Page

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…music we record making money directly (through sales, sync licensing or performance royalties) we will endeavour to channel this money back to the original performers. Can I buy the music you have recorded? A selection of our music is available to download from our site. We have one album of music from each trip, and we hope to curate albums of particular styles and instruments soon. To browse our albums, head over here. Where does the money to su…

The Revival of the Entongooli Page

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…the word is strong enough to endure the shaping, and to make sure it lasts for many years. Some of the instruments that Mr Mukadisi has in his position are over 100 years old. Once the correct tree has been found that is of an appropriate age, around 10 years old so the wood is fully formed, it is chopped down and into smaller pieces to begin the drying process. When the wood has appropriate time to dry, it is prepared for chopping and shaping, an…

Field Recording Report by Kahithe Kiiru Story

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…ll mesmerised by the Elder’s robust yet sweet voice and unique style of performance – a perfect end to a fruitful day of recording. DAY 3 – Monday 19th February 2018 The third day of our field recordings started in Kulisiru village of Sirisia location in Bungoma County. Here we visited Samuel Namatete Wepukhulu, a locally famous player of the litungu– a seven-string traditional lyre, which originates in the Bukusu sub-group of the Luhya community….

2. Naizungwe Drums – progress report 1 Story

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…mprises 24 drums of big, small, medium and small sizes. We decided to make many because we would like to have enough drums for training a new generation of players. However, the basic number includes: 1 large Uganda drum (played with short heavy beaters) 3 smaller drums (played with long curved sticks) 1 medium drum (played with sticks) 1 long drum (ngalabi – hand-beaten) All together, 6 drums. Therefore, we are making four sets of naizungwe drums…

1. Introducing the Naizungwe drums Story

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…able to teach a younger generation of musicians about the music and the performances. In the case of the naizungwe, however, despite his best efforts, James has been unable to locate any surviving old players who can facilitate a similar education. As a result, he is hoping to work alongside Haruna Walusimbi of Nile Beat Artists to reconstruct the performances directly from the recording he received from Peter Cooke. James tells us: “Nile Beat Art…

Day 4: Tuesday, February 21st, 2017 Story

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…lass marimba. Behind every song there are wonderful stories! Kijana: Young Man Eholi Yaya Njengwa: To be Built Sahani (Meaning Plate, where a full plate is a metaphor for an abundant life and good harvest) Part two: We then brought in Henry and Leo Mkanyia, Rajab-Alli Morris, Steven Jonas (Tomato) and Elliot Wenman and Sophie Grant to play five more songs. These were: Marugaro Sanaa: arts Chipela: When you’re hungry you gather lots of fruit from t…

Day 2: Sunday, 2017 February 19th Story

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…d by women only for women. It is all about teaching young girls to prepare for womanhood, be it how to behave in the village, how to behave as a wife, and how to be a mother. The women invited Sophie into one of the huts to watch their dance in private. In Uganda and Kenya we have a lot of recordings of rites of passage, mostly around male and female circumcision rituals – happily the songs survive but not the rituals in the places we visited! But…