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A quick summary of the Singing Wells Project News

…ouldn’t help but joining Jovah in song: 5. Singing Wells is about bringing together tribal music and wonderfully talented young performers like Akello from Uganda… We brought Akello to Northern Uganda. She joined almost every band. Here she is with the Watmon Cultural Group singing Amari… Or with the Adungu Cultural Group singing Awinyo… 6. Singing Wells is about capturing how cool, how relevant this music is through Magic Moments: Listen to the N…

73,603 views on YouTube News

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…was the very first video we uploaded to YouTube following our field visit to the Coast Region to record the music of the Mijikenda tribes.     Is second place is a video from our field visit to Kisoro in south west Uganda where we met and recorded the wonderful Batwa people. The music is performed by Kamuntu ‘Tiny’ Moses accompanied by our Influences artist Winyo.     And in first place with over 21,700 views is ’71 Hours to Monday’- a global tra…

A new type of city Story

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…n the distance. Despite this unconventional type of city,I loved it. There was certainly a lot going on and during the week Akello told us many stories of the vibrant buzz in Kampala. Every night there’s music to listen to somewhere in the packed hub of 180,000 people . The image above of the tin houses and the Uganda House of Commons in the background was one of the first pictures I took on the trip….

The Boy with the Headphones Story

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…oys who were intrigued with all our recording equipment. Andy invited them to listen to a playback of one of the songs through his headphones and this particular boy overcame his shyness to have give it a try.   We could see how hard life is for the Batwa, living on small pieces of borrowed land on the fringes of society but the performance of the Mperwa Dancers did not portray this – it was full of pride and happiness. Once again, we witnessed ho…

The origins of Singing Wells Story

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…ough a series of e-mails that travelled the world, Tabu and I were brought together by Joyce Nyairo, then of the Ford Foundation, East Africa office. After several long e-mail exchanges and a few Skype calls, we agreed to start the Singing Wells project. We both knew we wanted to do something to preserve the music but it took us a while to define exactly what to do. Finally there was a eureka moment – the best thing we could do was to go the music…

Day 8: Entebbe to Nairobi and Ketebul Studios Story

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…had a chance to interview Tabu about the Uganda trip: Q: What did you want to get out of the trip?. A: In each of our trips I’m trying to focus on the one or two things the region is know for. In the coastal regions of Kenya, I wanted to make sure we recorded their shakers, the Kayamba (hand shaken idiophones with dried seeds inside), the Lungo (broken glass moved in a big bowl) and Ndema (2 brass rings played in ringing and muted tones). In the R…

Day 7 (pm): Recording at the Airport Guesthouse, Entebbe Story

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…ened: the rebels arrived to his village and asked him to show them the way to town. In a way this was a blessing, because his family was saved (often, on abduction, the rest of the child’s family would be killed, so they’d feel angry, distant and unable to return home). Once they arrived at the town they wouldn’t let Odika go and it was clear he was a prisoner. He only managed to escape once the rebels believed he was one of them, and stopped watc…

Day 7 (am) – back to Kampala: Naguru to Entebbe Story

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…ion caused by the war. The name translates tohow much is left’ referring to how the war hasn’t taken everything in the North, they still have happiness. The next song was called ‘Yom Chunya‘ is of a similar style, and it means ‘my heart is happy’. They then sang a song in part English and part Swahili, called ‘Pearl of Africa‘. This was actually written by Jimmy Adokwun around five years ago, but it uses traditional styles to convey their messag…

Hannah interviews Evelyn Ojok – Acet, Northern Uganda News

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…their story..     Tell me about your group: Ume Udoko Mit started to sing together before the war, but we had to stop during the war because most of us were moved to IDP camps where we had little time to rehearse together and the conditions were too bad. Now we sing and dance together all the time, we are only women (our style of ‘Apiri’ in Acholi is typically only performed by the women). Today the reason there was a man playing the drums is bec…

Northern Uganda: Day 6 – Soroti to Kampala (a driving story) Story

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…g to a clapper board and keep recording through the whole take. We learned to get all the computer and cameras on the same time signature. We learned the roles of each camera (1 is stationary, full group, 2 is politely called fingers/feet and faces and 3 is context and overcoming the weaknesses of 1 and 2’s position). We even sorted out after a while how to stop the groups from starting the song while our poor clapper board person (Nick) was still…

An Evening with Mserego Mwatela Group News

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…et your group is so young and vibrant. How have you managed to do this? A: To get the young people involved I decided to go to schools and teach music. I compose new material with my students and come up with something they like. I watch how they dance and whether they feel the rhythms and I try to teach them what I’m doing, but I also adapt to how they feel the music. I let them take the music where they want to take it as long as it is rooted in…

Northern Uganda: Day 6 – Soroti to Obuell-Lira to Soroti Story

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…second half of the day was, well, not so good. We needed to leave at 13:00 to get to Kampala before nightfall. No night driving is a Singing Wells rule given how scary the roads are. We actually left at 12:45 and got about 20 minutes outside of Soroti only to have a car breakdown. So we had to turn around and get back to Soriti for a quick welding (by a guy on the street in flip flops..). We didn’t leave Soroti until about 15:30, knowing we now fa…

Northern Uganda: Day 5 – from Pakwach to Soroti (a road trip) Story

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…teed to find a beautiful Ugandan child smiling beneath it. The women are altogether different, carrying baskets of nuts and spices, water jugs, charcoal, thatched bundles, etc…. This, of course, gives them a ram rod straight posture, giving them a majectic air and a very practical crown. Before talking about the markets, let’s now talk about the middle of the road, where the vehicles are. There are two types of African roads. r oads in the day. An…

Northern Uganda: Day 4 – night recording at Fort Murchison Story

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…scrambling we managed to invite our second group of the day, Cieng Dwong, to travel to us from their village Alebtong. All well and good, but our poor travelers didn’t arrive with us until about 1900, by which time it was pretty dark – okay, very dark. The good news is we have good lighting equipment. The bad news, good lights attract bugs. These are Nile bugs, mind you, so in addition to the millions of little moths you’d expect, we had bat size…

Northern Uganda: Day 4 – Pakwach to Widiang’a, Nebbi Story

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…ing around then usual and the 150 kids around us had a great time. We then took the time to solo each instrument given the quality of the musicians. The started with the Rigi Rigi, where Owach Tartizio sang Obimo. We then featured the Adungu, with Okumu Jolly playing Lwangni. And finally, we recorded the Ndara with Omiya Charles playing Mbeta. We loved these musicians the fun of the traditional dances. You got mad at the stubborn girl, you got sca…