Day 6: Recording the Tugen & back to Nairobi Story
…a damaged tube that just wore out. We reassembled and headed off for a spectacular trip from an altitude of 2,800m down to 1,114m at one of the floors of the Great Rift Valley. The roads were more winding and steeper than on our trip to Rwanda last November but there was no rain and there were guard rails on the roadside which made it all feel safer….
Day 5: Recording the Marakwet Story
…ty to interview Tabu in detail about his ancestry. The only issue was, the more animated he became, the slower we went. So we knew that the more interesting the trip the longer it would take and tried to get the balance right between good questions to Tabu and long silences to let him drive faster. 80kms later we rediscovered a beautiful tarmac road that led us directly up into the hills. Long, winding roads taking us up and down hills. Every acre…
Day 4: the Pokot Tribes Story
…uring their dance, playing guitar. Third key event: we travelled back to Eldoret and are staying at the Eldoret Club. This gave Jimmy time to do detailed interviews with Eddie and Nick. There are separate blogs here, which provide some more observations on what Ketebul Music and and now Singing Wells has done to the team’s view of modern music and more importantly, African music. For the record, the Ketebul crew all reported that the meal at the E…
Day 3 continued – an interview with Steve Kivutia Story
…oys (recorded for Singing Wells in Kisumu, Lake Victoria) were amazing and more modern than most music today. The Clapperboard Today was the first day we used the ‘clapperboard’. First a little background to this…… Singing Wells has always been about the music so our initial focus was on audio recording. We invested in first class audio equipment and can record using 8 mics directly into Pro Tools. But during the March Pilot programme, we realised…
Day 3: Kitale to Kapsokwony, Kenya Story
…e posse. As Kathy pointed out to Teriet, the real hero of the song was the dog, not poor Sigerer, who’s sole role was really to walk to Uganda and back and die. Masirtarit Finally, we recorded the ill-fated Masirtarit, a wonderful female folk choir with great songs. They had waited all day for their turn only to find the rain arrived to join them. We did record one wonderful take which will be part of Singing Wells, but they deserved far more. …
Singing Wells – Origins News
…ots. Our most popular musicians find far more inspiration in western music than they do with East African music. I worry about this. As a people, we risk losing our deep cultural heritage – the role of traditional music and dance in our lives. And as musicians, we risk becoming undifferentiated. Rather than drawing upon what makes us unique we risk our voices being lost in the sea of American and British groups’. At Ketebul Music, Tabu recruits an…
Day 1: In Nairobi, packing and talking to Tabu Story
…s lost forever. Tabu came up with the idea of ‘going to the tribes’ rather than dragging the tribes to studios” He describes the Singing Wells approach to mobile recording: “Recording the tribes in their home villages is very different than recording them in the studio. In the villages the people are confident. They have their families and friends there who they feel comfortable and proud to perform in front of. Studios don’t exist near these vill…
Bill Odidi reporting on Singing Wells from London News
…ravelled to London in August as part of Ketebul Music’s ‘Kenya @ 50’ music documentary. He teamed up with Andy Patterson while he was here and together they conducted a number of interviews with Kenyan musicians who are now based in the UK. They also had the chance to visit Kenya House in Stratford as a guest of our friends at the Kenya Tourist Board. Here’s Bill’s article published in Business Daily Africa: http://www.businessdailyafrica.com/Wher…
How to Map 3: Prepare Your Data News
…will be applicable, but here are some things you need to think about when preparing your data: The title of each column must not exceed 14 characters. The shorter the better. E.g. instead of ‘Number of Unicorns’, have ‘unic_no’. None of the cells of your Excel file can contain more than 256 characters. Make sure there are no hidden characters such as spaces or backspaces in any of the data cells. Anything upon which a join will be based, e.g. coun…
How to Map 2: The Map Outline News
…displays the data you are about to download – an outline of the United Kingdom. Click Download. This will download a .zip file called, in this case, GBR_adm.zip. Open it up and take a look. What you will see is a crazy number of files, none of which your computer seems to really recognise. Don’t panic. What you’re seeing is just a few shapefiles (remember shapefiles? No? Let me jog your memory). As we’re looking at the shapefiles in the C: drive r…
Victoria’s reflections on the music of the Batwa Story
…Singing Wells project can have in East Africa. I can see that it’s so much more than a project to record and preserve the traditional music of the region. It’s about helping communities, celebrating their pride in their music heritage, giving them a voice, showing them that their music is valued and valuable. And, of course, it’s also about providing a new source of income for them. And there was no better place to witness the impact of the Singin…
Day 4: Discovery of the Young Stars… Story
…played the Nyangile). Let us tell a bit more about the Nyangile: Below is more detail on the Nyangile and we’ll try to explain how it works. The musician holds two ogeng’, one in his right hand, one in his right big toe. Both are placed on the box. With his left hand he hits either ring (with different sounds), or the side of the box or the top of the box (with different sounds). He also has the option, and this is where it begins to sound more l…
Day 3: Homa Bay and the Kochia Dancers Story
…ow, with recording equipment set up under the bar and the dancers ready to do their stuff… The Kochia Dancers Today is all about dances, so our videos will be much better than still photographs. Let us introduce you to the dancers; here in full glory are the Kochia Dancers who dance in the Ramogi style of dance (ref: for a great article on the Ramogi dance of the Luo, by Helen Odwar, click here): https://youtu.be/_qVuMFLJ9-M https://youtu.be/pwVlH…
Day 2: Focus on the Nyatiti, Orutu and DRUMS! Story
…my on Camera 2 filming Organda Joginda: Andy resting after setting up microphones: And Steve working as chief engineer on this session (Macbook Pro and two Motu audio interfaces on top of our trusted Pelicase, which acts as storage for all equipment, chair and table….in the back of the truck that will see us throughout Western Kenya: Finally, here’s Willie setting up a lapel mic for Okumu Korengo Thanks for listening. The Singing Wells Team 29th N…
Day 1: The music of the Luo – starting at Rang’ala Village Story
…tail the core instruments. Here, we almost start at the end, recording Osumba Rateng’s band, the Sega Sega Band: 5-6 vocalists and a couple of guitarists. https://youtu.be/pp_O-MYVbjg https://youtu.be/BUttehOfnKk https://youtu.be/-uRDY4G3_mo https://youtu.be/Z8N3nkdSB5g The Dodo Group Featuring Ogoya Nengo. The group sings in the Do Do style. Ogoya has exremely strong vocals and there are four ‘shaker’ players and amazing drummer and a set of da…
From Kisoro to Nairobi to Lake Victoria Story
…under the colonial regime. This is what created the tension with the Hutus more than anything else. But keep in mind – when the slaughter happened it was the decedents of folks with less than 10 cows slaughtering the decedents of folks with more than 10 cows. 250,000 people are buried in mass graves 50 metres from the memorial centre. What is hardest to understand, travelling through Kigali, is that the slaughter started here. This is an urban cen…