Bigilia Group Group
…gs, including Magic Moments and Influences Sessions: Zakulola: You’ve come to see us play Wake Kwa Ume: Female to male Nataka kusema kasi naogopa: I would like to say something but I am afraid Umpati Ng’o: You’re never going to get them Magic Moment 1 Utalikologa Utalinywa: If you mix it, you’ll drink it. Tueheze Zembwela (local dialect) Bonanza Nataka Kusema: Includes a song with Leo, which is ‘I want to say’ Utalikologa Utalinywa: If you mix it,…
Day 9 – Sunday 9th July 2017 Story
…rts and why); strings number; playing techniques (position of instrument; hands positioning and fingers involved in playing; plucking techniques); tuning and sound (central string, sound spectrum, twin strings, accompanying instruments in both traditional context and modern instrumental ensemble, technical innovations and developments); transmission methods; community occasions played in; taboos and beliefs surrounding the instrument; etc. We also…
3. Background of the Naizungwe drums Story
…aguzo regalia which also include entenga are played with sticks. Generally, there are overlaps but the manner of playing differs and the Baganda and Basoga people can recognize the differences….
Day One: The Iteso People and their Music Story
…d Bass, that is big enough for bass player and a percussionist who sits on back to play the ‘kick’ drum. You then have the 9 string ‘rhythm instrument, the Seketa and the 9 String ‘Solo’. Percussion includes: The ‘drum set’ of drums, bottle tops for snares and a plate serving as ride. The set is called the Achaeket. The shakers are called the Itwol. The ring is called the Edongot. Between their core songs, influences and a magic moment, we had a l…
Our Sponsors Page
…Kalenjin, March 2012 Thank you to Anne for her kind and generous donation to towards our 2012 field recording visit to Kenya. Read all about it here. http://www.annewright.com/index.asp Institute of International Education Type of sponsorship: Field Recording Visit, Music of the Batwa, Uganda 2011 Through our relationship with The Ford Foundation we were able to apply for a grant from the IIE to fund our field recording visit to Kisoro in south…
Day 1 – Saturday 1st July 2017 Story
…yet from Alego area (Siaya County), who was a part of our team as a fixer and translator. The main objective of this semi‐interview was to define, at least, approximatively, the different stages of nyatiti making before arrival to the field in order to plan on filming economically. According to what was explained by Rapasa, who also makes the instruments, we identified 9 stages of nyatiti making. This would later facilitate following the instrume…
Day two: From Sirisia to Mabuyole Falls Story
…ment) Litungu: multi-stringed instrument Chisasi: Shakers Luengere: Rattles Eng’oma: Drums They played five songs: Walunywa: A song about the local brew Aburende: You need the right person in power to get what you need Omuinda: Share your wealth and good fortune with generosity. Liloba: The soil ultimately takes everyone away. You will return to it. Ekombe: Heaven. In the song, someone goes away to heaven. From there, we retreated to our hotel in…
Here for the Music? Page
…ur choice of formats. The proceeds from the sale of our albums will be fed back to the musicians involved in the recordings, wherever possible. Galleries As well as filming and recording, our incredible team also find moments to take some beautiful photography of our surroundings. Head here to see some images of our time on the field, the people we meet and the stunning scenery. YouTube You can find the full collection of our video recordings on o…
Liwambwe Group
…ars. They had unique drums, including small drums with wooden spikes on bottom to be embedded in sand, called the Siganga. They also had a pair of drums called the Likuti and a long drum called the Msondo, and a very long thin drum called a Neya. In the dance they had a character in a mask called a Lipiko, who wore a vest called a Mjuga. They played five songs: Malala Kujunga: Essentially means ‘be calm and quite, we are about to perform and need…
Page
…s and songwriters to show how this “traditional” music is still relevant into today’s modern world. Below you will find links to the musical loops we have selected that are available to download for the project, If you are interested in joining the Global Influences Project, you can download the project brief here or get in touch with us with any questions you may have. SUBMISSIONS FOR THIS PROJECT ARE NOW CLOSED. Click here to access the Global…
Day One: February 16, 2020 (Ngawala Hotel) Story
…first day of recording, we follow Siti Binti Saad’s footsteps to Bi Kidude and to Amina Abdalla, a performer we met on the grounds of the Ngawala Hotel (Coincidently, Ngawala is another name for Dhow), where we recorded three groups. Nyota Za Meremeta – The group’s name means ‘twinkling stars’. They play in the Taarab style and are led by Professor Mohamed Ilyas, who played at the Serena Zanzibar Hotel for over twenty years and teaches at the D…
Day Four: January 21 2019 Mwanza Story
…ttled on Man 2 who was even poorer. Meanwhile Man 1 got rich and lady came back to him and the song asks, “So how did it end up?” Magic Moment on a song Ndono. They then did a lot of dances with ‘modern’ music on speakers. https://youtu.be/uRfFn7ZgUrU Group 2: Camera: Camera, who has been performing since 1999, is from Nzega and from the Sukuma community, playing in the Kadete style. Camera plays the Kadete (like the Zeze from earlier and Orutu fr…
Day Five: January 22, 2019 Mwanza Continued Story
…, Akafotho (hand whistling), Enganja: Clapper – two wooden ‘bricks’ struck together, and they wear Ebisheshe (grasses). We recorded four performances: Wachumba Walya: A song about someone who is too mean-spirited to support his community even though he has lots of money, it is about a man “who eats along, without his brother’ Ntelela Engoma: A song about living with respect to traditional ways Basigazi Fura Emyende: A song about overcoming all of…
Recording, archiving and sharing the traditional music of East Africa Page
…sic heritage of the region and to help make this legacy relevant and fresh to today’s audiences. As a group of sound and video engineers, producers and musicians, we set out on this mission not to become ‘fossil collectors’ and store the recordings in inaccessible archives. We work with musicians to make sure their music traditions continue to be practiced, can be shared amongst the widest audiences and become a source of inspiration for new music…
Imachina Group
…the wedding. Khuchende Pole: This song is telling everyone to walk slowly to and from the wedding so all the people can gather and honour the bride and groom. The Shishebo process – this is about rites of passage, and specifically male circumcision. The songs include: Bikubanda: This is a song that mocks other tribes and peoples that don’t carry out these rituals and ‘are afraid of the knife.’ Nuli Musata: This is a song that is encouraging the y…
Global Influences Project: Loop Library Page
…around. Okumu Korengo also played all instruments, accompanied by dancers and back up vocals. You can learn more about the group here. You can watch the full visual performance of this song on our Youtube channel by clicking here. Download the loop singingwells · SW Samples – Nyatiti Group 158BPM singingwells · SW Samples – Kidinda Cultural Group 158BPM Kidinda Cultural Group – 158BPM The group are from Kidinda, Uganda. They play music in the Kid…