Central Uganda: Day 4 – Jinja Story
…s/traditions and can train the youths. One already died in May to move the number from 4 to 3 and one of the three surviving is very ill. But it is almost certain, now that the trumpets won’t disappear. Young people have some interest, thankfully, and are learning.” Click here for further reading on the Bigwala. Here’s their music: Adagha Nalya Drama Group Our second group was from the Bukoona Village and called the Adagha Nalya Drama Group. Their…
Central Uganda: Day 3 – From Mbale to Iganga to Jinja Story
…oir with alternating lead vocals. Their style is Embaire, which is the xylophone. Their instruments were: Embaire, Xylophone Endigidi, tube fiddle Enkwanzi, pan pipes The performance was simply spectacular. Our search for the best xylophone players in Uganda is declared over! What a group. Obutasoma (Education), with lead singer Muniru Ayubu Obwiire Bukyeire (The Time Has Come), with lead singer Kisubi Eliasa Magic Moment: We loved the xylophone a…
Central Uganda: Day 2 – Kampala to Budaka Story
…d are more formally trained. They act as music judges and help to identify new talent. Most of the members are teachers that are being trained and are training. They are highly creative and dramatic.” The Namaddu Troupe The second group was the Namaddu Troupe, with 28 members and was formed in April 2009, led by Ndoboli Ramathan, and from Lyama Sub County. Their style of music was Namaddu Dance. Their costumes were Gomasi, Kanzu and skins (emondo-…
Central Uganda: Day 1 – From Entebbe to Kidinda Story
…Nandi Kulamudde: This is the story of the older, dead king, talking to the new king. He offers to help the new king but complains that first someone will need to wake him up. The Amadinda percussion reminded us a lot of the Likembe bands of Northern Uganda— very soothing and seductive rhythms. For the last two songs they were joined by Passy Nassonko the lead female singer of the Kika Boys Cultural Troupe (our second group). We talked to James Isa…
Discussions with Peter Cooke: ethnomusicologist and Ugandan music expert News
…ter had recorded much royal music. Excitingly, we also learned that Peter knew Musisi, one of the last remaining entenga players from the Buganda Palace, whom we met during our last trip in December 2015. Musisi is now working with James at Kyambogo to implement our entenga restoration scheme to preserve and promote this traditional instrument for future generations. Students practice entenga drum-chime at Kyambogo in 1968 (Musisi is furthest from…
Before They Pass Away News
…remonies that tribal people believe is crucial to gaining wealth. In Papua New Guinea’s highlands, he recorded how the Huli people shave their heads when they become a man, and continue to do so every day. With that hair they create wig that they decorate with feathers from birds, and that wig is a personal project that they continue to add to throughout their lives. He followed the Samburu people in Northern Kenya as they travelled across the lan…
Happy new year from Singing Wells News
Happy new year! We hope your 2016s have gotten off to a good start, and that you’ve been bringing in the year by listening to lots of traditional East African music. Before we start posting exciting news about the upcoming year, here’s a quick recap of what we got up to in 2015: 1. We went discovering the lost music of the Ugandan Kingdoms In Nov/ Dec 2015 we travelled between Kampala and Jinja in Uganda in search of the lost music and musicians…
Rediscovering Afropop and its influences News
…acted as influences (see more on our influences work here) and have helped newer genres form. The same works in the opposite direction of course, and African popular music has emerged as a combination of traditional African music and an adoption of certain elements – particularly some musical instruments and recording techniques – from Western music. Last week I was in a taxi driving through Nairobi’s Westlands and talking to a girl about Sauti So…
Meeting Ketebul: an interview with Tabu News
…lay a very important part of bridging the gap between young Kenyans in the city who don’t go to the villages and might never hear the traditional music of Kenya, and old musicians don’t come to the city. We can only make traditional music popular with access to it. But why is this so important to you, specifically? I care deeply about culture. You cannot do without music in this world. Everything is tied to music, it’s important! We want to celebr…
Our top 5 Singing Wells songs for March News
I’m new to Singing Wells and I’ve spent the last few weeks listening to pretty much every song on the site, getting to know the amazing traditional music of East Africa! It was tough to pick, but for my first blog post I thought I’d share my top 5 songs so far. 1. Otacho Young Stars – Amilo Love The Singing Wells team first encountered the Otacho Young Stars group on a trip to record the music of the Luo in Western Kenya in December 2011. They we…
Singing Wells is on Bozza! News
There’s now a new way for audiences to discover and listen to traditional East African musicians and music groups recorded by Singing Wells. Head over to our Bozza page here. About Bozza “Bozza is a plug & play solution for musicians, poets, photographers & film makers to promote and sell their digital products to their fans throughout Africa. The platform is available to emerging and established artists from around the continent and can be easil…
Music Depositories and Archives around the World News
…Incoporated in 1948, under the name Folkways Records & Service Co., in New York City by Moses Asch and Marian Distler, it was one of the first record labels to offer world music as a viable commercial product and became incredibly successful. After Asch’s death in 1987, Folkways was acquired by Smithsonian and, under the terms of the contract, Smithsonian had to keep nearly all of the albums ‘in print’ forever, for posterity. It honours this throu…
Archiving Guidelines News
…they are still able to be played back in the long term, due to support for new media or data formats – as in conjunction with OAIS. Chapter 7, Small Scale Approaches to Digital Storage Systems, is of particular use because it contains straightforward information for smaller would-be archives, such as those wishing to archive East African music, concerning both the digitisation of audio or the online storage of the data. It cites two viable options…
Singing Wells in Numbers…. News
…Andy did a litte homework for this one: Number of recordings of groups: 374 (this does not include other recordings like Magic Moments, Influences, etc…) Number of groups recorded: 83 Number of hours of music: 27 hours and 30 minutes. …
ILAM, Repatriation and Jimmie Rodgers/Chemirocha News
…Africa is forever evolving. It is wonderful that Jimmie Rogers inspired a new song and it is amazing that the Otacho Young Stars were inspired to sing a song about a factory manager. At Singing Wells, we do not celebrate static village music – that would be to deny the very essence of music, which is to evolve organically as the musicians are inspired by new things. We simply want to celebrate the evolution of music that innovates while building…
James Isabirye and Tabu Osusa Discuss East African Music News
…have is our ‘everything now’ culture. 50 years ago, if you got a job, you knew that if you worked hard and stayed with the job and got promoted you could buy a home for your family, or a car. Or help your children to be educated. Once you got a job, you knew not to lose it. Now people work for a little bit and then quit and they complain about how hard life is. I tell them, “Why did you stop the job? You just lost a home, or education for your chi…