Day Four: February 19, 2020 (Maruhabi Palace) Story
…et us at with the first group and brought us to this one. They sing and perform mainly for weddings and celebrations. Performers: (all male): Juma Fadhul Juma (leader and secretary but did not participate), Fadhili Faki (director and plays violin), Mohamed Khamisi (violin), Khamisi Vuai (bongos), Khamisi Bato (bongos), Ameri Sefu ( Sanduku – sinle string base), Ahmed Juma (sticks and table), Sheha Makame (shaker= cherewa) Dancers and chorus (all…
Here for Research? Page
…ur daily reports written from the field during our yearly trips. Head here for detailed information about the performances we record, the musicians we meet and the instruments that they are playing. Alongside this, expect interviews, historical information and first hand accounts of the way East African music has developed and grown. Instruments In depth information and photography of the different musical instruments used in East Africa. This dat…
Day Three: 9 March 2022 (Kisumu) Story
…was Olith Ratego, a musician whose unique dodo style is one of the oldest forms of music performed by the Luo people of Western Kenya. Olith Ratego is a self-taught musician who plays a musical instrument fashioned by himself. It is a replica of the nyatiti (an eight stringed traditional lyre), which he calls okoddo and is modified to the pentatonic scale. Olith Ratego’s recording session went uninterrupted and was completed shortly before 6:00pm…
Here for the Music? Page
…find moments to take some beautiful photography of our surroundings. Head here to see some images of our time on the field, the people we meet and the stunning scenery. YouTube You can find the full collection of our video recordings on our Youtube channel. With over 500+ videos for you to choose from, delve into the world of East African music and dance with us. “We set out on this mission not to become ‘fossil collectors’… We work with musicia…
Matende Culture Isukuti Youth Group Group
…essions’ for different ceremonies, so we asked them to play a couple songs for each type of ceremony. They performed the following: Songs around a “Bull Fight” or Mayo Dance Woyo: The song you sing as you move to the venue to watch two bulls fight Ndulu Mumbo: The song you sing to celebrate the winning bull Songs around a funeral (Lwikhulu): Tsimbasi Tsia Mama: A song to console the mother who has lost a loved one. Mwoyo Kulimbila Mwikulu: After y…
Support Singing Wells Page
…inging Wells recording session. Each group receives a payment for their performance, which they can use to help them continue practicing and performing in the future. The songs and videos we record are archived and published, giving each group further opportunities to gain an income from their music. Our Gift to You As well as a special thank you on our website, we’ll send you details of the song your donation funded and an MP3 download of the tra…
Day Zero: February 15, 2020 – Assemble in Zanzibar Story
…time. Muhsin…decided to teach her…at the time it was considered immoral for women to join taarab groups and sing in public… She helped …transform taarab to the point where woman are now usually the lead singers. …Between 1928 and 1950 she recorded over 150 recovers…It is through her recordings …that Taarab became widely accessible. Later, further Egyptian influence was incorporated into the genre by including full string sections as well as a…
Imachina Group
…is for weddings. The songs include: Hoya: This is encouraging the groom to forward and be welcome. Mbabo: This is about everyone coming together for the wedding. Khuchende Pole: This song is telling everyone to walk slowly to and from the wedding so all the people can gather and honour the bride and groom. The Shishebo process – this is about rites of passage, and specifically male circumcision. The songs include: Bikubanda: This is a song that mo…
Global Influences Project: Artist Submissions Page
…ten ignore the paths taken right before them. The two sides always looking for each other but never meeting. For the song I used samples from the Ohangla drum solo and the nyatiti group singing. I wanted to feel like a part of their band, trying to figure out how I would contribute to their style of music and have this conversation spiritually with them.” You can hear more of his music on Soundcloud:soundcloud.com/amzi-odek Want to get involved in…
Super Phoenix Band Group
…fers to a rich man who askes a young man to watch after his house while he travels constantly for business. Soon the young man starts to pretend the house is his and also propositions the man’s wife to be with him. More generally, it is about many Kenyans that are asked to watch cars, or trucks or possessions and begin to tell others that they are the real owners. Mukangala instrumental as influences session with Fadhilee, our influences artist. W…
Recording, archiving and sharing the traditional music of East Africa Page
…be shared amongst the widest audiences and become a source of inspiration for new musicians. Here for Research? Click here! Whether you are a Musicologist, a student or just interested in the field, head this way to see more of our detailed field reports, group biographies and in-depth information regarding the various different instruments and styles of music we have encountered on our field trips. Here for the Music? Click here! Want to just en…
The Revival of the Entongooli Page
…h. All of the bark is trimmed off of this wood during the process to allow for a smooth base ready for the next stage: Cow dung! Getting things Dung! Excuse the pun, but there is no way around this fascinating part of the process! To protect the base of the Entongooli, the maker must smear it with cow dung, coat it entirely and then leave it to dry. This process is to protect the wood from cracking, and also to protect it from weevils and insects…
Field Recording Report by Kahithe Kiiru Story
…lead and one rhythm, a water dispenser drum and vocals only, the group performed for us six original compositions. Among them, the popular hit composed by Luseno in 2006 entitled “Mukangala”. This inspired Fadhilee to join in and we recorded “Mukangala” Influences. Fadhilee also shared one of his original compositions called “We don’t know”, which we recorded in two versions, accompanied by Itenya on guitar only and accompanied by his back-vocals…
Day Two: 8 March 2022 (Ilesi) Story
…d our technical team went straight to work, setting up the musicians but before we could start recording, and just as the previous evening’s session, it started to rain. Luckily we were partially indoors so we did not get too wet. After about an hour the skies cleared and we were able to resume the recording session. However it took a bit of time for the group to get some of their traditional instruments, including the adeu deu, in tune in with th…
2. Naizungwe Drums – progress report 1 Story
…sizes. We decided to make many because we would like to have enough drums for training a new generation of players. However, the basic number includes: 1 large Uganda drum (played with short heavy beaters) 3 smaller drums (played with long curved sticks) 1 medium drum (played with sticks) 1 long drum (ngalabi – hand-beaten) All together, 6 drums. Therefore, we are making four sets of naizungwe drums mainly to facilitate learning.” Below is a vide…
Day 2: Sunday, 2017 February 19th Story
…l ages participated and you had a feeling that the young people still really enjoyed the traditional dances. Here, the women are discussing how best to perform their dance for Sophie: And that was day two. A short drive back to the hotel….