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73,603 views on YouTube News

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…was the very first video we uploaded to YouTube following our field visit to the Coast Region to record the music of the Mijikenda tribes.     Is second place is a video from our field visit to Kisoro in south west Uganda where we met and recorded the wonderful Batwa people. The music is performed by Kamuntu ‘Tiny’ Moses accompanied by our Influences artist Winyo.     And in first place with over 21,700 views is ’71 Hours to Monday’- a global tra…

A new type of city Story

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…n the distance. Despite this unconventional type of city,I loved it. There was certainly a lot going on and during the week Akello told us many stories of the vibrant buzz in Kampala. Every night there’s music to listen to somewhere in the packed hub of 180,000 people . The image above of the tin houses and the Uganda House of Commons in the background was one of the first pictures I took on the trip….

The Boy with the Headphones Story

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…oys who were intrigued with all our recording equipment. Andy invited them to listen to a playback of one of the songs through his headphones and this particular boy overcame his shyness to have give it a try.   We could see how hard life is for the Batwa, living on small pieces of borrowed land on the fringes of society but the performance of the Mperwa Dancers did not portray this – it was full of pride and happiness. Once again, we witnessed ho…

The origins of Singing Wells Story

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…t will soon die out, leaving videos and songs in the archives. We also had to work to make this music relevant and important to contemporary artists. A key part of a field visit, therefore, is to bring contemporary African musicians with us to perform with the tribal groups and to write new music influenced by these sessions. Winyo, a wonderful singer/songwriter with Ketebul Music, is one of our Influences artists and has been with us on three Sin…

Day 9 (AM): Ketebul Studio – Influences session for Cheri Story

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…involves about 9 days in the field recording new groups AND then we return to Nairobi to work in the studio with tribal musicians discovered previously. Yesterday we worked with Mwenzele-Nyerere wa Konde Music Club on five studio songs. Today, we brought them back in to work with Stanley on his song Cheri, featuring Macadem. Here’s how the process worked today: Jaybee first worked with Stanley, Bishop and Johnnie to get the basic song structure do…

Day 8: Entebbe to Nairobi and Ketebul Studios Story

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…nting: Drove 8 minutes to Airport. About 600 meters outside airport we had to stop and all get out of van and go through a metal detector. There was a large sign telling us not to bring in pistols and rifles. The van was then searched. At airport, we had to unload bags at departures, take them by trolly to bottom of stairs. Take all bags up the stairs. Find new trolly and proceed to next stage. All this would be fairly straightforward except we ha…

Day 7 (pm): Recording at the Airport Guesthouse, Entebbe Story

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…ened: the rebels arrived to his village and asked him to show them the way to town. In a way this was a blessing, because his family was saved (often, on abduction, the rest of the child’s family would be killed, so they’d feel angry, distant and unable to return home). Once they arrived at the town they wouldn’t let Odika go and it was clear he was a prisoner. He only managed to escape once the rebels believed he was one of them, and stopped watc…

Promotion of Batwa cultural music: UOBDU report March 2013 News

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…ng the performance of music and drama to local audience and to allow UOBDU to monitor and update the performance of the groups visited by The Abubilla Music Foundation. During the visit the members met six Batwa dancing groups from different communities which includes among others Birara, Mperwa, Kanyabukungu. Mikingo, Gatera and Kabahenda from Kisoro district. This report therefore shows various progresses from different Batwa groups. Monitoring…

Day 7 (am) – back to Kampala: Naguru to Entebbe Story

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…kum, not far from Gulu up in Northern Uganda, and moved down to Kampala during the war. We love the instrument they played, the Nanga (below) so much we asked if they would join us in Entebbe to record more songs with Akello. We asked them to come with us to our next stop: our hotel in Entebbe, purely because we were desperate to have more time with the stunning musicians we met in the city. During the two hour drive to Entebbe we talked with Watm…

An Evening with Mserego Mwatela Group News

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…have you managed to do this? A: To get the young people involved I decided to go to schools and teach music. I compose new material with my students and come up with something they like. I watch how they dance and whether they feel the rhythms and I try to teach them what I’m doing, but I also adapt to how they feel the music. I let them take the music where they want to take it as long as it is rooted in our traditions. I just watch them dance an…

Northern Uganda: Day 6 – Soroti to Kampala (a driving story) Story

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…he weaknesses of 1 and 2’s position). We even sorted out after a while how to stop the groups from starting the song while our poor clapper board person (Nick) was still running from the shot. Third, we then had to sort out interviews and research. We’re really good now at doing interviews on songs, villages and groups and supporting that with research. This all sounds like pretty basic things and we agree. But imagine arriving at a village that h…

Northern Uganda: Day 6 – Soroti to Obuell-Lira to Soroti Story

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…Uganda Army then re-took control of the area. One of their first acts was to go to each village and accuse them of collaborating, typically killing the men under the assumption that they must have fought with the rebels. For Joshua, this was a terrifying moment because the band was known to have played to the rebels. Again, a group of soldiers came into their village and again their mission was to kill the men and boys of the village. And again,…

How music archives can help communities News

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…tylistic traditions of old. The Klaus Wachsmann collection is being repatriated to Uganda at the Makerere University in Kampala. The curator of the music archive is Dr. Sylvia Antonia Nannyonga-Tamusuza who we will be meeting while we are in Uganda next week. Click here to link to the Klaus Wachsmann Music Archive.   References Ethnomusicology in East Africa: Perspectives from Uganda and Beyond Published in 2012 by Fountain Publishers, Kampala. Ed…

Singing Wells – The Story So Far News

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…and buy a copy! You can buy a copy of the Singing Wells book at the Blurb Bookstore – just click this link: Singing Wells – The Story So Far The profits we receive from the sale of each book go directly to our UK charity The Abubilla Music Foundation which supports the Singing Wells project. Your donation will help give much needed financial support to tribal music groups in East Africa. By supporting these artists, we can help them keep their cu…

ATTA is following Singing Wells News

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…bout Singing Wells and our aims to record and celebrate the cultural music heritage of East Africa. It seems Nigel liked what I told him! Operations Manager Lina Vaiksnoriene has been in touch and ATTA are now following our progress on our website and Facebook. We are delighted that Singing Wells is featured on the front page of their website under the ‘ATTA Likes’ banner! Thank you ATTA – we will keep you posted on our travels in East Africa with…

Reporting back on recording trip to Kisoro, SW Uganda News

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…n Uganda today. The following week, we invited ten of the Batwa performers to the Ketebul Music studios in Nairobi to record more songs, and in particular, collaborate with contemporary music artists to generate new material for ‘Influences’ – a series of new songs influenced and inspired by traditional themes. Our aim is to provide a lasting benefit for the Batwa community in Uganda and we are doing this through our continuing relationship with U…