Umoja Wa Kusini Group
…he ‘girlfriend will come back.’ Rushwa Magic Moment 1: just vocals Magic Moment 2: percussion Malalanga: this is about being quiet because a performance is starting Magic Moment 3: Francis singing ‘Alelewani’ solo. Alelewani with full group Mikocheni Makongwe Malowe Magic Moment 4: Daudi Fernando Joseph plays the drums in style of Mzee Morris…
Albums Introduction Page
One of the main aims of The Singing Wells project is to record and share the music we record in East Africa and one of the ways in which we can share this music is through our albums series. For each project we undertake, we curate an album of the resulting recordings. In most cases, this will include at least one recording from each group recorded. Where it works artistically, we’ll arrange the tracks on the album in chronological order of the r…
The Kalenjin of Kenya Album
…e track ‘Kamitol’) and secondly the Takar group – their Korutan and Chepo Mining making it through past technical difficulties on set. The very visual performances of the and the Sagat group (their image is on the cover) and the Embolet are both represented on the album. The final field day of the trip was spent recording the Tugen. The vocal harmonies of the performances have been captured well, with The Elimu Cultural Promoters and the Kewamoi W…
Global Influences Project: Loop Library Page
…ral Group – 154BPM Nyatiti group – 158bpm Kidinda Cultural Group – 158bpm singingwells · SW Samples – Adungu Cultural Troupe 111BPM Adungu Cultural Troupe – 111BPM The Adungu Cultural troupe are based in Kampala, Uganda and the main focus of their music is (you guessed it) the Adungu. You can find out more about the band here. You can watch the full visual performance of this song on our Youtube channel by clicking here. Download the loop Aloka Oh…
Field Recording Report by Kahithe Kiiru Story
…” and “Agneta Mama”. We also recorded an Influencessession with Fadhilee joining them on the third guitar. Finally, the last session of SW Western Kenya fieldtrip was recording Johnstone Mukabi, the son of legendary George Mukabi, founder of omutibomusic genre and one of the most prominent figures of Luhya music history. Travelling from Eldoret town, Johnstone arrived to the set late and upon arrival immediately sat behind his guitar for recording…
Elgon Ngoma Troupe Group
…ungu), Wamumdu Albashir (bass Adungu), Kyasowbayo Joseph (xylophone) and Dkining David (tube fiddle). The songs played were: “Isongja”: a pre-circumcision song and dance where boys are challenged to get ready for the ritual. “Kadodi Imbalu Dance”: this is about the circumcision ritual itself and involves the boy being reluctant and getting help from others to be brave. The song closes with a section about the boy having and surviving the ritual. “…
Day Zero: February 15, 2020 – Assemble in Zanzibar Story
…a term to encompass all local traditional forms of dancing, drumming and singing. There are literally hundreds of different ngoma styles throughout Tanzania” Kidumbak: “Kidumbak is a music style closely related to taarab. It is less refined and more upbeat! Musically it falls between Taarab and Ngoma..[and is] typically played..with two small clay drums, a violin played in a frantic fiddler style, a sanduku (or the bass) and the cherewa, a k…
Ndagwa Msanga Group
…es up all the musical styles of the Wagogo community. Their instruments are all about percussion: Ngoma (Drums) and Kayamba (Shakers). These young performers are amazing and if they are a sign, then the future of Tanzanian music is alive and well!…
2. Naizungwe Drums – progress report 1 Story
…We decided to make many because we would like to have enough drums for training a new generation of players. However, the basic number includes: 1 large Uganda drum (played with short heavy beaters) 3 smaller drums (played with long curved sticks) 1 medium drum (played with sticks) 1 long drum (ngalabi – hand-beaten) All together, 6 drums. Therefore, we are making four sets of naizungwe drums mainly to facilitate learning.” Below is a video docum…
Day 2: Sunday, 2017 February 19th Story
…n time to get to know us and understand our mission. By the end they were singing along to all the songs. In addition to being a professional musician, Leo also teaches music to school children so he is a natural with kids. On all the songs that he did, he had the whole village singing and laughing. We learned about the Bi Kidude and Unyago style. Throughout this trip we will encounter multiple stories about ‘women for women’ songs. In this case,…
Day 1: Saturday, 2017 February 18th Story
…. This is our first trip to Tanzania. For those of you that have followed Singing Wells, you will know that we’ve been working for seven years now in Kenya and Uganda. We thought we would have covered more countries by now, but we have been blown away by the richness of the traditional music in these two countries, so we kept going back. We are very excited now to start our work in Dar es Salaam and Bagamoyo on this trip but also recognize this is…
A Report by Professor James Isabirye – Indigenous music learning in contemporary contexts: Nurturing learner identity, agency, and passion News
…t analysing how indigenous learning can inform modern schooling, in which Singing Well’s gets a featured mention as collaborators within his project. You can read more about that here: https://journals.sagepub.com/eprint/XGBCQ8EJIVZXHMMGUZ2V/full James Isabirye is a lecturer of music and music education in the Department of Performing Arts, Faculty of Arts and Social Sciences, Kyambogo University, Uganda. His research interests include: social con…
Fundraiser for Matthew Watmon News
We are sad to say that a special talent, and a dear friend of Singing Wells, Matthew Watmon is currently in a critical condition in hospital. We are urgently trying to raise funds to support him and his family in this difficult time, and we hope that some of our followers may be able to help us. If you are based in East Africa, please get in touch with Matthew’s brother, Constantine Odida ((MTN) +256-782-236-742 and (Airtel) +256-704-261-037). I…
Our journey to the Royal Drums: in the words of James Isabirye Story
…: James Isabirye, Left: Tabu (Ketebul), Right: Musisi (one of the last remaining Royal Drummers) Here is James’s story about how we ended up recording the Royal Drums of the Buganda Kingdom: “Let’s first just consider the state of our traditional music. From a government perspective, it is the music you roll out for foreigners, like the Pope, or on some special occasion. But otherwise you ignore it and don’t value it. We don’t support it and we ar…
Singing Wells Approaches 5 Million Views News
…now approaching 5 million total views across our videos. When we started Singing Wells almost ten years ago, we set an aim to bring the traditional music of East Africa to a wider audience. It amazing to see the Youtube algorithm agreeing that this is a project worth showing people! We can’t wait to bring more songs and stories to the world. Keep an eye out on the Singing Wells Youtube channel for the footage and recordings from our field trip to…
Central and Eastern Uganda: Day 2 – Kampala to Jinja Story
…playing the Bigwala First, why are we here? Well, there’s the obvious: at Singing Wells, we record and share the great music of East African villages. But, there’s another, equally important reason: the revival of the Bigwala trumpets was the model we used for the restoration of the Royal Drums. We felt it was critical to check in on their progress. We focused on three main things on this visit: Interviewing James about the instruments themselves…