Cieng Dwong Group
…Music of the Langi Fort Murchison, near Pakwach, Uganda…
Kijaruba Group Group
…Kijaruba Group are a group part of the larger Bigilia Group. We met them on our 2017 field trip to Tanzania. You can read more about them on the Bigilia page here….
Muwewesi Xylophone Group Group
… Muwewesi Xylophone Group featuring Muniru Ayubu and Kisubi Eliasa on lead vocals. Song meanings “Obutasoma”: a song about education. “Obwiire Bukyeire”: meaning ‘the time has come’. “Obwayu”: a song about poverty. …
Ndaiga Muchiri Group
…Ndaiga Muchiri: He was a founding member of Kangema Mwomboko Dancers. Ndaiga started singing in 1943 and loves to entertain. He’s Kikuyu and plays Mwomboko wa 40 style. Mwomboko: a traditional song where he plays the Karing’aring’a (the ring)…
Conclusion: Challenges and Recomendations Story
…ld mission – a recce. In that sense, all participants would be informed on the date they are to be filmed much more in advance, and the recce could preselect them according to their knowledge and accessibility. I believe recces have been a part of previous Singing Wells projects and both Ketebul and Abubilla crew are well aware of the benefits of this practice. This should thus be considered a reminder of its vital importance. If we look closer at…
Day 9 – Sunday 9th July 2017 Story
…comparing different traditional instruments to modern instruments, all of the four other string instruments involved fall under the category of lyres per definition of “a plucked string instrument with no fingerboard, having strings running parallel to the soundboard tied on a yoke at the upper end of the instrument” (1). According to Hornbostel– Sachs(2), all four would be classified as composite chordophones, more precisely under the 321.2 cate…
The Singing Wells podcast #3 Podcast
…Here is podcast number 3. In this podcast, we look at the development of Abubilla Music – one of the partners in The Singing Wells project – from initial idea, to music label. There are interviews with members of the SMCC, and music from the SMCC, Louise Calf, Gus Warriner, Tati Kalveks, Chris Kozlowski and Ketebul artist Winyo. Click here to download the podcast….
Day 1 – Saturday 1st July 2017 Story
…nd nyatiti’s shape (resembles the traditional Luo hut shape), symbolism of the number (8) of strings of the nyatiti, his tuning techniques and order of string tuning, together with the story of his personal attachment to his instruments collection (owns 14 nyatitis). Upon our arrival to Kisumu City, we had another semi‐formal interview that would birth ideas for other hypothesis and arguments to follow up on. We met Meshack Okoth Okumu, who was to…
3. Background of the Naizungwe drums Story
…to assert its position. Medium drums play a continuous pattern over which the other drums paint their syncopations both in lower and higher pitches. Then vocalists yodel, hum and recite poetic passages than compete with the loud drumming. Nobody needs loud speakers; the natural amplifiers are sufficient for the audience that is here. Everything comes out naturally and meaningfully to the people. That is what I see in the recording. How are these…
Winyo Staff Profile
…experience. Winyo is also a professional photographer, actor and a TV producer. He is currently the executive video producer for a Kenyan media company called Big Foot productions, which has produced several local TV shows. His goal is to take African music all over the world and enliven people to dance and sing to the sweet and melodic sounds of African songs and music. Winyo is a valued member of the Singing Wells team as one of our artists on…
Andy Patterson Staff Profile
…ng both engineering and technical duties for a wide range of clients, from the world of pop music through to film composers. He has worked with Abubilla Music for around 5 years and has co-engineered and produced all of the releases to date. His past clients have included the late Gerry Rafferty, Q Radio, Bauer Media and Live8. His role for The Singing Wells project sees him heading up the engineering team in the field. He also works on the post p…
What We Do Page
…n the face of growing globalization. An understanding of the intangible cultural heritage of different communities helps with intercultural dialogue, and encourages mutual respect for other ways of life. The importance of intangible cultural heritage is not the cultural manifestation itself but rather the wealth of knowledge and skills that is transmitted through it from one generation to the next. The social and economic value of this transmissio…
Chechemeko Raha Group
…Music of the Mijikenda Kibarani Village, Kilifi, Kenya Group Leader: Bahari wa Katana; performers: Samson Ngari, Magant Murandziwe, Dama birya, Dama Joseph, Kangiombe ngnzo, Kazosi Temo, Faida Joseph Madenje, Dama Rimba, Harrison Kalama, Ruben Katindi, Katana Kidingu, Kabindi Chea, Jumas Ndano…
Zaire Ndindingwa Group
…Music of the Mijikenda Gede, Malindi District, Kenya Group Leader: Fundi bin Kalale; performers: Dali Baya, Reggaemaster wa mweni, Saumu Kadenge Shombo, Salame Kadenge, Alora Mbundo Ngoma…
Chebonet Group
…Music of the Kalenjin Kapsokwony, Kenya…
Nyatiti Group Group
…Music of the Luo Aluny Village, East Alego, Kenya Group Leader: Okumu K’Orengo…