Day Four: 10 March 2022 (Rongo) Story
…nada, where he has also toured extensively. Ontitri has been invited to perform in South Korea and Germany, not mention that he was one of the leading performers at the Smithsonian Folklife Festival in 2014. Ontiri on the obukano and vocals was backed by Leonidah Basbori on tumba and vocals with Lavin Kwamboka, Cliff Mogeni Mogaka, and Omuya Cyprine Moraa all on background vocals. Fiston was on guitar with Dave on bass. Ontiri is married to Ruth M…
Mission Page
…on. Our goal is to record, archive and share the traditional music of East Africa for two important reasons – to sustain and celebrate the extraordinary cultural music heritage of the region and to help make this legacy relevant and fresh to today’s audiences. As a group of sound and video engineers, producers and musicians, we set out on this mission not to become ‘fossil collectors’ and store the recordings in inaccessible archives. We work with…
Day Zero: February 15, 2020 – Assemble in Zanzibar Story
…tory. Before it was ‘controlled’ by the Portuguese in 1503, it was a base for traders between the African great lakes, the Arabian Peninsula and India. In 1698 it came under the control of the Sultan of Oman. Areas were developed to grow spices and this area, which includes Pemba, became known as the Spice Islands. The main trading was in spices, ivory and slaves to the Arab countries. In 1890 Zanzibar became a British Protectorate and slave…
Day Two: 8 March 2022 (Ilesi) Story
…d our technical team went straight to work, setting up the musicians but before we could start recording, and just as the previous evening’s session, it started to rain. Luckily we were partially indoors so we did not get too wet. After about an hour the skies cleared and we were able to resume the recording session. However it took a bit of time for the group to get some of their traditional instruments, including the adeu deu, in tune in with th…
Day Three: February 18, 2020 (Stonetown, Mpendae, Maungani) Story
…joy it and have created their own brass bands. This band has been together for 20 years. Performers: Salmin Ali Borafya (trumpet, leader), Ali Borafya (base drum), Fatihi Hassan (trombone), Ali Rajab (trombone), Ahmed Hassan (drum), Mahmud Ali (cymbal), Abdalla Iddi (tabla). Dancers/singers: Pili Idi (lead singer) Aisha Khamis, Zainab Khamisi, Aldeh Jonas, Nafla Khamis. Director: Omar Mohamed – he didn’t play in the band but directed it and spoke…
Day One: January 18, 2019. Assemble in Tanzania Story
…rs and musicians, b) we have three video cameras operating – one wide shot for full performance, one close up to capture details of instruments and one roving camera to provide a second angle on the performance and c) we interview all group leaders to understand group musical styles and background, instruments and songs. In almost every village, we struggle with spellings of songs and instruments as these can differ by village and by band. We full…
Global Influences Project: Artist Submissions Page
…ten ignore the paths taken right before them. The two sides always looking for each other but never meeting. For the song I used samples from the Ohangla drum solo and the nyatiti group singing. I wanted to feel like a part of their band, trying to figure out how I would contribute to their style of music and have this conversation spiritually with them.” You can hear more of his music on Soundcloud:soundcloud.com/amzi-odek Want to get involved in…
Field Recording Report by Kahithe Kiiru Story
…lead and one rhythm, a water dispenser drum and vocals only, the group performed for us six original compositions. Among them, the popular hit composed by Luseno in 2006 entitled “Mukangala”. This inspired Fadhilee to join in and we recorded “Mukangala” Influences. Fadhilee also shared one of his original compositions called “We don’t know”, which we recorded in two versions, accompanied by Itenya on guitar only and accompanied by his back-vocals…
Elgon Ngoma Troupe Group
…which 100 are performers. They are roughly divided between the two bands. For income, they do performances and also work four acres of land to feed themselves. Many of the members also do arts and crafts or a skilled trade – Julius’s dream is to open up a hair and beauty studio so they can support the bride with her beauty and music. He hopes the troupe will give them opportunities to travel away from their homes, but also to preserve the traditi…
The Revival of the Entongooli Page
…h. All of the bark is trimmed off of this wood during the process to allow for a smooth base ready for the next stage: Cow dung! Getting things Dung! Excuse the pun, but there is no way around this fascinating part of the process! To protect the base of the Entongooli, the maker must smear it with cow dung, coat it entirely and then leave it to dry. This process is to protect the wood from cracking, and also to protect it from weevils and insects…
Day Two: February 17, 2020 (Stonetown) Story
…ge 7 up to 40, ten all together today. They sing Islamic and secular songs for weddings and celebrations. Today was mainly an acapello performance with one flute made out of a bamboo stick. The singers included: Ibrahim Ali Hassan (lead singer, flute ), Issa Ali Hassan (lead singer), Mlenge Ali Hassan, Othman Mlenge Ali, Afann Mlenge Ali, Iddi Abdallah Mohd, Abdillah Salum Juma (lead singer), Fesal Sleiman Mwalim, Saidi Simai Mkanga, Vuai Juma Vua…
Day One: 7 March 2022 (Shikangania and Mukumu) Story
…at some of the venues chosen for the recordings had no main power outlets. Fortunately and for a nominal fee, good neighbors always came to our rescue by allowing us to tap into their main power supply lines with our snake cable. When all the issues were sorted out, the rest of the recording went smoothly with Johnstone Mukabi and the Omutibo Stars coming on stage at 11:00am. Accompanied by Francis Massanga on vocals, they were joined by guest mus…
Day Zero: 6 March 2022 – Travel To Stream Story
…ernet connectivity and online streaming services. This solution works well for urban-based performers where the infrastructure exists and is relatively easy to access, but does not apply to those based in peri-urban areas and villages with limited or no access to the relevant infrastructure. Bearing in mind these challenges facing rural-based musicians, we at Ketebul Music were prompted to reconstitute our infrastructure and operations by obtainin…
Here for Research? Page
…gion that the group is from. A brilliant resource and great for comparing musical styles amongst groups that are local to each other. “Our goal is to record, archive and share the traditional music of East Africa for two important reasons – to sustain and celebrate the extraordinary cultural music heritage of the region and to help make this legacy relevant and fresh to today’s audiences.”…
Recording, archiving and sharing the traditional music of East Africa Page
…be shared amongst the widest audiences and become a source of inspiration for new musicians. Here for Research? Click here! Whether you are a Musicologist, a student or just interested in the field, head this way to see more of our detailed field reports, group biographies and in-depth information regarding the various different instruments and styles of music we have encountered on our field trips. Here for the Music? Click here! Want to just en…
Support Singing Wells Page
…uring their Singing Wells recording session. Each group receives a payment for their performance, which they can use to help them continue practicing and performing in the future. The songs and videos we record are archived and published, giving each group further opportunities to gain an income from their music. Our Gift to You As well as a special thank you on our website, we’ll send you details of the song your donation funded and an MP3 downlo…