Jose Kokeyo Group
…Music of the Luo Rongo, Kenya…
Tabu Osusa Staff Profile
…circles as Tabu Osusa, is a key part of the East African music industry. A Kenyan native, he is the founding Executive Director of Ketebul Music and for the last 30 years has been involved in the music industry as a promoter, producer, composer and band manager. He has been actively involved in shaping the careers and running some of the top recording and performing bands and artists in the country, including the much acclaimed Orchestra Virunga a…
Fadhilee Itulya Staff Profile
…Kenya, but raised in Nairobi. Fadhilee’s dream is to unveil the authentic Kenyan sound that will be a bridge between what has been there and what is going to come. His love affair with the guitar started with the three chords he was taught by his mother on her guitar. From there he advanced on his own, becoming a nuisance in their house in Saika Estate in Nairobi’s Eastlands. His father didn’t find the guitar-plucking amusing, especially when he…
Winyo Staff Profile
…a professional photographer, actor and a TV producer. He is currently the executive video producer for a Kenyan media company called Big Foot productions, which has produced several local TV shows. His goal is to take African music all over the world and enliven people to dance and sing to the sweet and melodic sounds of African songs and music. Winyo is a valued member of the Singing Wells team as one of our artists on the ‘Influences’ series and…
Day Three: Bungoma Town to Kakamega Story
…t Isiriri: Single string instrument (is this really the Shirili?) Mirembe: Xylophone Olwika: Horn Isukuti: Hand-held ‘conga’ drums Kayamba: shakers Likata: sticks Ikengele: Ring Chapuo: Big bass drum They performed six songs, with the sixth song finishing exactly when the rains came crashing down on us. While they had a couple of traditional songs, most of their performances were to allow students to feature specific instruments. Songs were: Mwana…
Bungoma Roots Band Group
…to form a much bigger band. They then produced their third CD in 2013, Namusia, again with Soundcheck in Kisumu. They started performing all over Kenya. They are now very well established with houses of their own….
Patrick Ondiek Staff Profile
…ll the people you’ve lost. Secondly, I love the confidence it gives me to expose my friends to new music. They all love the music I bring home – its’s different from what they listen to and so much like ‘home.’ In Kenya, no matter where you live, your village is always ‘home.’ I was never raised there [Bondo], but it is where I will retire. And the Singing Wells focus is about village music. It is about home. And my friends love that.” Pato is the…
Nyangile Instrument
…A resonating box – hit by the player with a wooden stick, who often holds ongeng’o rings in their hand and feet to add more rhythmic potential. We heard the Nyangile, also referred to as the Sanduk (Swahili for Box), played by a member of the Otacho Young Stars, when we recorded them at Dinkys Resort Club, Rongo, as part of our field trip to record the music of the Luo in Western Kenya….
Kahithe Kiiru Staff Profile
…University of Paris X Nanterre and is currently finalising her PhD in Anthropology (ABD) at the same university. She was recently appointed Head Choreographer for Bomas of Kenya, a national dance troupe tasked with the mission to preserve, promote and showcase Kenyan traditional music and dance worldwide. She has been a scientific advisor with Ketebul Music since 2015 and worked on Ngoma Zetu(2016) and Singing Wells Masters of the Nyatiti(2017) a…
Buganda Music Ensemble Group
…song with the bow harp or Ennanga, a new instrument for us. Albert is only one of 3 master players. It was played in solo performances and the Ennanga player was the advisor to the king, as people would bring him messages for the king that he would turn to song. “Mulirwana”: it means neighbour and the song is about people who don’t trust their neighbours and they believe that anyone that doesn’t trust their neighbours is a witch. “Ssewaswa”: This…
Day Zero: February 15, 2020 – Assemble in Zanzibar Story
…riginally, these were ‘secret songs’ and filled with metaphors that would explain about sex and love and all the wonderful and difficult parts of marriage. As this music moved from the secret rites to more public performance, you find the audience laughing at all the double meanings. To be more specific, the women are laughing and the men are scratching their heads. As we tried to identify the meanings of the lyrics of these songs, the women of…
What We Do Page
…helps with intercultural dialogue, and encourages mutual respect for other ways of life. The importance of intangible cultural heritage is not the cultural manifestation itself but rather the wealth of knowledge and skills that is transmitted through it from one generation to the next. The social and economic value of this transmission of knowledge is relevant for minority groups and for mainstream social groups within a State, and is as importan…
The Kalenjin of Kenya Album
…wony on the 5th March 2012. Also recorded in the same session were the Chebonet Group and the Teriet Band. We also have a short snippet of The Masirtaret – a performance that was sadly cut short by rainfall – one of the perils of recording outdoors. The Sila Dancers began the day in Sila, followed by the Lomut Traditional Dancers and the Lomuge Group. The day recording the Pokot tribes was rounded off firstly with Kalomoywa, (the group are represe…
Day Two: January 19, 2019 From Tarime to Buturi to Bariadi Story
…percussion and wanted to capture this as magic moment. https://youtu.be/u7xcXahAlzI Group 2: Upendo Jazz: The group is from the Murangi Village in the Mara Region and their community is Wajita and their style is Vidogori. They were founded in 1999. Their instruments included: Ngoma za Budogori (drums, with a kick) and Njiga (shakers from gourds). It is worth taking a minute on the drums. They were typical African drums, but set up Western Style o…
Day Three: 9 March 2022 (Kisumu) Story
…ukabwa. It took almost an hour for the two to figure out Akwabi’s unorthodox, expressive free style for most of his songs before the actual recording began at 2:00pm. After a few false starts we finished the recordings of Peter Akwabi at 4:00 PM with his latest song which is a tribute to D.O. Misiani, the maestro of benga music who died in the lakeside city in May 2006. Next on stage was Olith Ratego, a musician whose unique dodo style is one of t…
The Luo of Kenya Album
…band led by Osumba Rateng, and then a Dodo group led by Ogoya Nengo. We next move to Aluny Village – with performances from The Joginda Boys, Otieno Aloka and the late Okumu K’Orengo and his Nyatiti Group. The Kochia Traditional Dancers gave a very visual performance, and one of their tracks, recorded on the shores of Lake Victoria at the Homa Bay Hotel is also included. The final day of recording on the trip saw us head to Rongo – and the settin…