Central & Eastern Uganda: Day 4, Part 2 – Flutes Story
…: we identified a whole set of extraordinary musicians from our 2013 visit to Uganda and have invited them back to do studio recordings. But today, we focused on two things: 1) Discussing in detail some of our observations from our time exploring the royal instruments of the Kingdoms of Uganda. 2) Recording again Albert Ssempeke’s Buganda Music Ensemble. Given that we first decided to rediscover the Royal Drums after recording Albert’s group in 20…
Central & Eastern Uganda: Day 4, Part 1 – Reflections Story
…: we identified a whole set of extraordinary musicians from our 2013 visit to Uganda and have invited them back to do studio recordings. But today, we focused on two things: 1) Discussing in detail some of our observations from our time exploring the royal instruments of the kingdoms of Uganda 2) Recording again Albert Ssempeke’s Buganda Music Ensemble. Given that we first decided to rediscover the Royal Drums after recording Albert’s group in 201…
Central & Eastern Uganda: Day 3, Part 2 – Interviews with Musicians of Uganda’s Royal Palaces Story
…ormation of the kingdom we played a couple of times but we have not played together since the sixties and no one listens to the music and the king never asks for musicians.“ Of course, each of these discussions is disturbing, but we share them to give you a sense of the desperate situation with this music. We have told you of the royal drums and our efforts to revive them. And of a younger, incredibly passionate drummer, Shaban, who is now extreme…
Central & Eastern Uganda: Day 3, Part 1- Drum Making and Palace Players Story
…e first stage of stringing the drum, “you tie the top skin and bottom skin together with nylon strings then take the tied together drum and put this into the sun for 24 hours.” This is a hugely skilled job. Essentially, he is tying the top skins to the bottom skin through a series of stitches that wrap around the drum. The top is pulled evenly down about two inches over the lip of the top. The bottom is a more uneven cut and so sometimes the botto…
Central and Eastern Uganda: Day 2 – Kampala to Jinja Story
…died and he felt the trumpets had gone for good. In fact, the knowledge of how to grow the gourd to make the trumpets was lost and the seeds for the long gourd were almost impossible to find. A tradition literally dying on the proverbial vine. James Isabirye found James Lugolole around 2005 and set out to restore the tradition. They formed a new group, which we recorded in 2013, and they re-discovered the gourd seeds and started coordinating farme…
Musisi’s Story, Part 1: The Fall of the Buganda Kingdom Story
…d and caned. And they kept asking people where the King was. I didn’t want to get beaten to death so I said I knew where the King was. I was the keeper of the Throne Room Key at that point, so had a key to one of the Throne Rooms. So I said I had this key and knew the King was hiding in the room. They told me to take them to the King. Well, we were very close to that Throne Room, but I didn’t want to get there fast. I needed them to calm down and…
The Return of Bigwala News
…l’ shape that helps the sound to carry. Often multiple gourds can be bound together to create the right shape. It is also the name of the dance that accompanies this type of playing. Our first encounter with Bigwala was when we captured a performance by the Bigwala Cultural Group in late 2013. https://www.youtube.com/watch?v=H2HnP36EVK4 The story of bigwala is a fascinating one, and quite unique in its association with the political history of the…
Rediscovering the lost Royal Drums of the Buganda Kingdom: Day 1, Uganda Story
…of the attack itself (more on this here). James met him and realised that together they could begin to build the drums. Working closely with Albert and Shaban, a professional drummer who now leads the new band, they built a new set of Royal Drums, recruited a team of passionate drummers to learn how to play the drums, learned to tune the drums and ultimately learned to play new music. Over the course of their studies, the new drum students (most…
The Entenga Drums: Part 1 Story
…le for the drums’ revival. James Isabirye met with Musisi and they set out together to revive the drums. They worked with Shaban, a professional drummer, and John and Albert Ssempeke, who have kept many royal instruments alive, to relaunch the drums. Essentially, this took four major steps: Rebuild the drums: they needed to re-assemble the drum kit, building each of the 15 drums and re-making the Enga, the sticks used to play the drums (named afte…
The History Of Benga Music: A Report by Ketebul Music Story
…with a steady rise to a climax or crescendo and an equally quick refrain, together with the arrangement and sectioning mark benga apart from other music. Luo guitarists long cultivated a unique technique of playing the guitar. They commonly do not massage the strings as their Congolese counterparts do but rather they pluck and pick single notes rapidly in a fashion akin to playing a nyatiti—the traditional lyre of the Luo people. Benga is undoubt…
Central and Eastern Kenya: Days 5-11: Ketebul Studios, Nairobi Story
…for Singing Wells in Nairobi. Ketebul and Abubilla Music personnel joined together to record some of the most important ‘bridge’ artists in Kenya – a group of musicians that build a connection between the music of their villages and modern music. These were the founders of Benga, the African Twist, ‘Luhya Omutibo’ and the ‘Yoodle sound’ and represent the Luo, Luhya and Kikuyu ethnic communities. We dedicated six days of studio time at Ketebul Mus…
Central and Eastern Kenya: Day 3 – Nkubu to Mariene to Murungurune to Nkubu Story
…p was in beautiful costume and so energetic – to be frank, and in contrast to Uganda, we don’t get a lot of young people in the groups in Kenya, and it is rarer still to have young men. It was a great pleasure to have such energetic dancers, taking us through the ritual dances of circumcision. The Ritual of Male Circumcision Before talking through the songs, let’s step back and talk through a ‘typical’ circumcision ritual. This is based on intervi…
Naizungwe Drums News
…ng to undertake – the revival of the naizungwe drums of the Basoga people in Uganda. James led our revival of the entenga royal drums of the Buganda kingdom starting in 2015 and contacted Singing Wells with the hope that we would support him with funding for his new project. We are excited to announce that we have agreed to support James in his endeavours and will be posting about the project’s development, which has been under way for a month now…
Central and Eastern Kenya: Day 2 – Muranga to Kangema to Nkubu Story
…is twice, once with and one without the ladies humming (they needed to hum to get the beat right). Kangema Urban Women Group The group is led by Jacinta Njoki Mwangi and formed in 2006. The group plays in thee Gitiro style – the dance performed by women during ruracio, a dowry payment occasion. Gitiro: led by Jacinta Njoki. Ndumo (ya iritu): led by Jacinta and Mary Njoki. Kibuthi: led by Jacinta Njoki. Kangema Mwomboko Dancers The group is led by…
Entenga: Music that soothed kings News
…We’re delighted to annouce that our esteemed colleague and Singing Wells partner Prof James Isabirye has been featured in an article in Uganda’s Daily Monitor about his work to revive the Entenga Royal Drums. Read now. You can watch the full documentary of our initiative to save the Royal Drums here….
Central Uganda: Day 7 – A Magic Day in Entebbe Story
…about hearing the sounds of African music. Last night, she and Andy played together, with Andy working out a guitar part. So first, we recorded the two of them. Then, we decided that if she was writing about hearing the sounds of African music, she should hear the sounds. So James worked with Jovah on a beautiful line, where she sang about the Batwa people being driven from the parks. Then Passy worked on a separate melody line followed by James….