Biluli Dutwa Group
…ocal women of questionable virtues Balimi: A song about farming where the band brought up children from the village and taught them about hoeing the soil to the song. Later we saw several videos of how this song is used in the fields to motivate farmers, who hoe to the beat. Throughout Tanzania, we saw school kids walking to/from school with their hoes, where they often tend to small plots at the school. Serengeti: We are near the national park an…
Watmon Cultural Group Group
…choli traditional dance which he had learnt when he was young, both from grandfather in his village and from watching dancers at village events. He went around his district in Kampala, telling people he would like to start a dance troupe, and was met with a positive reaction. Eventually he had people coming to him asking to be a part of it, and from that point the group became an institution. In the fallout of the war against Idi Amin’s regime, ma…
Day Two: February 17, 2020 (Stonetown) Story
…rs on a scholarship from the DCMA to study violin and the oud starting in 2000. He’s been teaching at the academy for 18 years. Members of this group include: Mohamed Othman Faki – leader, on violin, Kheri Mizaka Aliy on African Bass, Makame Ali Juma on drum, Buruhami Makame Haji on 2nd drum, Mgeni Seleiman Makame on sticks, Said Ame Othman on shakers, Aikazija Abdala Ame -dancer, Mirianaharus Juma Hamis – dancer. All sang but Mohamed Othman Faki…
Recording, archiving and sharing the traditional music of East Africa Page
…ultural music heritage of the region and to help make this legacy relevant and fresh to today’s audiences. As a group of sound and video engineers, producers and musicians, we set out on this mission not to become ‘fossil collectors’ and store the recordings in inaccessible archives. We work with musicians to make sure their music traditions continue to be practiced, can be shared amongst the widest audiences and become a source of inspiration for…
Imachina Group
…r anymore. Mulele Kwiname: This is the name of a tree that is very popular and big and the song is about when a great beloved tree falls and dies. Bukundu: This is about the smell of a decaying body and the song tells people to come toward the smell and honour the man. Don’t run from this, confront it and honour his memory. The Mayo Procession – this is about bullfighting. The songs include: Lukumili: This is about the moment the horns lock betwee…
Day Two: 8 March 2022 (Ilesi) Story
…g session was finally figured out the actual recording started at about 17:00 hours. The three sisters and their two brothers have pleasantly matured musically and it was really encouraging to see them helping to keep their father’s legacy alive. All was done a few minutes to 8:00pm. After the routine photo shoot the Obasie Palnyang brothers and sisters were off to their serene village in Kodedema, close to the Kenya-Uganda border. After the long…
Day Three: February 18, 2020 (Stonetown, Mpendae, Maungani) Story
…rom Zanzibar) with Singeli (a new tribal rhythm). Taarab came from early 1800’s as Egyptian music. In Zanzibar the Mother of Taarab, Siti Binti Saad, made Taarab more popular in the 1920’s to 1950’s. We spoke to Hassan Mahenge, the assistant director of this band. He is a teacher at the DCMA. He teaches the Oud and plays the saxophone. All the students at the DCMA study traditional music such as Taarab as well as Western music. Members of the grou…
Elgon Ngoma Troupe Group
…ilimbwa Julius. Julius is a member of the Bagisu tribe, who founded it in 2009 as a group for orphans or disadvantaged youths. Julius helps these students develop their natural talents to the next level, in the hope of finding work with their skills. He struggled through his teens with no support, but found his way gradually as a musical performer, working with the National Theatre and various troupes around Mbale. He was always extremely proud of…
Day Zero: 6 March 2022 – Travel To Stream Story
…ew offices at the GoDown Arts Centre on Kayahwe Road off Dennis Pritt by 9:00am. It took us an hour to load the van with the equipment and our personal effects. On our team was Tobias Odhiambo (or Shunkyz as he is known in the music circles) as soundman in charge of the technical aspects of the recordings. Shunkyz was assisted by Fiston Lusambo, a Briton of Congolese origin and guitarist with the London-based Afriquoi Musical group. The video sect…
Day Five: February 20, 2020 (DCMA) Story
…her at the DCMA. They consist of a combination of young students in their 20’s and established senior teachers of music. It was wonderful seeing them work together and improvise two songs. They produced a wonderful, dynamic fusion of Taarab, Traditional African rhythms and contemporary Western and African sounds. Performers: Tarajazz: Suleiman Makame (keyboard, director), Hassan Mahenge (Saxophone, assistant director), Mahsin Basalama (contra bas…
Day Four: February 19, 2020 (Maruhabi Palace) Story
…performs in a fusion of traditional African rhythms from mainland Tanzania and Pemba, and contemporary African sounds. The three young men are all students at the DMCA performing with a well known drummer and teacher of music. This band has been together for 2 years. Performers: Lukoa Nenes (sticks), Joshua Muyumovela ( shakers), Nyemo Mopana (guitar, kalimba (hand held thumb piano), lead singer), Heri Kombo (drums) Songs: Mwaludeje – Tradition…
Day One: February 16, 2020 (Ngawala Hotel) Story
…o (accordion) and Fatima Yuma (bongos). The group has been together since 2009 and play traditional Taarab. All songs are about love (love lost and gained) and all secular They usually perform in Kisawandui. They played five songs:Bashraf of Alia: Instrumental Usione Chaelea: Means that you don’t really see the subtlety in something. Mbiyo Za Sakafuni: This is about too much haste and costs of being too fast (literally it translates as ‘speed on t…
Day One: January 18, 2019. Assemble in Tanzania Story
…rage, we do one field visit a year, recording roughly 20-25 groups, and a 100-125 performances. We have roughly 1,000 videos online. Our general setup for a recording is: a) Steve is in charge of audio and we typically have two general mics for the group and 5-6 specific microphones for singers and musicians, b) we have three video cameras operating – one wide shot for full performance, one close up to capture details of instruments and one roving…
Day Three: 9 March 2022 (Kisumu) Story
…n: Dunga Hill Camp – Kisumu. Field Notes: We left Khayega for Kisumu at 10:00am and made a quick stop at Kiboswa ‘city’ on our way to the Lakeside city. This historic center, inhabited by the Luo, Luhya and the Kalenjin tribes of Kenya, is home to Paul Kelemba (or Maddo, as the cartoonist is popularly known). After taking a few photos to prove to the award-winning cartoonist that we actually visited his ancestral home, we continued with our journe…
Day Five: January 22, 2019 Mwanza Continued Story
…Kagera Bukoba and part of the Wahaya Community, this group was formed in 2000 and performs in the Akasimbo style. Their instruments are: Kangote (Drums), Akafotho (hand whistling), Enganja: Clapper – two wooden ‘bricks’ struck together, and they wear Ebisheshe (grasses). We recorded four performances: Wachumba Walya: A song about someone who is too mean-spirited to support his community even though he has lots of money, it is about a man “who eat…
FAQ’s Page
…ideo has a donation button associated with it and you can donate £1, £5, £10,£20 or £50 to help support a music group you particularly like. Find us on YouTube here. If I support you where will the money go? How do I know it will be well spent? Donations to Singing Wells can be made through The Abubilla Music Foundation. Your donation will be restricted for use in East Africa to support the project goals. You can specify just how much you would li…