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A Report by Professor James Isabirye – Indigenous music learning in contemporary contexts: Nurturing learner identity, agency, and passion News

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…n music and instruments. We know that generations to come will be grateful for the work he has put in to continue these traditions. He has also written a report analysing how indigenous learning can inform modern schooling, in which Singing Well’s gets a featured mention as collaborators within his project. You can read more about that here: https://journals.sagepub.com/eprint/XGBCQ8EJIVZXHMMGUZ2V/full James Isabirye is a lecturer of music and mus…

Fundraiser for Matthew Watmon News

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Published in: News & Views

We are sad to say that a special talent, and a dear friend of Singing Wells, Matthew Watmon is currently in a critical condition in hospital. We are urgently trying to raise funds to support him and his family in this difficult time, and we hope that some of our followers may be able to help us. If you are based in East Africa, please get in touch with Matthew’s brother, Constantine Odida ((MTN) +256-782-236-742 and (Airtel) +256-704-261-037). I…

Singing Wells Approaches 5 Million Views News

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…s is a project worth showing people! We can’t wait to bring more songs and stories to the world. Keep an eye out on the Singing Wells Youtube channel for the footage and recordings from our field trip to Zanzibar and Pemba….

Central & Eastern Uganda: Day 4, Part 1 – Reflections Story

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…Step 4: if there is support, build the infrastructure. This involves seeds for gourds for trumpets, or drum-making for drums. Inevitably something needs to be invested in the infrastructure. Step 5: Bring on the young. Inevitably, you then need to bring on the people to learn and enjoy this music. And here we had an interesting debate. Some of our palace musicians felt the young people didn’t care anymore. But it was Ben Nsumugo Ntabula who provid…

Central and Eastern Kenya: Day 3 – Nkubu to Mariene to Murungurune to Nkubu Story

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…Video 1’s location. This is a balance. We want to give the groups complete freedom to perform as they would normally do, without our intervention. But we also need a good recording – and too often the groups will stray far off camera and far away from the mics. Or, as often can happen, the leader will plant him or herself directly in front of Video 1, meaning we don’t get a take of the groups. Finally, we use lapel mics on the lead singers so ther…

Central Uganda: Day 0 – Nairobi/London to Entebbe Story

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…tribute to Singing Wells with a few whiskeys). Most of us then went to bed for the night, deciding to have one final evening free of our London friends. Patrick, however, woke up in time to be a ‘greeting party’ to the London arrivals. Message from Abubilla Music Foundation Team Representing the AMF are Jimmy Allen (Founder), sound engineer Andy Patterson and Vicki Denison, charity administrator and fundraiser. Our BA flight from London arrived on…

Music Depositories and Archives around the World News

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Published in: News & Views

…reduced rate, but is unable to distribute to those tribes and communities for free, due to their levels of funding. There is currently a campus wide initiative at Indiana University to digitise their archive, which includes the ATM though the archive digitises recordings on a daily basis. There are several folk music recordings from Uganda and Kenya that are housed at the Archive. It is located on the Bloomington Campus of Indiana University and…

Report from Womex 2013 News

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Published in: News & Views

…ted that music is their biggest export and so has set up the African Music Forum to make it easier for musicians to make a living – from visas and flights to financial support. It is an exciting time, and seems to chime in with what Eddie Hatitye announced for Music in Africa. Members of the Music Producers Guild led a discussion on ‘What do producers actually do?‘ – the answer seems to be ‘everything’. The role of producer has many meanings, but…

A quick summary of the Singing Wells Project News

…is music to the next generation, to inspire them to look to their heritage for inspiration before they look elsewhere. We do this with ‘Influences’ artists… Like Winyo, an unbelievable Kenyan musician that was blown away by the music of the Batwa and couldn’t help but joining Jovah in song: 5. Singing Wells is about bringing together tribal music and wonderfully talented young performers like Akello from Uganda… We brought Akello to Northern Ugand…

Northern Uganda: Day 6 – Soroti to Kampala (a driving story) Story

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…ght routines, we can learn more and more from each trip and get better and better. For the March Pilot in 2011, simply getting audio equipment to work in the field was the most important routine. Don’t underestimate the learning required to set up 8 mic recording session in the dirt, surrounded by cows. By Kisoro and the recording of the Batwa, audio was fully sorted and the team could set up and breakdown in about 20 minutes and record flawlessly…

Northern Uganda: Day 6 – Soroti to Obuell-Lira to Soroti Story

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…y their blood lust against the next village where 20 men were slaughtered. For three years, the ‘village band’ played for the rebels and were visited by all the leaders. They refused, however, to play rebel songs or support the rebel side. They said over and over again the music was neutral and only had alligience to Uganda not to one side or the other in the war. There were lots of scary moments when rebels would try to force them to declare alli…

Northern Uganda: Day 5 – from Pakwach to Soroti (a road trip) Story

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…king on new thatched roofs or those needing repairs. A thatched roof lasts for between five and ten years. Then there are the charcoal makers and sellers. The thatch ladies ensure that the roads are dotted with thatch pillars. The charcoal makers burn the charcoal and then fill five foot high white bags of charcoal that line the roads in groups of 4-5. We often mistake them for nuns walking along the road in their beautiful white dresses. The whit…

Northern Uganda: Day 4 – night recording at Fort Murchison Story

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…the fire light, and the flickering flames add mystery and drama to the performance. For some of the music, and we thought about Oramba yesterday, the song are fireside songs. Oramba is a hunter and the song is about the village wondering whether he will come back with a kill. Oramba is fierce, running around with a spear, lunging at the audience. Think about what that would be like for the children as Oramba drifts into the shadows only to fly ou…

Northern Uganda: Day 3 – from Gulu to Awach to Pakwach Story

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…outu.be/eH1v-kwvvaQ Their third song was Songa Mbele, a song about ‘moving forward’ symbolized by all the performers swaying their heads back and forth. https://youtu.be/_ViFUMIwN4k?list=PL6jxUA468Mq-LufC_AhbsGyC-pvBWlmTe They did a final song called Kanyaga Mbele. https://youtu.be/zyeH-PvP7-E We loved this group and they rank in our Top 10 so far for Singing Wells. We loved them so much we recorded a ‘magic moment’ with them and also an Influence…

Northern Uganda: Day 2 – from Gulu to Acet Story

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…i style. The group is led by Evelyn Ojok and was formed in 1981, disbanded for the war and reformed in 1999. The leader summons the band to practice by playing drums… They are all female dancers, with whistles and Gara (ankle shakers). They played all four of their songs one after another without a break: Oluma Lareku (a war dance celebrating the tribal chief), Talebero Koda Akoda, Odokomi Dek Owic, Lar Wodo Dwok Cen. Here’s a selection: Ribbe Ber…