Day 6: The Studio @ Traveller’s Rest Hotel, Kisoro Story
…inyo. Here, they put down their track. Not at all phased by the use of headphones and mics, they take everything in there stride, performing a number of takes as the song develops. We start by giving them a simple click to follow the beat but quickly realised that their tempos are far more subtle than this. Francis comes back to set the rhythm with their natural clapping and it suddenly all came together again. Once we have the female vocals recor…
Gary Barlow, Ayub Ogada & the Diamond Jubilee song News
…nal stringed instrument called the nyatiti. We are delighted that Gary did contact Ayub and that he features on ‘Sing’ written especially for the Queen’s Diamond Jubilee: It was great to see an article about our involvement on Take That Daily, a fan website for all things related to Take That and Gary Barlow. Click here to go to the article. Our post from March 23rd 2012 Our friends at the Kenya Tourist Board UK & Ireland have added a feature…
Day 4: UOBDU and the Birara Dancers Story
…er’s Rest Guesthouse: After breakfast our first stop was the office of the United Organisation for Batwa Development in Uganda (UOBDU), where we met Henry Neza, the Capacity Development Co-ordinator, and Alice Nyamihanda, Tourism Officer and the first University graduate amongst the Batwa communities. They are to be our hosts and translators for the two days – we were lucky to be joined by Precious as well, Alice’s five month old daughter. Patrick…
Kenya (Coast): Day 4 – the road back to Nairobi Story
…ould get a better view and get a more authentic sound. Then Abubilla Music contacted Tabu for a project and we discussed the idea of a mobile recording studio. From that discussion, we established Singing Wells. We thought something might happened because Tabu was pretty sure – but it was odd to get this e mail out of the blue. But then Andy came down in October 2010. First time he came to studio he was very business like. He had a checklist that…
Interview with Fifty Cows – fixer for Singing Wells News
…ing the recording of the Kalenjin tribes in March 2012. He was our liaison contact with the music groups. Kathy interviewed him – here is his story… The Interview Fifty Cows is a Merekwet, part of the Kalenjin tribes. He organised for us to see singers from the Merekwet, Pokot and Tugen tribes. These are all sub-tribes of the Kalenjin. He was born in 1976 and grew up in a Merekwet village. His father was Merekwet and his mother was Pokot. Hi…
A Year in Review March 2011 – March 2012 News
…ecessary expertise and equipment to do full field recordings (up to 8 microphones and 3 digital cameras) throughout East Africa. PROJECT BENEFITS TO EAST AFRICA : We are on a journey. When we started, we knew the critical importance of capturing the cultural legacy of East Africa with tribal music, before it was lost to all of us forever. We were reminded of the importance of this in December, when one of the most extraordinary musicians we’ve rec…
Recording music & dance of the Batwa News
…their communities and help them reclaim their traditional way of life. The United Organisation for Bawta Development (UOBDU) was founded in 2000 to address land problems and develop sustainable livelihoods. UOBDU has identified four key areas of support: land & housing; education and adult literacy; income generation and forest access & benefit-sharing. By way of example, the Batwa Cultural Trail is a new initiative launched by the Uganda Wildlife…
Lake Turkana Cultural Festival 2011 News
…o allow them to undertake the trip to this remote area of North West Kenya, 800 km from Nairobi and home to the Turkana and Samburu tribes and the original ‘singing wells’. When Steve Kivutia (Ketebul Music) presented the idea of recording music at the Festival to the AMF, it seemed a perfect fit with the objectives of the Singing Wells project and the trustees were happy to approve a grant to cover the costs of travelling to the Festival with the…
More Ketebul voices…Steve reports from the field News
…mpromising on sound quality. Mzinga were accompanied by a small wooden xylophone, the marimba. Mzinga After four captivating numbers from Mzinga, we quickly pulled down the set and set off for our second location. The drive would take us to Mombasa,where we would end up in the most interesting set of all so far. Junda. We first drove in to what seemed to be a very busy township with a very steep and treacherous gravel road to drive on. Everyone…