Central and Eastern Kenya: Days 5-11:An Interview with Gregg Story
…that say ‘see our animals not our people.’ And business is looking for big numbers which means popular things, which sadly means easy to digest, disposable pop culture. The whole drive to “marketing” is killing our culture. If the numbers don’t come in on something than you stop it. But culture is hard to really invest in. You don’t go for the popular musicians doing the big things. You have to go to the real groups in the rural villages. And they…
The History Of Benga Music: A Report by Ketebul Music Story
…the demand for session musicians went down. Many of these pioneer ‘sessionists’ have since passed on. Only a few of the sessionists are still in operation. They include Osumba Rateng, wo has since relocated from River Road to his rural home in Sega, Siaya County. And as new trends emerge on the market and technological advances pose new challenges, Benga continues to hold its own as the definitive Kenyan sound. END Reprinted for MIA with permissio…
The Return of Bigwala News
…la https://ich.unesco.org/en/news/uganda-young-ugandans-mobilized-for-safeguarding-bigwala-music-and-dance-00251 https://www.newvision.co.ug/new_vision/news/1333991/bigwala-busoga-royal-music-dance…
Central and Eastern Kenya: Days 5-11: Ketebul Studios, Nairobi Story
…ed traditional music – but I kept telling them I was taking their music to new places. We knew we were on to something big because everyone responded well to it. I think it is fine to be creative and innovative and rebel – but be a rebel with a cause. Too often kids rebel without a cause – they aren’t rooted. I was a session musician at AGS (African Gramophone Studio) and CMS (Capital Music Studio) studios, both on River Road. I formed Sega Sega a…
Central and Eastern Kenya: Day 3 – Nkubu to Mariene to Murungurune to Nkubu Story
…ll in Nicabune’ – it is a song to prepare the boys being circumcised for a new thing that is about to befall him, e.g., the circumcisers knife, responsibility (new ones that they don’t have), not going back to the mother’s hut, etc… In this context, the knife is cutting away his old life and forcing him into a new life. Ruuji rukuru, led by John Gitoriga, means ‘old water’ and is a song to prepare a boy for manhood. Water is a cleanser so the wate…
Central and Eastern Kenya: Day 2 – Muranga to Kangema to Nkubu Story
…first joy was the site of Mount Kenya as we hit the road. We met our local contact, Jane Kagai, and then travelled to the KCC area, a lovely field about 100 meters below the road. While a lot easier than the hill we faced in Kisoro (SW Uganda), we nonetheless had to take our 44 bags down to the site. We set up under a tree and recording 4 separate groups, all of whom stayed for the day. The 80 or so band members, all in full costume, were scattere…
Bigwala Trumpets perform for coronation anniversary News
…William Gabula Nadiope IV of the Busoga kingdom. The trumpets can be seen here performing at Budhumbula in front of the Kyabazinga (the elected ruler of the kingdom) and processing behind him. https://youtu.be/HtHhkMrlXWw Read about our contact with the Bigwala players here. James tells us that soon some of the Bigwala players will begin paid jobs teaching the instrument in schools, which is a testament to the continuing success of this project,…
Central and Eastern Kenya: Day 1 – Nairobi to Kiongwe to Muranga Story
…to Kitui, on the Mombasa Road, arriving at 10:00AM. We picked up our local contact, Dominic Mukora, and drove to the Kiongwe Market to record our first group. Here’s our route: The site passed the first Singing Wells test, lots of chickens and children; we find their noises the perfect backing track for all our recordings. The market structures were beautiful with the typical brick structure, light blue paint and the red earth of Africa bleeding u…
Naizungwe Drums News
…val of the entenga royal drums of the Buganda kingdom starting in 2015 and contacted Singing Wells with the hope that we would support him with funding for his new project. We are excited to announce that we have agreed to support James in his endeavours and will be posting about the project’s development, which has been under way for a month now. We will be documenting the progress of these drums with pictures and videos here, and more details…
Central and Eastern Kenya: Day 0 – London/Nairobi Story
…(Video 3), who is from the Meru ethnic community and has been our primary contact person to support this trip (e mail: lkoome2000@yahoo.com) Raphael Sipalla (Audio 4) our ‘Influences’ artist (e mail: ruffmaud@yahoo.com) We will be interviewing them throughout this trip to provide additional color to our Field Reports. We spent our Saturday packing and preparing the vans for the trip. Let’s remind you of our team – we cheated and took photos from…
Central Uganda: Day 7 – A Magic Day in Entebbe Story
…h below. The group practiced and performed two songs: Ugandan Lullaby: We knew that Jovah and Maita knew lullabies and James came up with the idea of doing a combined lullaby involving each of the singers, using a traditional song from their village. James directed the group through rehearsals and Maita played guitar to three separate lullabies: from Jovah, from Passy and from James. We did one with guitar and one version without. Here’s the Lulla…
Entenga: Performing twice for the king of Buganda News
…e then invited to shake hands with the king, and upon learning that James knew ethnomusicologist Peter Cooke, the king invited them to the palace to perform. They performed the song “Ganga alula”, a version of which we recorded during our visit in 2016. James played the Kyawakati and Entemyo, John Ssempeke played the Nakawombe and the younger boys played the rest of the drums. This is a wonderful story for the Entenga players, and it is really enc…
Central Uganda: Day 6: Kampala to Entebbe Story
…bow harp: The bow harp, or Ennanga, which was played by Albert Junior is a new instrument for us and he is only one of 3 master players. It was played in solo performances and the Ennanga player was the advisor to the king, as people would bring him messages for the king that he would turn to song. Mulirwana: it means neighbor and the song is about people who don’t trust their neighbors and they believe that anyone that doesn’t trust their neighbo…
Central Uganda: Day 5 – Jinja to Kampala Story
…o is very bitter because her mother will not let her play with her friends freely. The mother explains to her that she was barren but the spirits helped her to conceive. The spirits set the condition, however: that she should never play in the rain. Amagombe: This is a song about the death of the leader’s father. He wrote it after his father’s death. 95% of the song is about what his father told him before he died. Ebibira: This song talks about t…
Central Uganda: Day 4 – Jinja Story
…s/traditions and can train the youths. One already died in May to move the number from 4 to 3 and one of the three surviving is very ill. But it is almost certain, now that the trumpets won’t disappear. Young people have some interest, thankfully, and are learning.” Click here for further reading on the Bigwala. Here’s their music: Adagha Nalya Drama Group Our second group was from the Bukoona Village and called the Adagha Nalya Drama Group. Their…
A Tanzanian Effort to Salvage the Music of the Past News
…about how to take care of children or how best to help one another build a new, independent Tanzania. “It was all about love, all about unity, all about coming together and building a new nation”, said Benson Rukantabula, who also works on the project. But as with any state-sponsored propaganda, some messages were politically acceptable, while others were not. Also in the archives are other historical gems, including speeches (there’s one the Aga…