Day 4 – Tuesday 4th July 2017 Story
…clear difference between clients who are traditional and/or locally famous players, for whom he does a sacrifice upon completion of job, and outsiders, commercial clients for whom he does no such thing. Finally, we closed our day with an indoors interview at Namsagali hotel in Siaya. There we talked to Thadayo Owit Mutumura (born 1940), an excellent nyatiti player. He told us about the history of nyatiti in his family and its presence in all occas…
FAQ’s Page
…rd? Of course – we believe that musicians should be paid for their time performing for us. We pay a recording gratuity on the day of the recording. This amount varies based on a number of factors such as the number of members in the group and the number of songs we record. In the event of any music we record making money directly (through sales, sync licensing or performance royalties) we will endeavour to channel this money back to the original p…
Day One: 7 March 2022 (Shikangania and Mukumu) Story
…at some of the venues chosen for the recordings had no main power outlets. Fortunately and for a nominal fee, good neighbors always came to our rescue by allowing us to tap into their main power supply lines with our snake cable. When all the issues were sorted out, the rest of the recording went smoothly with Johnstone Mukabi and the Omutibo Stars coming on stage at 11:00am. Accompanied by Francis Massanga on vocals, they were joined by guest mus…
Day Two: February 17, 2020 (Stonetown) Story
…at 16 and taught himself the violin and bass. He went to Egypt off and on for six years on a scholarship from the DCMA to study violin and the oud starting in 2000. He’s been teaching at the academy for 18 years. Members of this group include: Mohamed Othman Faki – leader, on violin, Kheri Mizaka Aliy on African Bass, Makame Ali Juma on drum, Buruhami Makame Haji on 2nd drum, Mgeni Seleiman Makame on sticks, Said Ame Othman on shakers, Aikazija…
Elgon Ngoma Troupe Group
…embers of his group, of which 100 are performers. They are roughly divided between the two bands. For income, they do performances and also work four acres of land to feed themselves. Many of the members also do arts and crafts or a skilled trade – Julius’s dream is to open up a hair and beauty studio so they can support the bride with her beauty and music. He hopes the troupe will give them opportunities to travel away from their homes, but also…
Global Influences Project: Artist Submissions Page
…re loving this track from Ng’at Maler who utilises several different loops for his submission. He told us how the project has really impacted his current workflow when making new music, making sure to include African sounds, and we just LOVE that! “Loops are such a great way to start a track for me. They are a great way of finding inspiration, and i particularly liked the rhythmic elements that these loops have. They have an organic sound and are…
The Revival of the Entongooli Page
…h. All of the bark is trimmed off of this wood during the process to allow for a smooth base ready for the next stage: Cow dung! Getting things Dung! Excuse the pun, but there is no way around this fascinating part of the process! To protect the base of the Entongooli, the maker must smear it with cow dung, coat it entirely and then leave it to dry. This process is to protect the wood from cracking, and also to protect it from weevils and insects…
Field Recording Report by Kahithe Kiiru Story
…lead and one rhythm, a water dispenser drum and vocals only, the group performed for us six original compositions. Among them, the popular hit composed by Luseno in 2006 entitled “Mukangala”. This inspired Fadhilee to join in and we recorded “Mukangala” Influences. Fadhilee also shared one of his original compositions called “We don’t know”, which we recorded in two versions, accompanied by Itenya on guitar only and accompanied by his back-vocals…
Day One: February 16, 2020 (Ngawala Hotel) Story
…The group is from Rahaleo and normally they have 28 members but brought 9 for the performance. The members included: Topsy Surrie (Oud, a beautiful version with inlay), Asha Khamisi Amur (violin and background vocals), Tatu Hamisi Amur (accordion and backing vocals), Ummy Suleiman Alli (violin and background vocals), Mtuswma Makame Seheli (percussion), Zainabu Wazari (tablah drum), Zainabu Mdiliko (accordion) and Fatima Yuma (bongos). The group h…
Day Four: 10 March 2022 (Rongo) Story
…ild resilience by trying to restructure the operations and business models for these musicians to enable them to develop a better understanding of how to improve their performances. These adjustments were of utmost importance in making it easier for these rural and peri-urban based musicians to migrate their shows and concerts to online platforms in order to reach wider audiences and create new revenue streams. As we headed back to Nairobi on Frid…
Super Phoenix Band Group
…don’t know: Fadhilee then taught the band to play his song, We Don’t Know. This is about politicians who pay lots of attention to voters when it is election time but then are never around to be accountable for anything once elected. It is about the frustration of so many people with their elected officials who do nothing for them. There were two versions: here’s the second: We Don’t Know….
Watmon Cultural Group Group
…Eventually he had people coming to him asking to be a part of it, and from that point the group became an institution. In the fallout of the war against Idi Amin’s regime, many people were looking for an escape, and the troupe presented just such an opportunity. The group performed for President George Bush during a state visit to Uganda. They were also recorded in 2012 for the BBC’s World Routes album, presented by ethnomusicologist Lucy Duran. T…
Day Two: 8 March 2022 (Ilesi) Story
…respectively. The Obasie Palnyang band is very popular among the Iteso people and their neighboring communities in western Kenya and the eastern parts of Uganda. The group holds regular shows at Amurai center and can, on occasion, be seen performing in the neighboring towns of Busia and Malaba….
Day Five: February 20, 2020 (DCMA) Story
…thara – This group was formed by Rajab Suleiman. They have played together for 20 years and all live in the same neighborhood. They play for weddings and festivals in a traditional Taarab style. It was good to see them again on the grounds of the Ngalawa hotel. Performers: Rajab Suleiman (qanun and director), Mohammed Hassan (accordian), Fum Faki (bongo and tabla), Tatu Khamis Haji (singer) Songs: Chungu – means Pot, composed by Said Ali 10 years…
Kirundo Group
…sed at a wake after someone is buried. New composition. Uringe – Be Proud. Old Traditional song Kyaso – old traditional Zanzibarian song of celebration Mnyamwana – Respect for women. New Composition. They sang in a combination of Hehe and Kigogo, both languages from mainland Tanzania, as well as Swahili. They had incredible energy and charisma. The singer, Nyemo, had a beautiful melodic voice. He also played guitar and the kalimba. The three young…
2. Naizungwe Drums – progress report 1 Story
…sizes. We decided to make many because we would like to have enough drums for training a new generation of players. However, the basic number includes: 1 large Uganda drum (played with short heavy beaters) 3 smaller drums (played with long curved sticks) 1 medium drum (played with sticks) 1 long drum (ngalabi – hand-beaten) All together, 6 drums. Therefore, we are making four sets of naizungwe drums mainly to facilitate learning.” Below is a vide…