Day Two: February 17, 2020 (Stonetown) Story
…ge 7 up to 40, ten all together today. They sing Islamic and secular songs for weddings and celebrations. Today was mainly an acapello performance with one flute made out of a bamboo stick. The singers included: Ibrahim Ali Hassan (lead singer, flute ), Issa Ali Hassan (lead singer), Mlenge Ali Hassan, Othman Mlenge Ali, Afann Mlenge Ali, Iddi Abdallah Mohd, Abdillah Salum Juma (lead singer), Fesal Sleiman Mwalim, Saidi Simai Mkanga, Vuai Juma Vua…
Day Zero: 6 March 2022 – Travel To Stream Story
…ernet connectivity and online streaming services. This solution works well for urban-based performers where the infrastructure exists and is relatively easy to access, but does not apply to those based in peri-urban areas and villages with limited or no access to the relevant infrastructure. Bearing in mind these challenges facing rural-based musicians, we at Ketebul Music were prompted to reconstitute our infrastructure and operations by obtainin…
Day 1: Saturday, 2017 February 18th Story
…cers pulls it back by the tail just before it strikes. Breath-taking. This form of performance is new to us (but, of course not to Tanzanians) and we’ve not seen it in Kenya or Uganda. In fact, ‘clown’ acts are quite central to Tanzanian dance as are acrobatic acts. We spoke to Leo about this. “Yes, we love to bring comedy to our music. If you look at most circus troupes that are touring in the world today, a huge number of the acrobats and clowns…
A Report by Professor James Isabirye – Indigenous music learning in contemporary contexts: Nurturing learner identity, agency, and passion News
…n music and instruments. We know that generations to come will be grateful for the work he has put in to continue these traditions. He has also written a report analysing how indigenous learning can inform modern schooling, in which Singing Well’s gets a featured mention as collaborators within his project. You can read more about that here: https://journals.sagepub.com/eprint/XGBCQ8EJIVZXHMMGUZ2V/full James Isabirye is a lecturer of music and mus…
Fundraiser for Matthew Watmon News
We are sad to say that a special talent, and a dear friend of Singing Wells, Matthew Watmon is currently in a critical condition in hospital. We are urgently trying to raise funds to support him and his family in this difficult time, and we hope that some of our followers may be able to help us. If you are based in East Africa, please get in touch with Matthew’s brother, Constantine Odida ((MTN) +256-782-236-742 and (Airtel) +256-704-261-037). I…
Our journey to the Royal Drums: in the words of James Isabirye Story
…itional music. From a government perspective, it is the music you roll out for foreigners, like the Pope, or on some special occasion. But otherwise you ignore it and don’t value it. We don’t support it and we are losing the myths, the dances, and the songs that define us. If you lose that sense of identity how can you know where you’re going as a society? If you don’t know your roots, how do you know who you are? This matter has concerned a circl…
Singing Wells Approaches 5 Million Views News
…s is a project worth showing people! We can’t wait to bring more songs and stories to the world. Keep an eye out on the Singing Wells Youtube channel for the footage and recordings from our field trip to Zanzibar and Pemba….
Central & Eastern Uganda: Day 4, Part 2 – Flutes Story
…wing songs: Sematimba ‘Ne Kikwabanga Anamwa Nganga (with accents over the ‘g’s’) And with that, we faced a thunderstorm and packed ourselves up for the hotel, and packed in the hotel for our flight on December 4th back to Nairobi. We will not provide a field report for December 4th, but stay tuned for December 5th, when we continue recording Uganda musicians, but not in a field. In a studio. To a click track. With other professionals. As we seek t…
Central & Eastern Uganda: Day 4, Part 1 – Reflections Story
…Step 4: if there is support, build the infrastructure. This involves seeds for gourds for trumpets, or drum-making for drums. Inevitably something needs to be invested in the infrastructure. Step 5: Bring on the young. Inevitably, you then need to bring on the people to learn and enjoy this music. And here we had an interesting debate. Some of our palace musicians felt the young people didn’t care anymore. But it was Ben Nsumugo Ntabula who provid…
Central & Eastern Uganda: Day 3, Part 2 – Interviews with Musicians of Uganda’s Royal Palaces Story
…f ‘last surviving’ and we would love to be proven wrong. Musisi is looking for more drummers and the ones we talked to today are desperate to find others that played with them. Richard Ssewannyana We first travelled about an hour from Mukono to the village of Bamusuta B Kizimula to meet with Richard Ssewannyana. As we believe Musisi is the ‘last surviving’ royal drummer, we believe Richard is the last surviving royal flutist. Please, let’s be wron…
Central & Eastern Uganda: Day 3, Part 1- Drum Making and Palace Players Story
…nstruments: the knife (Akambe), awl (Olukato), hammer (Ennyondo) and wedge for tuning. For this step, the re-stringing, he stopped after a few strings, explaining that he was ruining his drum by showing us. Here, you saw the real skill levels of the drum maker. With his hands moving very fast, he was taking out the stitch of nylon string, cutting off the former holes, creating new holes and re-lacing the drum skins together with leather strings. V…
Central and Eastern Uganda: Day 2 – Kampala to Jinja Story
…The traditions died as the kingdoms died and he felt the trumpets had gone for good. In fact, the knowledge of how to grow the gourd to make the trumpets was lost and the seeds for the long gourd were almost impossible to find. A tradition literally dying on the proverbial vine. James Isabirye found James Lugolole around 2005 and set out to restore the tradition. They formed a new group, which we recorded in 2013, and they re-discovered the gourd…
Rediscovering the lost Royal Drums of the Buganda Kingdom: Day 1, Uganda Story
…n the 1950’s (more on this later) and Peter Cooke also recorded a final performance in 1969. But the drummers all died. The drums were gone. We had old recordings, but no drummers. We were listening to lost songbooks. We were listening to the full drums together for the first time in almost 50 years. Musisi told us he never thought he’d hear the music again, and his only goal in life now is to teach the teachers so the drums will live. Albert Ssem…
The History Of Benga Music: A Report by Ketebul Music Story
…l food stores were often erected a distance away from the main houses, the better for naughty lyrics to escape the ears of the innocent. The Luo word for granary is “dero” while the expression “tie dero”— the local reference to early guitar-music— denotes the idea of being “around and about” the granary. The Ogara Years By the early 1950s, pioneering Luo musicians like Obuondo Atwanga , John Odula, Oyugi Tobby, Ojwang Bathlomeyo, Owiti (Dewitts),…
Central and Eastern Kenya: Days 5-11: Ketebul Studios, Nairobi Story
…ottle percussionist.’ In the 80’s, Shem formed a new band, Les Bunyore , before reforming Abana ba Nasery in the ’90’s. We recorded six songs with him. Muhanna Mulando Obuyanzi Kali Munda Olubo Mary Queen John Nzanze One of the founders of “African Twist”, John enjoyed a major hit with ‘Angelique Twist’ in 1961. Born in 1940, he started playing his father’s guitar at 12. His band, Air Fiesta Matata, achieved fame, having come in third in the 1968…
Central and Eastern Kenya: Day 1 – Nairobi to Kiongwe to Muranga Story
…ambani District. 12 women and 2 men, formed in the 80’s and inspired to perform at political forum. The group also uses the Vilingi (whistle). They performed 4 songs: Kiuluni Kui Landeni (going to London) Mbovoi Kisanga Kumbaka Asee The group is led by Margaret Mbia and plays in the musical style of Kilumi, wathi wa kikamba. They are also from the Kamba ethnic community (ukamba wa kitui). They have 15 members and are inspired by kithio kya mukambu…