Mohamed Uthman Kidumbak Group Group
…iolin and bass. He went to Egypt off and on for six years on a scholarship from the DCMA to study violin and the oud starting in 2000. He’s been teaching at the academy for 18 years. Members of this group include: Mohamed Othman Faki – leader, on violin, Kheri Mizaka Aliy on African Bass, Makame Ali Juma on drum, Buruhami Makame Haji on 2nd drum, Mgeni Seleiman Makame on sticks, Said Ame Othman on shakers, Aikazija Abdala Ame -dancer, Mirianaharus…
Bigilia Group Group
From our hotel, we drove a short distance to the village of Nia Njema, where we stayed all day recording Bigilia. They were cooking fish under the main tree and the women were sitting on the Mbuzi, which is used to cut the coconut for Wali (Coconut Rice). The dancers all had lovely necklaces (Usalu), hats (Kigarama) shakers (Mbugu), whistles (Firimbi), and ‘brooms’ (Usinga). The group leader was Asha Saidi Kazidi. The style was Unyago. Here is th…
Super Phoenix Band Group
…song about a girl that left her husband because he was too poor. She went away and earned lots of money and returned to him. He realized that she did love him but needed them to have more money so he was grateful on her return. Imbalekha: This is about very bad men who chase all the married young women from their village. They make life very difficult for the women and gossip all the time. Achitsa: About a father who was very proud of his daughter…
The Singing Wells podcast #3 Podcast
…Here is podcast number 3. In this podcast, we look at the development of Abubilla Music – one of the partners in The Singing Wells project – from initial idea, to music label. There are interviews with members of the SMCC, and music from the SMCC, Louise Calf, Gus Warriner, Tati Kalveks, Chris Kozlowski and Ketebul artist Winyo. Click here to download the podcast….
Conclusion: Challenges and Recomendations Story
…emonstration, it would be advisable for the recording schedule to focus on one individual ‐ one instrument maker per day only. Also, possibilities of postponed sessions and cancellation, technical or other difficulties that may occur should be taken into account when creating a schedule. The timeframe issue could also be ameliorated by a pre‐recording field mission – a recce. In that sense, all participants would be informed on the date they are t…
Day 9 – Sunday 9th July 2017 Story
…g to Hornbostel– Sachs(2), all four would be classified as composite chordophones, more precisely under the 321.2 category of: “Yoke lutes or lyres – The strings are attached to a yoke which lies in the same plane as the sound‐table and consists of two arms and a cross‐bar.” Through a group interview, we attempted to compare them in: size (size of resonator; length of arms and per extension of strings); materials of fabrication (types of wood); bo…
Day 1 – Saturday 1st July 2017 Story
…one of our field mission was originally reserved for travel, for the road from Nairobi to Kisumu City. However, as our schedule was going to be tight, and some of the preliminary work had not been completed, we opted for a semi‐formal preparative interview with John Otieno ‘Rapasa’, a young nyatiti player based in Nairobi, yet from Alego area (Siaya County), who was a part of our team as a fixer and translator. The main objective of this semi‐int…
Recording Resources Page
…ns, videographers and ethnomusicologists. However, it has taken us time to really work out the best processes for working effectively out in the field. With that in mind, we have created some resources for other groups to use for working in the field. Please feel free to use the below resources for your field trips in whatever region you are based, and please do reach out to us. We love to meet others who are passionate about music in their own re…
Matende Culture Isukuti Youth Group Group
…lu): Tsimbasi Tsia Mama: A song to console the mother who has lost a loved one. Mwoyo Kulimbila Mwikulu: After you die your heart will be able to rest. Songs for weddings (Shiselelo) Nukhufwale Maua: Giving flowers to the bride after the wedding Wulila Harvsi: The procession of groom coming to church and announcing the wedding at they travel through the village. Songs about the circumcision ceremony (Shishebo) Chambombo (during the circumcision) B…
What We Do Page
…allows us to record audio via up to 8 different professional quality microphones and video with three HD cameras. Following each visit, this material is post produced to provide an archive of audio tracks and videos. We are in contact with The British Library about adding the Singing Wells collection to their archive of World and Traditional Music but we also endeavour to make our recordings accessible to the widest possible audience of musicians…
Patrick Ondiek Staff Profile
…was so moved. He was singing about death, about his own father, about his grandfather. He forced you to think about all the people you’ve lost. Secondly, I love the confidence it gives me to expose my friends to new music. They all love the music I bring home – its’s different from what they listen to and so much like ‘home.’ In Kenya, no matter where you live, your village is always ‘home.’ I was never raised there [Bondo], but it is where I will…
Bukaala Twesitule Troupe Group
…has contributed to the local economic development because it uses ingredients grown in Uganda. “Abag’ageno”: Talks about HIV and the factors influencing the spread of HIV and how the community can come together to deal with it. Very tragic song telling the story of deaths with man sobbing at one point. “Akabira” (Worship Song): Means a small forest where spirits tend to run, deep in the trees and high in the mountains. But they are not always wel…
Bakuseka Majja Matta Group Group
…eisubi Esana Buko”: If a woman refuses you, you go with a match and burn down her grass thatched house. “Atyamiisa Asekerera Adagha”: A person who is doing well will always laugh at one who is struggling. “Otabona Bukaire”: Even if I am old now, I’m still suitable for marriage….
Buganda Music Ensemble Group
…song with the bow harp or Ennanga, a new instrument for us. Albert is only one of 3 master players. It was played in solo performances and the Ennanga player was the advisor to the king, as people would bring him messages for the king that he would turn to song. “Mulirwana”: it means neighbour and the song is about people who don’t trust their neighbours and they believe that anyone that doesn’t trust their neighbours is a witch. “Ssewaswa”: This…
Pius Wafula Group
…with a famous local group called “Webuye Jua Kali” up to 2009, when he founded his own group. Today the group counts 5 members who play the following instruments: LITUNGU – a 7-string traditional lyre; ISIRILI – a one-string fiddle; LUENGELE– a percussive idiophone, they use a wooden stool struck with wooden sticks; ENG’OMA – a generic term for drums, they use a plastic water container also struck with wooden sticks; CHISASI – shakers made out of…
Culture Musical Club Taarab Orchestra Group
Culture Musical Club Taarab Orchestra is one of the oldest Taarab orchestras in Zanzibar founded in 1965 after independence. Generations of musicians have played in it. It plays traditional Taarab music with all female solo singers and male singers on instruments. It was clear that this orchestra had played together for a long time and were well rehearsed. They have a total of 45 people in their orchestra. They usually play with about 25 and we s…