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Day Two: February 17, 2020 (Stonetown) Story

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…nalogies. Here the message is: “Don’t insult the midwife because you might need her again.” The song is about not taking cassavas for granted.  Kidole Chauma Sana – translates to “My Finger is Painful.” Again, this is not the direct meaning. It’s a naughty song with sexual connotations about the man’s hand being worn out.  Urithi Group – Group of 10 young men dressed in white robes, blue vests and red Fez hats. Their whole group has 20 members. Th…

Day One: 7 March 2022 (Shikangania and Mukumu) Story

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…at some of the venues chosen for the recordings had no main power outlets. Fortunately and for a nominal fee, good neighbors always came to our rescue by allowing us to tap into their main power supply lines with our snake cable. When all the issues were sorted out, the rest of the recording went smoothly with Johnstone Mukabi and the Omutibo Stars coming on stage at 11:00am. Accompanied by Francis Massanga on vocals, they were joined by guest mus…

Support Singing Wells Page

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…inging Wells recording session. Each group receives a payment for their performance, which they can use to help them continue practicing and performing in the future. The songs and videos we record are archived and published, giving each group further opportunities to gain an income from their music. Our Gift to You As well as a special thank you on our website, we’ll send you details of the song your donation funded and an MP3 download of the tra…

Day Four: February 19, 2020 (Maruhabi Palace) Story

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…et us at with the first group and brought us to this one. They sing and perform mainly for weddings and celebrations. Performers: (all male): Juma Fadhul Juma (leader and secretary but did not participate), Fadhili Faki (director and plays violin), Mohamed Khamisi (violin), Khamisi Vuai (bongos), Khamisi Bato (bongos), Ameri Sefu ( Sanduku – sinle string base), Ahmed Juma (sticks and table), Sheha Makame (shaker= cherewa)  Dancers and chorus (all…

Global Influences Project: Artist Submissions Page

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…ten ignore the paths taken right before them. The two sides always looking for each other but never meeting. For the song I used samples from the Ohangla drum solo and the nyatiti group singing. I wanted to feel like a part of their band, trying to figure out how I would contribute to their style of music and have this conversation spiritually with them.” You can hear more of his music on Soundcloud:soundcloud.com/amzi-odek Want to get involved in…

Elgon Ngoma Troupe Group

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…which 100 are performers. They are roughly divided between the two bands. For income, they do performances and also work four acres of land to feed themselves. Many of the members also do arts and crafts or a skilled trade – Julius’s dream is to open up a hair and beauty studio so they can support the bride with her beauty and music. He hopes the troupe will give them opportunities to travel away from their homes, but also to preserve the traditi…

Day Three: February 18, 2020 (Stonetown, Mpendae, Maungani) Story

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…joy it and have created their own brass bands. This band has been together for 20 years. Performers: Salmin Ali Borafya (trumpet, leader), Ali Borafya (base drum), Fatihi Hassan (trombone), Ali Rajab (trombone), Ahmed Hassan (drum), Mahmud Ali (cymbal), Abdalla Iddi (tabla). Dancers/singers: Pili Idi (lead singer) Aisha Khamis, Zainab Khamisi, Aldeh Jonas, Nafla Khamis.  Director: Omar Mohamed – he didn’t play in the band but directed it and spoke…

The Revival of the Entongooli Page

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…h. All of the bark is trimmed off of this wood during the process to allow for a smooth base ready for the next stage: Cow dung! Getting things Dung! Excuse the pun, but there is no way around this fascinating part of the process! To protect the base of the Entongooli, the maker must smear it with cow dung, coat it entirely and then leave it to dry. This process is to protect the wood from cracking, and also to protect it from weevils and insects…

Global Influences Project: Loop Library Page

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…n download the project brief here or head back to the main page for more information. If you want to independently release your music for sale or streaming using these samples, please get in touch with us so that we can grant you a license. Loops By Tempo/BPM Adungu Cultural Troupe – 111bpm Joginda Boys -116bpm Hiari Ya Moyo – 121bPM Rubanga Kingdom Awach Boys – 127BPM Otacho Young Stars Shoe Shine Box – 143BPM Aloka Ohangla Drum Solo – 146bpm Ekh…

Mohamed Uthman Kidumbak Group Group

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…or the bride. Muhogo Wa Jangombe – Means cassava of Jongombe. In Swahili these songs don’t tell you directly what they are trying to say. They use metaphor and analogies. Here the message is: “Don’t insult the midwife because you might need her again.” The song is about not taking cassavas for granted. Kidole Chauma Sana – translates to “My Finger is Painful.” Again, this is not the direct meaning. It’s a naughty song with sexual connotations abo…

Day Zero: 6 March 2022 – Travel To Stream Story

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…ernet connectivity and online streaming services. This solution works well for urban-based performers where the infrastructure exists and is relatively easy to access, but does not apply to those based in peri-urban areas and villages with limited or no access to the relevant infrastructure. Bearing in mind these challenges facing rural-based musicians, we at Ketebul Music were prompted to reconstitute our infrastructure and operations by obtainin…

FAQ’s Page

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…rd? Of course – we believe that musicians should be paid for their time performing for us. We pay a recording gratuity on the day of the recording. This amount varies based on a number of factors such as the number of members in the group and the number of songs we record. In the event of any music we record making money directly (through sales, sync licensing or performance royalties) we will endeavour to channel this money back to the original p…

Day Six: January 24, 2019 From Mwanza to Dodomo to Nzali to Nairobi Story

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…Mchoya):   From Nzali, the group is from the Wagogo Tupu community and was formed in 1966 by the grandfathers of the current performers.   Their instruments include: Nindo (jingles), Njuga (Shakers), Mbega (animal Skins), Muheme (drums), Kabati (kayamba-shakers), Manyanga ( Maracas), Madodolo (cow bell), and Pangwa/Kipangwa (a double headed lyre). We recorded four performances, where each of the songs is named after the musical style: Nindo: A med…

Field Recording Report by Kahithe Kiiru Story

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…lead and one rhythm, a water dispenser drum and vocals only, the group performed for us six original compositions. Among them, the popular hit composed by Luseno in 2006 entitled “Mukangala”. This inspired Fadhilee to join in and we recorded “Mukangala” Influences. Fadhilee also shared one of his original compositions called “We don’t know”, which we recorded in two versions, accompanied by Itenya on guitar only and accompanied by his back-vocals…

Super Phoenix Band Group

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…don’t know: Fadhilee then taught the band to play his song, We Don’t Know. This is about politicians who pay lots of attention to voters when it is election time but then are never around to be accountable for anything once elected. It is about the frustration of so many people with their elected officials who do nothing for them. There were two versions: here’s the second: We Don’t Know….

Day Three: 9 March 2022 (Kisumu) Story

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…was Olith Ratego, a musician whose unique dodo style is one of the oldest forms of music performed by the Luo people of Western Kenya. Olith Ratego is a self-taught musician who plays a musical instrument fashioned by himself. It is a replica of the nyatiti (an eight stringed traditional lyre), which he calls okoddo and is modified to the pentatonic scale. Olith Ratego’s recording session went uninterrupted and was completed shortly before 6:00pm…