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Kangema Mwomboko Dancers Group

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…nce style, inspired by colonial masters but adapted locally. Mwomboko, Peter Mwangi is the lead singer and plays the accordion. George Kinyua plays the Karing’aring’a (the metal ring). The group played 5 songs plus one magic moment: Mwomboko Ndongomothi Kariara Rumba Jeki Magic Moment: The group then focused on a minute of Wendire Mugunda…

Upendo Jazz Group

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The group is from the Murangi Village in the Mara Region and their community is Wajita and their style is Vidogori. They were founded in 1999. Their instruments included: Ngoma za Budogori (drums, with a kick) and Njiga (shakers from gourds). It is worth taking a minute on the drums. They were typical African drums, but set up Western Style on a steel rack and they leaned one large bass drum against the rack. The drummer then built a separate woo…

Wendo Group

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…The group also uses the Vilingi (whistle). They performed 4 songs: Kiuluni Kui Landeni (going to London) Mbovoi Kisanga…

Field Recording Report by Kahithe Kiiru Story

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…s local group called “Webuye Jua Kali” up to 2009, when he founded his own group. Today the group counts 5 members who play the following instruments: LITUNGU – a 7-string traditional lyre; ISIRILI – a one-string fiddle; LUENGELE– a percussive idiophone, they use a wooden stool struck with wooden sticks; ENG’OMA – a generic term for drums, they use a plastic water container also struck with wooden sticks; CHISASI – shakers made out of gourds. We r…

Albums Introduction Page

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…h the music of the area we were recording in.   Each album also contains a number of extra tracks that weren’t strictly part of the archiving recordings we were making. These recordings are of ‘Influences’ sessions – where a popular musical artist has joined us on our trip to collaborate with the groups we record. In the event that we have invited one of the musicians back to the Ketebul Studios in Nairobi to record, we will also include these rec…

Day 1 – Saturday 1st July 2017 Story

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…yatiti’s shape (resembles the traditional Luo hut shape), symbolism of the number (8) of strings of the nyatiti, his tuning techniques and order of string tuning, together with the story of his personal attachment to his instruments collection (owns 14 nyatitis). Upon our arrival to Kisumu City, we had another semi‐formal interview that would birth ideas for other hypothesis and arguments to follow up on. We met Meshack Okoth Okumu, who was to be…

Day 9 – Sunday 9th July 2017 Story

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…ne as the sound‐table and consists of two arms and a cross‐bar.” Through a group interview, we attempted to compare them in: size (size of resonator; length of arms and per extension of strings); materials of fabrication (types of wood); body parts (any specific additional parts and why); strings number; playing techniques (position of instrument; hands positioning and fingers involved in playing; plucking techniques); tuning and sound (central st…

The Singing Wells podcast #3 Podcast

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…Here is podcast number 3. In this podcast, we look at the development of Abubilla Music – one of the partners in The Singing Wells project – from initial idea, to music label. There are interviews with members of the SMCC, and music from the SMCC, Louise Calf, Gus Warriner, Tati Kalveks, Chris Kozlowski and Ketebul artist Winyo.   Click here to download the podcast….

Chibite Group

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The group is a family group, with all members related to Msafiri Zawose, a very famous Tanzanian singer. He plays in the Gogo style of music which relies on the Zeze (stringed instruments made from gourds) and Ilimba (a lamellophone, or modified thumb piano). We will spend a lot of time with Chibite over the next two days and meet many different family members. For this first recording in Boma, the line-up was Ndahani Bwani, the older brother, hi…

Get on the Map Page

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…permission to embed any links contained within the form on the map of East Africa. Submission of the form does not guarantee that your group or music will be featured on the map….

Kithara Group

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…ord one song but had to stop after that due to noise. We hope to have this group come to the hotel on our last recording day. We felt bad that they only were able to perform one song but they took it graciously. Performers: Rajab Suleiman (qanun and director), Mohammed Hassan (accordian), Fum Faki (bongo and tabla), Tatu Khamis Haji (singer) Songs: Chungu – means Pot, composed by Said Ali 10 years ago Usikhofu – means “Don’t Worry” Composed by Raj…

Karambi Sanaa Group Group

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…From Kagera Bukoba and part of the Wahaya Community, this group was formed in 2000 and performs in the Akasimbo style. Their instruments are: Kangote (Drums), Akafotho (hand whistling), Enganja: Clapper – two wooden ‘bricks’ struck together, and they wear Ebisheshe (grasses). is…

Day Two: January 19, 2019 From Tarime to Buturi to Bariadi Story

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…cord slightly differently. https://youtu.be/yQ52ZCL5Gro Group 3: Serengeti Group: This group, formed in 2016, was from the community of Kuria and played in the Ritungu style – this style refers to the form of dancing where the two lead dancers ‘nodded’ their head in almost a trance like way to the music and to their large eight-stringed instrument. We were mesmerized. Their instruments included the: Zeze, Virandi (shakers), and Ritungu (eight stri…

Mchele Mchele Sanaa Group Group

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…This group, from the Sukuma community, was formed in 2010 and performs with a number of styles: Bukomia Lume, Buchheye, Wigashe. Their instruments are: Ng’oma (Drums), Pembe (animal horns, large impala), Firimbi (flute), and Njuga (shakers).  …

Bakuseka Majja Matta Group Group

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Bakuseka Majja Matta Group: The group leader is 76 year old Nathan Matta Nyende. Nathan started playing in 1952 and was blinded in 1958 with an eye problem. Their style of music is Kisoga which both educates and entertains. The group are Fred Tavakumuwa on the tube fiddle; Kisame Ndaba on the thumb piano; Kirunda Awali on the flute and Nathan Matta Nyende, the lead vocalist and also playing the thumb piano. Song Meanings “Abalimperekera Baliba M…

Kumbaka Asee Group

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…  Kumbuka Asee: The group is led by Margaret Mbia and plays in the musical style of Kilumi, wathi wa kikamba. They are also from the Kamba ethnic community (ukamba wa kitui). They have 15 members and are inspired by kithio kya mukambu (Kamba tradition). They were formed in 1974. They use two drums called Kilumi, played by Makai King’ei and Koka Mbindyo. They played two songs: Itinga Levu…