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Conclusion: Challenges and Recomendations Story

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…anager, and the fixer or any other individual that might act as the translator from vernacular languages into English during field recording. If this function is to be filled by the fixer (which was the case in this first recording mission), I believe he should be informed and prepared in advance accordingly. I mention this because we have noted that a lot has been ‘lost in translation’, hence data collection objectives and ways of achieving them…

The Luo of Kenya Album

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…ld. Ketebul Music artist Winyo collaborated during the recording sessions, and included is his work with Ogoya Nengo, Josey Kokeo (as noted above) and The Kochia Traditional Dancers. In March 2012, we invited the Otacho Young Stars to Nairobi to record in the Ketebul Music studios. The track ‘Mr Manager’ – an ode to the manager of a plantation, was first heard on the session at Dinky’s Resort Club, but the version included is that from the Nairobi…

Kangema Mwomboko Dancers Group

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  Kangema Mwomboko Dancers: led by Maina Kirhoro. From the Kikuyu ethnic community. They are from Kiangunyi Village, Muguru Sub-location, Kangema District. The group has 45 members and was started in 2000, but the original Mwomboko style was started in 1943. This is a ‘pairing’ dance style, inspired by colonial masters but adapted locally. Mwomboko, Peter Mwangi is the lead singer and plays the accordion. George Kinyua plays the Karing’aring’a (…

Here for the Music? Page

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…Albums, head to the links below. Stories Read some of our most memorable stories from the field, featuring stunning photography taken by our team. Learn more about the communities we meet, the instruments that are being played and the background stories behind some of the photohraphy on our website. Albums Head here to see the collection of Albums we have created as a result of our recordings on the Field and at Ketebul Studios in Nairobi. The al…

Day Zero: February 15, 2020 – Assemble in Zanzibar Story

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…m, studied music in Egypt, where he learned to play the Qanun and returned to Zanzibar to form the Zanzibar Taarab orchestra.   Of course, there are a variety of musical styles in Zanzibar, including (every use of quotes in this post are direct quotes from the DCMA):  Ngoma:  “Ngoma literally translated means drum and is a term to encompass all local traditional forms of dancing, drumming and singing.  There are literally hundreds of different ngo…

Makunga Group

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…ty, which they argued is the main indigenous community of Tanzania (always from the land, never migrated into Tanzania. The group was formed in 2018, but was built on a much older group. They perform in the Wuyina style. Their instruments/costumes include the: Ndulele (Horn), the Nindo (Shakers), the Mbega: (Animal Skins), the Muheme (Drums), the Kabati (Shakers), the Kalimba (Thumb Piano), the Zeze (Orutu), the Izeze (5 string large instrument),…

Camera Group

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…Camera, who has been performing since 1999, is from Nzega and from the Sukuma community, playing in the Kadete style. Camera plays the Kadete (like the Zeze from earlier and Orutu from Kenya). He is an extremely cool cat, who we actually discovered walking the streets with his instrument during the RECCE….

Tarajazz Group

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…henge (Saxaphone, assistant director), Mahsin Basalama (contra base), Christopher Weston (Cajon and high hat), Regina Juma (singer). There was supposed to be a violin player but unfortunately he couldn’t make it. Songs: Alamina Dura – The orbit of the Gods Pakistan – written by Siti Binti Saad who loved Pakistan when she visited Kasha – Kenyan Taarab love song. A man singing about his “chest being opened and empty” In typical Taarab style this has…

Day Two: February 17, 2020 (Stonetown) Story

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Our second day we drove into Stone Town.   We recorded the first two groups at the Emerson Spice Hotel along the seaside. This hotel is an Arab style hotel, reminiscent of the rhiads in Marrakech with lots of small courtyards.    In the Emerson Spice Hotel we filmed the first two groups in a courtyard usually used for meals in the hotel.  While it became very hot as the sun hit the stage for the second group, the overall setting was beautiful –…

Global Influences Project: Loop Library Page

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…da. They play music in the Kidinda style using the Amadinda, a 22 slab xylophone which was historically an instrument which could only be played in front of the King. You can find out more about the band here. You can watch the full visual performance of this song on our Youtube channel by clicking here. Download the loop Joginda Boys – 116BPM Joginda boys are from Aluny Village, East Alego, Kenya. This play wonderful Nyatiti music, with Organda J…

Day One: 7 March 2022 (Shikangania and Mukumu) Story

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…irges. This dramatic twist of events threw us off guard and we were forced to stop our program temporarily. As required by local custom, we dutifully went to commiserate with the family of the bereaved. We paid our last respects to the unknown dead in the sealed coffin and donated some money to the family to assist with the burial activities on the following day. Seeing that we had appeased the spirit of their departed, the mourners quieted down a…

Day Four: January 21 2019 Mwanza Story

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…RfFn7ZgUrU Group 2: Camera: Camera, who has been performing since 1999, is from Nzega and from the Sukuma community, playing in the Kadete style. Camera plays the Kadete (like the Zeze from earlier and Orutu from Kenya). He is an extremely cool cat, who we actually discovered walking the streets with his instrument during the RECCE. We recorded five performances: Changamoto: This is about life’s challenges Mawazo Gakwira: About deep worries Nkewan…

Day Four: 10 March 2022 (Rongo) Story

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…eing that most of the musicians we interacted with were immediately trying to put into practice some of the suggestions we made to them on ways of improving their performances. Most of them were ready to experiment with new ways of playing their traditional musical instruments, as well trying to devise standard tuning for them. Furthermore, we appreciated the fact that our intentions were well received and that the musicians did not consider us to

Day Three: February 18, 2020 (Stonetown, Mpendae, Maungani) Story

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…nd motorbikes going by occasionally. We managed to record one song but had to stop after that due to noise. We hope to have this group come to the hotel on our last recording day. We felt bad that they only were able to perform one song but they took it graciously. Performers: Rajab Suleiman (qanun and director), Mohammed Hassan (accordian), Fum Faki (bongo and tabla), Tatu Khamis Haji (singer) Songs:  Chungu – means Pot, composed by Said Ali 10 y…

Aynu Traditional Group Group

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…re believed to have been ordinary human beings and tradition asserts that they were born in the ordinary way. Meme died immediately after giving birth to the twins, who then grew up to marry each other and start the first clan….

Day Three: January 20th, 2019 Story

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…! We recorded five performances: Busumabuno Kulima: A song about farming Watoto wakalime Freestyle on Kulima Magic Moment Busumabudo, focus on percussion https://youtu.be/dHeTdA5m5gQ Group 3: Awilo: The group, which is a comedy circus act, is from Ikungu lya nkoma and performs in the Bununguli style. They are from the Sukuma community and were formed in 1981. They played the Ng’oma and entertained the kids with circus acts involving fire, razor bl…