Irimbene Cultural Dancers and Self-Help Group Group
… Irimbene Cultural Dancers and Self-help Group, formed in 2000 with 21 young men, and is led by Edward Kiogura. They play in the Authi style and are from the Ameru ethnic community, from the Irimbene Village, upper Kiungone Sublocation, Abogeta West Division. The group uses Mbere (shakers) worn by Bernard Nkonge, Ginfold Mbae, Amos Munthi and Fraras Ikunda. They also use a flute, Coro, which is performed by John Mwiti….
Mr Bado Group
…shed music producer in his own right, and he runs his own studio in Watamu called Bado Records, where he records his own music as well as support and help aspiring artists from Watamu. His songs, ‘Shemeji’ and ‘Susumila’ were mega hits in the coast region, earning him a performance slot at Safaricom Live in 2010. He has performed internationally, including in the USA as part of the Smithsonian Folklife Festival 2014. He released his album Kama Kaz…
Day Zero: 6 March 2022 – Travel To Stream Story
…ted by Drix Muyeshi and Cliffe Munyasa. Nick Abonyo was the tour’s coordinator and Spade was our driver. The drive was slow and uninterrupted with only one stop for lunch in Nakuru. We reached Kisumu City just before dusk and settled down for dinner at Kalongolongo restaurant, run by a close friend. After a meal of fish and ugali (the local staple made from corn), we were entertained by our very own artiste Makadem (also known as Ohanglaman) who w…
Ayub Ogada Group
…ical genres is both original and pertinent for our Masters of the Nyatiti story. We spent the day at his home in Nyahera location, not far from Kisumu town, and conducted a long yet free of form type of interview. Although a Luo himself, Ayub had never learned how to play the nyatiti in a traditional setting. He picked it up later in his career and studied from a player/teacher at the national cultural centre of Bomas of Kenya in the 1980s. He rem…
Day Five: January 22, 2019 Mwanza Continued Story
We returned to the same location (Kagera Bukoba) as yesterday to record three groups: Group 1: Karambi Sanaa Group: From Kagera Bukoba and part of the Wahaya Community, this group was formed in 2000 and performs in the Akasimbo style. Their instruments are: Kangote (Drums), Akafotho (hand whistling), Enganja: Clapper – two wooden ‘bricks’ struck together, and they wear Ebisheshe (grasses). We recorded four performances: Wachumba Walya: A song ab…
Aynu Traditional Group Group
…tin sheet for percussion. The Lugbara Tribe Population: Around 900,000 History: They were known in the 19th century as ‘The Naked People’, due to the lacking importance of clothes in their culture. In the early days, the Lugbara were a mainly chiefdom-based community. They did not have kingdoms and kings presiding over them as like other ethnic groups in Uganda. They mainly had chiefs who were their leaders. They formed friendly alliances with ne…
Watmon Cultural Group Group
…performance was described by Sounds and Colours as an ‘instrumental extravaganza’. Sources: Sounds and Colours www.dailymonitor.co.ug The Guardian…
Global Influences Project: Loop Library Page
…in the Kidinda style using the Amadinda, a 22 slab xylophone which was historically an instrument which could only be played in front of the King. You can find out more about the band here. You can watch the full visual performance of this song on our Youtube channel by clicking here. Download the loop Joginda Boys – 116BPM Joginda boys are from Aluny Village, East Alego, Kenya. This play wonderful Nyatiti music, with Organda Joginda at the heart…
Day Three: February 18, 2020 (Stonetown, Mpendae, Maungani) Story
…to record the third group: Tarajazz – This group was formed by the director, Suleiman Makame, who studied classical piano and music. He became interested in Jazz and created an African fusion of Taarab and Jazz about two years ago. The name of his band changed from Mansule to Tarajazz. He combined African rhythms such as Msewe and Kyaso (both from Zanzibar) with Singeli (a new tribal rhythm). Taarab came from early 1800’s as Egyptian music. In…
Day Four: January 21 2019 Mwanza Story
…l cat, who we actually discovered walking the streets with his instrument during the RECCE. We recorded five performances: Changamoto: This is about life’s challenges Mawazo Gakwira: About deep worries Nkewane nsanja: girlfriend got pregnant and came to singer for papers Tudumishe mila: about honouring our culture Raisi Ametamka: politicians must support education https://youtu.be/Hmp4zM3kSaM Sadly, we then got rained out and went back to hotel. W…
Day Zero: February 15, 2020 – Assemble in Zanzibar Story
…trip. First, Zanzibar is an island off Tanzania, with a long colorful history. Before it was ‘controlled’ by the Portuguese in 1503, it was a base for traders between the African great lakes, the Arabian Peninsula and India. In 1698 it came under the control of the Sultan of Oman. Areas were developed to grow spices and this area, which includes Pemba, became known as the Spice Islands. The main trading was in spices, ivory and slaves to the…
Day Four: 10 March 2022 (Rongo) Story
…way, we passed through Rodi Kopany, a small center with an interesting historical background. The name Rodi Kopany was derived from the words ‘Road Company’ because back in the day a campsite for the laborers building the tarmac roads in the region was located there. It would appear the full name of the company in English was too much of a mouthful and the locals simplified it to ‘Rodi Kopany’. When Ben Mukabwa returned to Kakamega after our last…
Day Three: January 20th, 2019 Story
…Balogi, where wizardry is perceived as a negative thing, evoking witch doctors and snake oil salesmen. Simiyu: A song for praise for the region. Bahuni ba ng’wanza: A song referring to local women of questionable virtues Balimi: A song about farming where the band brought up children from the village and taught them about hoeing the soil to the song. Later we saw several videos of how this song is used in the fields to motivate farmers, who hoe t…
Day Three: 9 March 2022 (Kisumu) Story
…de a quick stop at Kiboswa ‘city’ on our way to the Lakeside city. This historic center, inhabited by the Luo, Luhya and the Kalenjin tribes of Kenya, is home to Paul Kelemba (or Maddo, as the cartoonist is popularly known). After taking a few photos to prove to the award-winning cartoonist that we actually visited his ancestral home, we continued with our journey. Our location for recording that day was Dunga Hill Camp, right by the shores of Lak…
Support Singing Wells Page
…oject to record the songs of traditional music groups, help us tell their stories and keep their music traditions alive. Your donation to the project will be spent in East Africa and will go towards supporting music groups during their Singing Wells recording session. Each group receives a payment for their performance, which they can use to help them continue practicing and performing in the future. The songs and videos we record are archived and…
The Revival of the Entongooli Page
…and information about the Entongooli and how the project is working to restore this instrument back to it’s former glory. Skip ahead to your preferred section… A Musical Education Finding the Materials Simple but Effective Tools Getting things Dung! Meet the Students From Embaire to Entongooli Part 1 From Embaire to Entongooli Part 2 Creating the Base Part 1 Creating the Base Part 2 Stringing it Together Check back soon for more episodes of our…