Day Three: February 18, 2020 (Stonetown, Mpendae, Maungani) Story
…joy it and have created their own brass bands. This band has been together for 20 years. Performers: Salmin Ali Borafya (trumpet, leader), Ali Borafya (base drum), Fatihi Hassan (trombone), Ali Rajab (trombone), Ahmed Hassan (drum), Mahmud Ali (cymbal), Abdalla Iddi (tabla). Dancers/singers: Pili Idi (lead singer) Aisha Khamis, Zainab Khamisi, Aldeh Jonas, Nafla Khamis. Director: Omar Mohamed – he didn’t play in the band but directed it and spoke…
Recording Resources Page
…tively out in the field. With that in mind, we have created some resources for other groups to use for working in the field. Please feel free to use the below resources for your field trips in whatever region you are based, and please do reach out to us. We love to meet others who are passionate about music in their own region! Village Visit Management Audio Recording Protocol Field Visit Workflow We hope these are useful for other researchers in…
Here for the Music? Page
…find moments to take some beautiful photography of our surroundings. Head here to see some images of our time on the field, the people we meet and the stunning scenery. YouTube You can find the full collection of our video recordings on our Youtube channel. With over 500+ videos for you to choose from, delve into the world of East African music and dance with us. “We set out on this mission not to become ‘fossil collectors’… We work with musicia…
Day One: January 18, 2019. Assemble in Tanzania Story
…and we typically have two general mics for the group and 5-6 specific microphones for singers and musicians, b) we have three video cameras operating – one wide shot for full performance, one close up to capture details of instruments and one roving camera to provide a second angle on the performance and c) we interview all group leaders to understand group musical styles and background, instruments and songs. In almost every village, we struggle…
Day Three: 9 March 2022 (Kisumu) Story
…was Olith Ratego, a musician whose unique dodo style is one of the oldest forms of music performed by the Luo people of Western Kenya. Olith Ratego is a self-taught musician who plays a musical instrument fashioned by himself. It is a replica of the nyatiti (an eight stringed traditional lyre), which he calls okoddo and is modified to the pentatonic scale. Olith Ratego’s recording session went uninterrupted and was completed shortly before 6:00pm…
Here for Research? Page
…ur daily reports written from the field during our yearly trips. Head here for detailed information about the performances we record, the musicians we meet and the instruments that they are playing. Alongside this, expect interviews, historical information and first hand accounts of the way East African music has developed and grown. Instruments In depth information and photography of the different musical instruments used in East Africa. This dat…
Global Influences Project: Loop Library Page
…n download the project brief here or head back to the main page for more information. If you want to independently release your music for sale or streaming using these samples, please get in touch with us so that we can grant you a license. Loops By Tempo/BPM Adungu Cultural Troupe – 111bpm Joginda Boys -116bpm Hiari Ya Moyo – 121bPM Rubanga Kingdom Awach Boys – 127BPM Otacho Young Stars Shoe Shine Box – 143BPM Aloka Ohangla Drum Solo – 146bpm Ekh…
Day Two: February 17, 2020 (Stonetown) Story
…ge 7 up to 40, ten all together today. They sing Islamic and secular songs for weddings and celebrations. Today was mainly an acapello performance with one flute made out of a bamboo stick. The singers included: Ibrahim Ali Hassan (lead singer, flute ), Issa Ali Hassan (lead singer), Mlenge Ali Hassan, Othman Mlenge Ali, Afann Mlenge Ali, Iddi Abdallah Mohd, Abdillah Salum Juma (lead singer), Fesal Sleiman Mwalim, Saidi Simai Mkanga, Vuai Juma Vua…
Day Zero: February 15, 2020 – Assemble in Zanzibar Story
…time. Muhsin…decided to teach her…at the time it was considered immoral for women to join taarab groups and sing in public… She helped …transform taarab to the point where woman are now usually the lead singers. …Between 1928 and 1950 she recorded over 150 recovers…It is through her recordings …that Taarab became widely accessible. Later, further Egyptian influence was incorporated into the genre by including full string sections as well as a…
Field Recording Report by Kahithe Kiiru Story
…lead and one rhythm, a water dispenser drum and vocals only, the group performed for us six original compositions. Among them, the popular hit composed by Luseno in 2006 entitled “Mukangala”. This inspired Fadhilee to join in and we recorded “Mukangala” Influences. Fadhilee also shared one of his original compositions called “We don’t know”, which we recorded in two versions, accompanied by Itenya on guitar only and accompanied by his back-vocals…
The Revival of the Entongooli Page
…h. All of the bark is trimmed off of this wood during the process to allow for a smooth base ready for the next stage: Cow dung! Getting things Dung! Excuse the pun, but there is no way around this fascinating part of the process! To protect the base of the Entongooli, the maker must smear it with cow dung, coat it entirely and then leave it to dry. This process is to protect the wood from cracking, and also to protect it from weevils and insects…
Day Two: 8 March 2022 (Ilesi) Story
…d our technical team went straight to work, setting up the musicians but before we could start recording, and just as the previous evening’s session, it started to rain. Luckily we were partially indoors so we did not get too wet. After about an hour the skies cleared and we were able to resume the recording session. However it took a bit of time for the group to get some of their traditional instruments, including the adeu deu, in tune in with th…
FAQ’s Page
…rd? Of course – we believe that musicians should be paid for their time performing for us. We pay a recording gratuity on the day of the recording. This amount varies based on a number of factors such as the number of members in the group and the number of songs we record. In the event of any music we record making money directly (through sales, sync licensing or performance royalties) we will endeavour to channel this money back to the original p…
Imachina Group
…is for weddings. The songs include: Hoya: This is encouraging the groom to forward and be welcome. Mbabo: This is about everyone coming together for the wedding. Khuchende Pole: This song is telling everyone to walk slowly to and from the wedding so all the people can gather and honour the bride and groom. The Shishebo process – this is about rites of passage, and specifically male circumcision. The songs include: Bikubanda: This is a song that mo…
Global Influences Project: Artist Submissions Page
…ten ignore the paths taken right before them. The two sides always looking for each other but never meeting. For the song I used samples from the Ohangla drum solo and the nyatiti group singing. I wanted to feel like a part of their band, trying to figure out how I would contribute to their style of music and have this conversation spiritually with them.” You can hear more of his music on Soundcloud:soundcloud.com/amzi-odek Want to get involved in…
Day Zero: 6 March 2022 – Travel To Stream Story
…ernet connectivity and online streaming services. This solution works well for urban-based performers where the infrastructure exists and is relatively easy to access, but does not apply to those based in peri-urban areas and villages with limited or no access to the relevant infrastructure. Bearing in mind these challenges facing rural-based musicians, we at Ketebul Music were prompted to reconstitute our infrastructure and operations by obtainin…