Umoja Wa Kusini Group
…egular performances and four ‘magic moments’: Mkwaju Ngoma: actually four songs in one. About a child going back to his village after a while and being accepted. Rushwa: about harvests, but also uses a metaphor of a broken chicken leg to say that even if love is broken, it will mend, the ‘girlfriend will come back.’ Rushwa Magic Moment 1: just vocals Magic Moment 2: percussion Malalanga: this is about being quiet because a performance is starting…
Bigwala Cultural Group Group
Bigwala Cultural Group: The coordinator and lead female vocalist is Nabirye Irene. The group are from the village of Bukoona and travelled to the Gately on the Nile Hotel in Jinja for the recording session. The Bigwala is the name of the trumpets they play. Song Meanings “Muwe Bwobona Asaba”: When someone asks you kindly assist them. “Mperekera Omwana Womurembe”: When you are walking with someone by your side they are the special one and you don…
Fanuel Amimo Group
…ga County). With age, he unfortunately lost his sight but still as ever before continues to play omutibo. Raised in a family of musicians, Amimo started playing in early childhood. H recorded his first single in 1964 with David Amunga as producer, in a studio owned by Andre Crawford and Betty Tete. His second record was produced by Sammy Osere for Lamore record label, while his third song led to his fall out with Polygram records in 1974. After th…
Toroka Uje Group
…wed a band member, Steven Jonas about drum names. Steven is also known as “Tomato”, a name given to him because he fits so well in any band he joins, like a tomato works with any sauce or salad. The drums were from smallest to largest: Chaavo Ndogo – small drum The Kinganga (Makonpe) or Kidalidali (Zaramo) – smaller drum Chapuo Kubwa – big drum. Boi – long drum, one sided Ndungula – big bass drum Nyanga – the shakers, made of empty tins filled wit…
Ndagwa Msanga Group
…ty. Their instruments are all about percussion: Ngoma (Drums) and Kayamba (Shakers). These young performers are amazing and if they are a sign, then the future of Tanzanian music is alive and well!…
Unyago Group
…: Fatima Juma (dancer and singer), Raya Abdalla (drums), Fatima Hamza (drums) and Tatu Hamisi Amur (please note she was in all three groups). The drums include: the small squat drum (Fumi), a very tall drum (msondo) and medium drum (Kinghaga). They played 8 songs, including: Aiche: Introduction Song Mamae Mwari: Mwari’s Mother Mpanda Waya: Someone who climbs a wire/cable, but really is very suggestive about a man Sikia Msondo: Listen to the Msondo…
Super Phoenix Band Group
The band was founded originally by Jacob Luseno, who mentored the current band leader Julius Intenya. The musical style is Mutibu. They played roughly 8-10 songs, including several goes with our influences artist. These songs included: Shapeless: A song about a women who lost her shape, lost her curves. Alusiola: A song about a neighbour that gave his cow to someone else. But the receipient then took care of the care and it had calves. The origin…
Ekhunjwe Musical Group Group
…ya Abasamiawas formed in April 2008 with common focus on using music as a tool for community development. The group promotes traditional African values and acts in both education and local economy. Members also engage in traditional crafts like basket weaving and jewellery making for exhibition and sale. Their Chairman Mr. Bwire also chairs the County Culture Committee and says he is “biased towards ethnomusicology” because “that’s where the beau…
Makunga Group
…mances: Intro, Freestyle recording of their entrance. Masasi: the celebration song after circumcision completed Nindo: Song on social issues Muhene: Song during girl ceremony where she reaches puberty and now must be hidden from village for 40 days (song acts out how girl learns to reject the advances of men, represented by two men playing shakers) Muziki: A song to gain support of the people for the music and dance Muziki: Freestyle Muhongwa: ano…
Introduction: Project overview and objectives Story
…ntained herein is of a narrative nature and does not focus on the details of collected data, which will be presented in a finer ethnographic report to follow. “Masters of the Nyatiti” focuses on the nyatiti, an 8‐string lyre originating in the Luo community on the shores of Lake Victoria in Western Kenya. Most of the field recordings this report is based on were thus conducted in Lake Region of Kenya, notably in Kisumu and Siaya Counties. The deta…
Here for Research? Page
…e instruments that they are playing. Alongside this, expect interviews, historical information and first hand accounts of the way East African music has developed and grown. Instruments In depth information and photography of the different musical instruments used in East Africa. This database is constantly evolving as we discover and record more instruments. The instruments are tagged by their ethnicity, their recording location and the type (sim…
Aynu Traditional Group Group
…tin sheet for percussion. The Lugbara Tribe Population: Around 900,000 History: They were known in the 19th century as ‘The Naked People’, due to the lacking importance of clothes in their culture. In the early days, the Lugbara were a mainly chiefdom-based community. They did not have kingdoms and kings presiding over them as like other ethnic groups in Uganda. They mainly had chiefs who were their leaders. They formed friendly alliances with ne…
Day One: February 16, 2020 (Ngawala Hotel) Story
…other musicians. Other members of this group include: Ramadhan Muhidan (accordion), Ali Ibrahim Musa (Kanan or Qanun), Tatu Hamisi Amur (accordion), Asha Khemisi Amur (violin) and Malick Anas (fiddle). Malick is 75 and has played with the Professor since 1961. All songs were very Arab influenced by all the lyrics are Swahili. They played five songs:Bashraf Ilyas: An instrumental song written for the Professor’s father Na Munikome: This means ‘leav…
Day Four: February 19, 2020 (Maruhabi Palace) Story
We drove back towards Stone Town and stopped at the Maruhubi Palace ruins. This palace was built by the third Sultan of Zanzibar from 1980-1982 for his secondary wives. It is now in ruins but you can still see the main buildings with baths inside, a massive overhead aqueduct that supplied water to the palace and circular ponds with lily pads. It’s set in a beautiful location along the coast surrounded by mango trees. We met the first group there…
Elgon Ngoma Troupe Group
…usuf (solo Adungu), Wamumdu Albashir (bass Adungu), Kyasowbayo Joseph (xylophone) and Dkining David (tube fiddle). The songs played were: “Isongja”: a pre-circumcision song and dance where boys are challenged to get ready for the ritual. “Kadodi Imbalu Dance”: this is about the circumcision ritual itself and involves the boy being reluctant and getting help from others to be brave. The song closes with a section about the boy having and surviving…
Day Four: 10 March 2022 (Rongo) Story
…way, we passed through Rodi Kopany, a small center with an interesting historical background. The name Rodi Kopany was derived from the words ‘Road Company’ because back in the day a campsite for the laborers building the tarmac roads in the region was located there. It would appear the full name of the company in English was too much of a mouthful and the locals simplified it to ‘Rodi Kopany’. When Ben Mukabwa returned to Kakamega after our last…