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Kumbaka Asee Group

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…  Kumbuka Asee: The group is led by Margaret Mbia and plays in the musical style of Kilumi, wathi wa kikamba. They are also from the Kamba ethnic community (ukamba wa kitui). They have 15 members and are inspired by kithio kya mukambu (Kamba tradition). They were formed in 1974. They use two drums called Kilumi, played by Makai King’ei and Koka Mbindyo. They played two songs: Itinga Levu…

Gacharaigu Gitiro Women Group Group

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…nt of the ladies and their leg shakers (Kigamba) – we did this twice, once with and one without the ladies humming (they needed to hum to get the beat right)….

Bigwala Cultural Group Group

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…: The coordinator and lead female vocalist is Nabirye Irene. The group are from the village of Bukoona and travelled to the Gately on the Nile Hotel in Jinja for the recording session. The Bigwala is the name of the trumpets they play. Song Meanings “Muwe Bwobona Asaba”: When someone asks you kindly assist them. “Mperekera Omwana Womurembe”: When you are walking with someone by your side they are the special one and you don’t look at anyone else….

Kidedeya Group

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From Kagera, Kidedeya was formed in 2005 or 2009, and performs in the Omusingero style. Their instruments are: Ng’oma (Drums) and Nyimba (Shakers). This was a group of wonderful dancing and costume changes. Every song a new and wonderful outfit. We recorded six performances: Omusingero: A song about playing the drums and dancing Nchuma: A song about traditional music that the elders love to play Mrondogomo: A wedding song Kidedeya: A send off son…

Kidinda Cultural Group Group

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…Music in the Kidinda style using the Amadinda, a 22 slab xylophone which was historically an instrument which could only be played in front of the King. Original group founders are: Sulayiman Sserubiri and Kiwuwa Buruhan The group are from Kidinda, Uganda…

Ndagwa Msanga Group

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…are all about percussion: Ngoma (Drums) and Kayamba (Shakers). These young performers are amazing and if they are a sign, then the future of Tanzanian music is alive and well!…

Kochia Traditional Dancers Group

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…of the Luo people, and this centuries-old dance is performed by mature men to beseech his spirit to possess them. Some moves of the dance represent the movements of birds, reflecting the ostrich feathers that the dancers wear. Lead by Alfred Migure, they have built a reputation for themselves as one of the most exciting groups to perform traditional Luo music, with their vibrant regalia and dance moves to match. Their brightly coloured outfits (re…

Adagha Nalya Drama Group Group

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…l Waiswa of old who used to shy away from women. It is a common folk song. “Omuntu Kyakola”: When someone is jealous about what someone else is doing; when some one works hard, others want to bring you down. “Yoyenda”: The one you love. The song invites everyone to show who they love to the rest of the community. Performed at introduction ceremonies – a traditional party where a girl introduces the man to her parents. “Nsomesa Nsomesa”: When a chi…

Nile Beat Artists Group

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…r of the band was Seby Ntege, who left Uganda in the early 2000s and moved to the UK, keen to evolve his sound. He plays the Kora, and much of his writing combines West African instruments with an East African writing style. Song Meanings “Ikobo Kobo”: It is a type of herb. It is a song about a girl who is very bitter because her mother will not let her play with her friends freely. The mother explains to her that she was barren but the spirits he…

Toroka Uje Group

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…wed a band member, Steven Jonas about drum names. Steven is also known as “Tomato”, a name given to him because he fits so well in any band he joins, like a tomato works with any sauce or salad. The drums were from smallest to largest: Chaavo Ndogo – small drum The Kinganga (Makonpe) or Kidalidali (Zaramo) – smaller drum Chapuo Kubwa – big drum. Boi – long drum, one sided Ndungula – big bass drum Nyanga – the shakers, made of empty tins filled wit…

Bungoma Roots Band Group

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…were being held. The band members held day jobs, mostly in construction, and then would gig in the evening, often in clubs filled with drunkards. However, after years of hard work and managing to record multiple records, they needed to bring in other musicians to form a much bigger band. They then produced their third CD in 2013, Namusia, again with Soundcheck in Kisumu. They started performing all over Kenya. They are now very well established w…

Fanuel Amimo Group

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…th age, he unfortunately lost his sight but still as ever before continues to play omutibo. Raised in a family of musicians, Amimo started playing in early childhood. H recorded his first single in 1964 with David Amunga as producer, in a studio owned by Andre Crawford and Betty Tete. His second record was produced by Sammy Osere for Lamore record label, while his third song led to his fall out with Polygram records in 1974. After that, he started…

Day Five: Ilesi, Khayega to Kisumu Story

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…ere: Mama: This is a song about what you do when your mother is no longer around to watch you and control your behaviour. Who are you as a man, when ‘no one is watching.’ He wrote this in March 2017 and it will be on his new album. Shombu: This is a girl’s name and is a traditional song. But he takes it and says, “Yes, you are a beautiful girl, but let me warn you. Many will try to be with you and there is a danger if you are not careful you could…

Page

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…s and songwriters to show how this “traditional” music is still relevant into today’s modern world. Below you will find links to the musical loops we have selected that are available to download for the project,  If you are interested in joining the Global Influences Project, you can download the project brief here or get in touch with us with any questions you may have.  SUBMISSIONS FOR THIS PROJECT ARE NOW CLOSED. Click here to access the Global…

The Northern Tribes of Uganda Album

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…ection of recordings showcases the field recordings from our December 2012 trip to record the music of the Northern Tribes of Uganda. We began with a base in Gulu, with journeys to Acet and Paibona. In Achet on our first day of recording, we were blessed with a recording location in the shade and 6 groups who turned up to perform their Acholi dance music. Day 2 found us in Paibona, with our first introduction to Likembe music provided by the Ruban…