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Chebonet Group

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…Music of the Kalenjin Kapsokwony, Kenya

Camera Group

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…Camera, who has been performing since 1999, is from Nzega and from the Sukuma community, playing in the Kadete style. Camera plays the Kadete (like the Zeze from earlier and Orutu from Kenya). He is an extremely cool cat, who we actually discovered walking the streets with his instrument during the RECCE….

Kiplagat Edwin Kwambai aka Fifty Cows Staff Profile

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…at the time. Fifty Cows went on to be the main contact person and “fixer” for the project. In 2014, the Singing Wells again called on Fifty Cows for the first Repatriation Project by the International Library of African Music, which was supported by the Singing Wells. This repatriation project involved retracing and locating surviving musicians who had been recorded and their music archived by ethnomusicologist Hugh Tracey in the 1950s. Fifty Cow…

Kivolti Instrument

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…A flute -type whistle – played to the side.   We encountered this instrument in Vuga, Kwale County, Coastal Kenya, while recording the music of the Mijikenda. The group were The ZigiDigi Cultural Troupe.    …

Ndere Instrument

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…Metal rings, struck with a metal beater.   We encountered the metal rings first on our first recording in Kenya in March 2011. The Nyerere Wa Konde music club used the Ndere rings in combination with the Lungo to create their percussion bed….

Day Three: Bungoma Town to Kakamega Story

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…founded in 1997 by Francesca Odour. They have 38 members and 22 showed up for our performance. They perform in the Imbira style. They are part of the Wanga tribe, which is a sub-group of the Lua, known for their Kings (Nabongo). We performed next to the mausoleum where four kings were buried, dating back to 1700s. They had lots of dancers and instruments, including: Sukuti: Three drums Ikdengele: Ring Inyungu Isiongo: a pot with a cool ‘drum stic…

Contact Page

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…ington, Kent BR6 0PG (Registered charity no:1142173) www.abubillamusicfoundation.org.uk Ketebul Music The GoDown Arts Center P.O Box 21737-00505 Nairobi, Kenya (A company limited by guarantee. Registered no: 134230) www.ketebulmusic.org…

Fanuel Amimo Group

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…ngle in 1964 with David Amunga as producer, in a studio owned by Andre Crawford and Betty Tete. His second record was produced by Sammy Osere for Lamore record label, while his third song led to his fall out with Polygram records in 1974. After that, he started producing himself and established his own label entitled African Beat. We recorded five of Amimo’s well known songs: “Safari ya Magadi”; “Ndeshera Omwana”; “Harusi ya Leah”; “Omwana Yenyang…

Day 5 – Wednesday 5th July 2017 Story

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…studied from a player/teacher at the national cultural centre of Bomas of Kenya in the 1980s. He remembers he had gone for 6 lessons (at a 100 shillings) only and then continued practicing and experimenting by himself. It was equally interesting to hear his theory of the name nyatiti, which he translated from the Luo word nyar as queen and titi, making it “the queen of the clan”. The most interesting points Ayub had made were on the difference be…

Albums Introduction Page

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…of the ways in which we can share this music is through our albums series. For each project we undertake, we curate an album of the resulting recordings. In most cases, this will include at least one recording from each group recorded. Where it works artistically, we’ll arrange the tracks on the album in chronological order of the recording date – so you can experience the journey that we took through the music of the area we were recording in.  …

Liwambwe Group

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…ader is: Atanas Teleni. It is a fairly new group, having played off and on for three years. They had unique drums, including small drums with wooden spikes on bottom to be embedded in sand, called the Siganga. They also had a pair of drums called the Likuti and a long drum called the Msondo, and a very long thin drum called a Neya. In the dance they had a character in a mask called a Lipiko, who wore a vest called a Mjuga. They played five songs:…

Bigilia Group Group

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…and the women were sitting on the Mbuzi, which is used to cut the coconut for Wali (Coconut Rice). The dancers all had lovely necklaces (Usalu), hats (Kigarama) shakers (Mbugu), whistles (Firimbi), and ‘brooms’ (Usinga). The group leader was Asha Saidi Kazidi. The style was Unyago. Here is the group: They played 12 songs, including Magic Moments and Influences Sessions: Zakulola: You’ve come to see us play Wake Kwa Ume: Female to male Nataka kuse…