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Central & Eastern Uganda: Day 4, Part 1 – Reflections Story

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…re not empowered to create, to lead rich musical lives, to become artists, to use the palace as a stepping stone to develop their art further. They were brought into these palaces as young boys, and all they did was play music. In most cases they received no other education and in most cases they played until they could play no more and their ‘retirement pension’ was the salaries of the sons or grandsons they were able to train and bring into the…

The Revival of Ohangla Music! News

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…icle about the revival of traditional Ohangla music from nation.co.ke, featuring one of our favourite Ohangla artists, Otieno Aloka. Giving A Trendy Sound To Traditional Ohangla Music Traditionally played at weddings and funerals, the music is having new life put into it by young artists like Otieno who use electronic production, combined with incredible musicianship, to create a whole new genre. Otieno’s song Kanungo Eteko is massive on Youtube,…

Central & Eastern Uganda: Day 3, Part 1- Drum Making and Palace Players Story

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…g drums, short for short drums. Then you bore the hold into the log,” (the tool used is Ekifumu) “you then let the wood dry in the sun.” Here Abass showed us a wooden ‘pail’ that had the rough outline of a small drum, but needed to be hollowed out. He did this by carving deeply into the wood with a large scraping tool that he used to carve wood from the centre. 2. Cutting the wood to size “You then cut the wood to size” (the saw used is called a M…

The History Of Benga Music: A Report by Ketebul Music Story

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…g’ Kabaselleh, a Luo pop artist who occasionally teamed up with Laban Juma Toto, formerly of the Hodi Boys band, to produce some of the best rumba melodies sang in the Luo language. Kabaselleh’s love for rumba saw him adopt the name of Congo’s celebrated pioneer musician, Joseph Kabaselleh ‘Le Grand Kalle.’ Some of Ochieng’s sons like Babu Kabaselleh and Reggie Kabaselleh are now well-known musicians in their own right, same to his siblings who ma…

Central and Eastern Kenya: Day 3 – Nkubu to Mariene to Murungurune to Nkubu Story

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…advises. Steve says that his ‘good cop’ was advising Steve and his cousins how to survive the day, while the ‘bad cop’ was essentially shouting that each boy probably lacked the courage and would humiliate his village. Ukaugiria irugu, led by Charles Kinyua. Means ‘do not tell anyone what you will meet or feel.’ And is sung before the circumcision. He is to keep the experiences to himself. “Whatever you encounter, only you and you along has the ri…

Central and Eastern Kenya: Day 2 – Muranga to Kangema to Nkubu Story

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…did this twice, once with and one without the ladies humming (they needed to hum to get the beat right). Kangema Urban Women Group The group is led by Jacinta Njoki Mwangi and formed in 2006. The group plays in thee Gitiro style – the dance performed by women during ruracio, a dowry payment occasion. Gitiro: led by Jacinta Njoki. Ndumo (ya iritu): led by Jacinta and Mary Njoki. Kibuthi: led by Jacinta Njoki. Kangema Mwomboko Dancers The group is…

Central and Eastern Kenya: Day 1 – Nairobi to Kiongwe to Muranga Story

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…na ivinda (Chasing After Time). This song talks about the President’s call to stop corruption. The call to chase after time comes from the society that won’t condone these malpractices. Kaniini Kaseo The group is led by Mumbi Wambua, in Kyolo style. The group is also from Kamba ethnic community (ukambani wa kitui) and also from the village of Kiongwe. They have 16 members and were formed in 1980. They performed 3 songs, all of which use the Ileve…

A Tanzanian Effort to Salvage the Music of the Past News

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…ic service announcements set to a catchy tune, conveying information about how to take care of children or how best to help one another build a new, independent Tanzania. “It was all about love, all about unity, all about coming together and building a new nation”, said Benson Rukantabula, who also works on the project. But as with any state-sponsored propaganda, some messages were politically acceptable, while others were not. Also in the archive…

Central Uganda: Day 3 – From Mbale to Iganga to Jinja Story

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…b. It stops going deeper. The nature of the wood limits the distinct notes to between 21-23. You also saw them dance. They play all the dances they would do with drums with xylophones across the three dance styles of: Tamenhaibuga, Nalufuka, and Irongo.” Here’s their music: The Journey Back After an interesting greeting from the local police we were able to race off toward our hotel, the Gately on the Nile. From the village, we drove back to Jinja…

Central Uganda: Day 0 – Nairobi/London to Entebbe Story

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…and a few free drinks (we had charmed some flight attendants on the plane to contribute to Singing Wells with a few whiskeys). Most of us then went to bed for the night, deciding to have one final evening free of our London friends. Patrick, however, woke up in time to be a ‘greeting party’ to the London arrivals. Message from Abubilla Music Foundation Team Representing the AMF are Jimmy Allen (Founder), sound engineer Andy Patterson and Vicki De…

Our top Singing Wells songs for April News

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…culture. For all their songs, the ladies used the Kigamba (leg shakers). 2. Kaniini Kaseo, Kolleji Kaniini Kaseo is an all women group led by Mumbi Wambua, in Kyolo style. The group is from the Kamba ethnic community. They have 16 members and were formed in 1980. All of their songs use the Ileve (the tin shaker, played by Mumbi Wambua) and Vilingi (whistle) 3. Kangema Urban Women Group, Kibuthi The Kangema Urban Women Group was formed in 2006 and…

Rediscovering Afropop and its influences News

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…, in March 2014 2014, Ketebul Music and The Abubilla Music Foundation came together to record some of the most important ‘bridge’ artists in Kenya – a group of people who have built a connection between the music of their villages and modern music. These were the founders of Benga, among other genres. Just as Daudi Kabaka’s Benga music influenced Sauti Sol, our hope is that by recording and preserving this music it can continue to inform, inspire…

Discussions on music and culture with a young Kenyan News

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…on western notions of what great life if like. It means that people aspire to western ways of things, and so we don’t embrace our cultural music and heritage… it’s not ‘cool’. Do you think losing the cultural music heritage of East Africa is a shame? It’s a massive shame! But the western style of living is so appealing – just look at how Nairobi is evolving; it’s all coffee shops and Nike trainers and rooftop bars. The Singing Wells Project ideolo…

Our top 5 Singing Wells songs for March News

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…site, getting to know the amazing traditional music of East Africa! It was tough to pick, but for my first blog post I thought I’d share my top 5 songs so far. 1. Otacho Young Stars – Amilo Love The Singing Wells team first encountered the Otacho Young Stars group on a trip to record the music of the Luo in Western Kenya in December 2011. They were later invited to Ketebul Studios in Nairobi to form part of our influences series. I love this song…