Tracey Instrument Collection News
…Egyptian harps – with the cowhide that stretches over the top of the resonator used to keep it in place. Written on the side of the skin of this ennanga is ‘SSENDEGGE’ which may be the name of the actual maker of the harp, but the harp was obtained by the Traceys by the renowned ennanga player Evaristo Muyinda. The ennanga was formerly the instrument played by the master of music of the Kabaka (King) of the Bugandan people. He would compose songs…
ILAM, Repatriation and Jimmie Rodgers/Chemirocha News
…l you the story of Jimmie Rodgers/Jimmy Rogers/Chemirocha. Tabu told this story to Jimmy in 2011 and it remains his favourite Hugh Tracey story. Here’s the story as told in Muzik: “And then the big bomber: the song I consider Tracey’s single most outstanding recording, “Chemirocha,” a paean to Jimmy Rogers (yes, the country singer) by some Kenyan girls. The song is haunting but made more so by Tracey’s introduction on the LP record (not included o…
Report from Womex 2013 News
…ll Odidi. The project is to provide an online portal for African musicians to showcase their work, and it looks great. Hopefully we can help the project and work together in some way in the future. Showcases Visited Mike and I were present at the opening concert – curated by Cerys Matthews at the fantastic Wales Millennium Centre in Cardiff Bay. The show was a showcase of traditional Welsh music including performances from Matthews herself, The…
SWP Uganda 2013 – our proposed itinerary News
…music as well as being a brass band. Julius informed us that his vision is to get to a point where they will play traditional Bagisu music in the brass band format. They are well known for their circumcision dance ‘Kadodi’, the pre-circumcision dance ‘Isonja’ and the harvest dance ‘Luwengere’. Before we left, Tabu gave a short speech to the Troupe, encouraging them to stay on the path they were on. We asked Julius to find some of the older generat…
A recording studio which fits into the back of an SUV Story
…crease the number of inputs, while still working off battery power. The laptops use Avid ProTools recording software – an industry standard for recording and music production. The microphones we have chosen are industry standard models used in studios the world over but, most likely, not seen in the villages of East Africa. The equipment has been carefully selected so it can easily fit into a few holdalls and four rugged peli-cases which protect e…
Group of the Month – Watmon Cultural Group News
…s well as recordings made in both Naguru and at the Entebbe Airport Guesthouse, where due to the generosity and patience of the manager Jan Willem and the other guests, we set up a recording studio in the garden. You can join us on Facebook here: https://www.facebook.com/singingwells and on Twitter here: http://www.twitter.com/singingwells – if you do tweet any links, please use the hashtags – #gotm and #singingwells We’ll update this page with an…
Kampala traffic jam Story
…bul Music is our Africa Project Manager and he does an amazing job in the weeks prior to the trip, contacting music groups, booking local accommodation and arranging vehicles and drivers to transport us to some very remote destinations. But even Steve’s meticulous planning could not help us avoid the infamous Kampala traffic jam! …
A quick summary of the Singing Wells Project News
…voided political songs that the village was spared and the band re-adopted to be used by the government to build morale. But, again there was bloodlust and the government forces aimed to take revenge on a neighboring village. But they went to the village and the village elder came out, explaining that he was a member of the Macedonia band, and proceeded to lead the village men in singing Uganda Land of Freedom, some of them playing the Likembe. Th…
Day 9 (AM): Ketebul Studio – Influences session for Cheri Story
…and with extraordinary sound and video quality. Our second mission is then to use these visits as inspiration for new artists to write music inspired by their tribal heritage. We now have developed a pattern – each field visit involves about 9 days in the field recording new groups AND then we return to Nairobi to work in the studio with tribal musicians discovered previously. Yesterday we worked with Mwenzele-Nyerere wa Konde Music Club on five s…
Northern Uganda: Day 6 – Soroti to Kampala (a driving story) Story
…mission was video. We had to discover what everyone else knew before us, that to be able to work quickly after a take to edit between three cameras, we needed to have all three cameras and audio start recording to a clapper board and keep recording through the whole take. We learned to get all the computer and cameras on the same time signature. We learned the roles of each camera (1 is stationary, full group, 2 is politely called fingers/feet an…
An Evening with Mserego Mwatela Group News
…feel the rhythms and I try to teach them what I’m doing, but I also adapt to how they feel the music. I let them take the music where they want to take it as long as it is rooted in our traditions. I just watch them dance and move and create the linkages. Q to the grandson: Why are you doing this? Are you viewed as cool by your friends, or somewhat ‘out of touch’? A: Maybe it’s the friends I pick, but I’m viewed as a role model by my friends. I p…
Northern Uganda: Day 6 – Soroti to Obuell-Lira to Soroti Story
…e band’ played for the rebels and were visited by all the leaders. They refused, however, to play rebel songs or support the rebel side. They said over and over again the music was neutral and only had alligience to Uganda not to one side or the other in the war. There were lots of scary moments when rebels would try to force them to declare alligence or die. But by miracle the rebel leaders let them live and play music as neutrals. In 1992, the U…
Northern Uganda: Day 5 – from Pakwach to Soroti (a road trip) Story
…beautiful white dresses. The white bags are typically crowned with a grass hat to keep them dry. Near Pakwach, this is a pretty simple cover but as you approach Soroti from Lira you get quite elaborate little weaved hats. These bags are sold for about 30,000 Ugandan shillings, but it takes days to fill one bag. In 600 kilometers of driving we have only seen them for sale – we’ve never yet seen them bought. Then there are the brick makers. Brick ma…
A day in the field with Singing Wells News
…crease the number of inputs, while still working off battery power. The laptops use Avid ProTools recording software – an industry standard for recording and music production. The microphones we have chosen are industry standard models used in studios the world over but, most likely, not seen in the villages of East Africa. The equipment has been carefully selected so it can easily fit into four rugged peli-cases which protect everything while in…
Northern Uganda: Day 3 – from Gulu to Awach to Pakwach Story
…kids, over our equipment and through performers Part of our routine now is to have Vicki on top of one of the vans to get a good 3rd angle (much of the Acholi dancing involves circling a drummer, meaning you can’t see said drummer unless from above…) The Music Groups Rubanga Kingom (Awach Boys) Our first group was Rubanga Kingom (Awach Boys), a full Likembe band. They formed thirty years ago and their goal is ‘Edu-Tainment’, helping African childr…
Northern Uganda: Day 2 – from Gulu to Acet Story
…) and the Gwara (calabash or tambourin with Samba drumming, in this case a tortoise sized shell that they hit with a brush of wire). In addition, one of the groups featured the Uvure, a wonderful horn. The Uvure in action… Omee Odokomit Our first group was Omee Odokomit, who played Apiri style. The group is led by Evelyn Ojok and was formed in 1981, disbanded for the war and reformed in 1999. The leader summons the band to practice by playing drum…