How music archives can help communities News
…dings have helped communities, one of which centres on the Batwa people of south west Uganda – the community we recorded for the Singing Wells project back in November 2011 (click here for field reports). In the mid 1960’s an ethnomusicologist called Peter Cooke recorded oral histories of the Batwa tribe in Uganda, who were, at that time, a community of forest dwelling hunter-gatherers. Cooke’s recordings were subsequently archived at the British…
Northern Uganda: Day 5 – from Pakwach to Soroti (a road trip) Story
Today was a travelling day to Soroti, Uganda. It gives us a chance to talk about the road scenes of Northern Uganda … On the road The road connects villages to their local markets and therefore is covered on either side by economic activity. There are the ‘thatch’ cutters, teams of women armed with knives and machetes cutting down the tall grasses on either side of the road. The long grasses are then laid down to dry, looking like long carpets. T…
Reporting back on recording trip to Kisoro, SW Uganda News
…so learned a great deal about their history and their lifestyle in Uganda today. The following week, we invited ten of the Batwa performers to the Ketebul Music studios in Nairobi to record more songs, and in particular, collaborate with contemporary music artists to generate new material for ‘Influences’ – a series of new songs influenced and inspired by traditional themes. Our aim is to provide a lasting benefit for the Batwa community in Ugand…
Northern Uganda: Day 4 – Pakwach to Widiang’a, Nebbi Story
Another amazing start to the day. Today it was all about music of the Alur tribe. We drove from Pakwach across the Albert Nile Bridge into the Nebbi district to the village of Widyanga. The Music Alur Kingdom Troupe We set up amongst the ‘five layered’ thatched roof huts, settled down around the cows, goats and a really music loving chicken and recorded one single band, The Alur Kingdom Troupe, with every instrument imaginable: The Flute (yep, a…
The Tribal and Musical Structure of East Africa – Worldmap Research News
…s free and open source which means any researcher can work with the source code to extend and improve its functionality, so it is constantly developing and improving. It’s also web-based so it’s easy to access and share, which is exactly what we want in order to carry on building the Singing Wells community. Rosie has made some ‘how-to’ guides on how to add to a map yourself which you can access easily on our website too, in a few steps, ‘Housekee…
Northern Uganda: Day 1 – Entebbe to Gulu Story
…he North, but boy, there’s a lot to see! One lovely view, about 90 minutes south of Gulu, Karuma Falls: And then there’s the road. Our drives to the music are always the most dangerous thing we do. The road to Gulu was a revelation, however. Generally good, paved roads, with a painted lines down the center and plenty of space for bikes, cows and children to wander on the shoulder. The big horrible trucks that have haunted us in trips past were r…
African Strings: The Nyatiti and The Adungu News
…cularly interested in the close likeness between the Ugandan Adungu played today and the Egyptian arched harp, particularly one housed in the British Museum. It’s dated 1534-1296 B.C and was found in the tomb of Thauenany, Western Thebes (right). Some scholars have rejected the theory that African harps and lyres today were originated from the instruments that were created first thousands of years ago, although there is strong evidence to suggest…
Day 9: Ketebul Studios with Ben Kisinja Story
Today is the final day of the full team working on the Kalenjin Field visit. Of course, all of us will continue in London and Nairobi to produce songs and videos of the trip. In addition to writing blogs, organising strategy through 2014, sorting through about 10,000 receipts of expenses (we run a very tight shop, thanks to Steve’s leadership), we welcome Ben into the studio to record. The Otacho Young Stars stayed the morning as well. We had a f…
Background on the Music of Northern Uganda News
…ibe are part of the Luo people of Uganda, and they migrated to Uganda from Southern Sudan with other Luo peoples along the Nile banks. 2. Next we stay in Murchison Lodge in Pakwach and meet up with ‘The Aynu Traditional Music’ group, (a Lugbara group) ‘Wenipac and ‘Ndara Troupe‘ who will spend a day with us at the Lodge. These groups represent all of the Alur, Lugbara, Acholi, Kakwa, Madi and Kebu tribes! This seems to demonstrate how traditional…
Day 7: In Nairobi – sponsors, blogs and strategy Story
The group is split today. The Jeep Group, having suffered only a flat tire in the field, has made it home to Nairobi. The Van Group, having suffered a more fundamental breakdown wakes up in Nakuru facing a morning of car repairs and an afternoon drive home to Nairobi. The Jeep group spent the morning on blogs, the afternoon with sponsors and the evening working on the Singing Wells Strategy through 2014. In discussions with sponsors, one of the m…
Acholi Tribe Profile – Music of Northern Uganda News
…li in Uganda. History: They came to northern Uganda from Bahr el Ghazal in South Sudan. In the late seventeenth century, they developed a socio-hierarchical system, in which communities, or chiefdoms, were run by Rwodi (rulers). They were traditionally hunting communities, whose economies revolved around hunting and breeding livestock. In the British colonial period, the Acoli comprised the majority of manual laborers and military. This damaged th…
Day 5: Recording the Marakwet Story
…tion to generation. The younger generation also sing but they did not come today. They mainly have older members in their group. The group have never been recorded before today and they were very excited about others hearing their traditional music. Kathy spoke to them about their dress and its significance. The white paint in lines and crosses on the men’s arms represents the River Nile and where the tribe originated from. They came from Israel t…
Day 4: the Pokot Tribes Story
…Click here to go to Song Translations Everything Else Everything else from today can be divided into three key events. First, we survived the drive. There were a few scary moments, the first being driving to the village for the shoot – straight up a very steep hill. This was not a hill for most humans and certainly wasn’t a hill for cars and certainly not cars filled with Ketebul folks and all our equipment. We got up and down, but we imagine ther…
Day 3 continued – an interview with Steve Kivutia Story
…lls in Kisumu, Lake Victoria) were amazing and more modern than most music today. The Clapperboard Today was the first day we used the ‘clapperboard’. First a little background to this…… Singing Wells has always been about the music so our initial focus was on audio recording. We invested in first class audio equipment and can record using 8 mics directly into Pro Tools. But during the March Pilot programme, we realised that the visual experience…
Day 3: Kitale to Kapsokwony, Kenya Story
…ang a song called ‘Kiseete’ on the album. (Interestingly, our second group today, Chebonet, played Kiseete, which is clearly a communal song of this community). Ben recorded 8 tracks with us, including a fantastic Influences track with Eddie Grey, a musician who joined Ketebul Music in 2011. https://youtu.be/ot3xNHqm7pU https://youtu.be/MPPFeuH1vF4 Please click here to read the meaning behind Ben’s songs: Song Translations of Ben Kisinja Chebonet…
Day 2: Nairobi to Kitale & an interview with Pato Story
Today we drove from Nairobi to Kitale, passing through Nakuru and Eldoret on the way. Last night, we agreed a late fee of 1,000 bob a minute for anyone arriving at the studio after 9 am. Money talks and the whole crew were there by 09.00. Everyone. That‘s the good news. The bad news was no one brought a key for the studio, forcing Tabu to have to drive home and back. We left an hour later. Drive good, but long (roughly 400 kms) with a few little…