Entenga: Performing twice for the king of Buganda News
…e then invited to shake hands with the king, and upon learning that James knew ethnomusicologist Peter Cooke, the king invited them to the palace to perform. They performed the song “Ganga alula”, a version of which we recorded during our visit in 2016. James played the Kyawakati and Entemyo, John Ssempeke played the Nakawombe and the younger boys played the rest of the drums. This is a wonderful story for the Entenga players, and it is really enc…
Central and Eastern Kenya: Day 1 – Nairobi to Kiongwe to Muranga Story
…ls and that we hope will be useful to others setting up a similar project. Today we focus on roles/responsibilities of the core team. On arrival at the site, we divide into three teams: Interview Team This team is typically Tabu Osusa, who acts as the on-site Singing Wells representative, formally meeting the band and handling all their questions about the project and their role in it. Tabu is typically joined by our local music expert, in this ca…
Central Uganda: Day 7 – A Magic Day in Entebbe Story
…h below. The group practiced and performed two songs: Ugandan Lullaby: We knew that Jovah and Maita knew lullabies and James came up with the idea of doing a combined lullaby involving each of the singers, using a traditional song from their village. James directed the group through rehearsals and Maita played guitar to three separate lullabies: from Jovah, from Passy and from James. We did one with guitar and one version without. Here’s the Lulla…
A Tanzanian Effort to Salvage the Music of the Past News
…about how to take care of children or how best to help one another build a new, independent Tanzania. “It was all about love, all about unity, all about coming together and building a new nation”, said Benson Rukantabula, who also works on the project. But as with any state-sponsored propaganda, some messages were politically acceptable, while others were not. Also in the archives are other historical gems, including speeches (there’s one the Aga…
Central Uganda: Day 6: Kampala to Entebbe Story
…bow harp: The bow harp, or Ennanga, which was played by Albert Junior is a new instrument for us and he is only one of 3 master players. It was played in solo performances and the Ennanga player was the advisor to the king, as people would bring him messages for the king that he would turn to song. Mulirwana: it means neighbor and the song is about people who don’t trust their neighbors and they believe that anyone that doesn’t trust their neighbo…
Central Uganda: Day 5 – Jinja to Kampala Story
…he only festival since 2005. Many people are performing around the country today due to those festivals. The group is very literate in music and we had a clear vision from 1990 of what we wanted to do. We are not doing badly and have a comfortable life from the performances. Some musicians who didn’t even have a bicycle not have houses. We are showing you can have a musical career. We are growing our knowledge and getting better at representing th…
Discussions with Peter Cooke: ethnomusicologist and Ugandan music expert News
…ter had recorded much royal music. Excitingly, we also learned that Peter knew Musisi, one of the last remaining entenga players from the Buganda Palace, whom we met during our last trip in December 2015. Musisi is now working with James at Kyambogo to implement our entenga restoration scheme to preserve and promote this traditional instrument for future generations. Students practice entenga drum-chime at Kyambogo in 1968 (Musisi is furthest from…
Central Uganda: Day 4 – Jinja Story
…casional monkey. The staff has been warm and helpful and offered the hotel today as our recording studio. We have been able to set up the computers in the kitchen of one of our cottage rooms and have the groups either perform on our dining patio or our porch. We had three groups today and the drivers were sent out to round them up from the surrounding areas. The Bigwala Cultural Group One of this group’s primary purposes is to restore the Bigwala,…
Before They Pass Away News
…ing weeks or months immersing himself in the tribe’s way of life. In Papua New Guinea, for example, Jimmy met with the Kalam tribe who decorate themselves with masks, wigs and plants to scare off potential enemies. In Vanuatu, he witnessed the traditional dance ceremonies that tribal people believe is crucial to gaining wealth. In Papua New Guinea’s highlands, he recorded how the Huli people shave their heads when they become a man, and continue t…
Central Uganda: Day 3 – From Mbale to Iganga to Jinja Story
…n Hero Brass Band. When you combine the two bands, the traditional and the new brass sound, Julius says, they blew audiences’ minds. As the bands have grown there are roughly 160 total members of his group, of which 100 are performers. They are roughly divided between the two bands. For income, they do performances and also work four acres of land to feed themselves. Many of the members also do arts and crafts or a skilled trade – Julius’s dream i…
Central Uganda: Day 2 – Kampala to Budaka Story
…d are more formally trained. They act as music judges and help to identify new talent. Most of the members are teachers that are being trained and are training. They are highly creative and dramatic.” The Namaddu Troupe The second group was the Namaddu Troupe, with 28 members and was formed in April 2009, led by Ndoboli Ramathan, and from Lyama Sub County. Their style of music was Namaddu Dance. Their costumes were Gomasi, Kanzu and skins (emondo-…
Happy new year from Singing Wells News
Happy new year! We hope your 2016s have gotten off to a good start, and that you’ve been bringing in the year by listening to lots of traditional East African music. Before we start posting exciting news about the upcoming year, here’s a quick recap of what we got up to in 2015: 1. We went discovering the lost music of the Ugandan Kingdoms In Nov/ Dec 2015 we travelled between Kampala and Jinja in Uganda in search of the lost music and musicians…
Central Uganda: Day 1 – From Entebbe to Kidinda Story
…Nandi Kulamudde: This is the story of the older, dead king, talking to the new king. He offers to help the new king but complains that first someone will need to wake him up. The Amadinda percussion reminded us a lot of the Likembe bands of Northern Uganda— very soothing and seductive rhythms. For the last two songs they were joined by Passy Nassonko the lead female singer of the Kika Boys Cultural Troupe (our second group). We talked to James Isa…
Rediscovering Afropop and its influences News
…acted as influences (see more on our influences work here) and have helped newer genres form. The same works in the opposite direction of course, and African popular music has emerged as a combination of traditional African music and an adoption of certain elements – particularly some musical instruments and recording techniques – from Western music. Last week I was in a taxi driving through Nairobi’s Westlands and talking to a girl about Sauti So…
Our top 5 Singing Wells songs for March News
I’m new to Singing Wells and I’ve spent the last few weeks listening to pretty much every song on the site, getting to know the amazing traditional music of East Africa! It was tough to pick, but for my first blog post I thought I’d share my top 5 songs so far. 1. Otacho Young Stars – Amilo Love The Singing Wells team first encountered the Otacho Young Stars group on a trip to record the music of the Luo in Western Kenya in December 2011. They we…
Singing Wells is on Bozza! News
There’s now a new way for audiences to discover and listen to traditional East African musicians and music groups recorded by Singing Wells. Head over to our Bozza page here. About Bozza “Bozza is a plug & play solution for musicians, poets, photographers & film makers to promote and sell their digital products to their fans throughout Africa. The platform is available to emerging and established artists from around the continent and can be easil…