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Day One: January 18, 2019. Assemble in Tanzania Story

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…rs and musicians, b) we have three video cameras operating – one wide shot for full performance, one close up to capture details of instruments and one roving camera to provide a second angle on the performance and c) we interview all group leaders to understand group musical styles and background, instruments and songs. In almost every village, we struggle with spellings of songs and instruments as these can differ by village and by band. We full…

Here for Research? Page

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…ur daily reports written from the field during our yearly trips. Head here for detailed information about the performances we record, the musicians we meet and the instruments that they are playing. Alongside this, expect interviews, historical information and first hand accounts of the way East African music has developed and grown. Instruments In depth information and photography of the different musical instruments used in East Africa. This dat…

Recording Resources Page

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…tively out in the field. With that in mind, we have created some resources for other groups to use for working in the field. Please feel free to use the below resources for your field trips in whatever region you are based, and please do reach out to us. We love to meet others who are passionate about music in their own region! Village Visit Management Audio Recording Protocol Field Visit Workflow We hope these are useful for other researchers in…

Day Three: 9 March 2022 (Kisumu) Story

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…was Olith Ratego, a musician whose unique dodo style is one of the oldest forms of music performed by the Luo people of Western Kenya. Olith Ratego is a self-taught musician who plays a musical instrument fashioned by himself. It is a replica of the nyatiti (an eight stringed traditional lyre), which he calls okoddo and is modified to the pentatonic scale. Olith Ratego’s recording session went uninterrupted and was completed shortly before 6:00pm…

Day Four: 10 March 2022 (Rongo) Story

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…o enable them to develop a better understanding of how to improve their performances. These adjustments were of utmost importance in making it easier for these rural and peri-urban based musicians to migrate their shows and concerts to online platforms in order to reach wider audiences and create new revenue streams. As we headed back to Nairobi on Friday, 11th March 2022, we had lively discussions on ways and means of empowering these marginalize…

Mohamed Uthman Kidumbak Group Group

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…at 16 and taught himself the violin and bass. He went to Egypt off and on for six years on a scholarship from the DCMA to study violin and the oud starting in 2000. He’s been teaching at the academy for 18 years. Members of this group include: Mohamed Othman Faki – leader, on violin, Kheri Mizaka Aliy on African Bass, Makame Ali Juma on drum, Buruhami Makame Haji on 2nd drum, Mgeni Seleiman Makame on sticks, Said Ame Othman on shakers, Aikazija A…

Elgon Ngoma Troupe Group

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…which 100 are performers. They are roughly divided between the two bands. For income, they do performances and also work four acres of land to feed themselves. Many of the members also do arts and crafts or a skilled trade – Julius’s dream is to open up a hair and beauty studio so they can support the bride with her beauty and music. He hopes the troupe will give them opportunities to travel away from their homes, but also to preserve the traditi…

FAQ’s Page

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…rd? Of course – we believe that musicians should be paid for their time performing for us. We pay a recording gratuity on the day of the recording. This amount varies based on a number of factors such as the number of members in the group and the number of songs we record. In the event of any music we record making money directly (through sales, sync licensing or performance royalties) we will endeavour to channel this money back to the original p…

Day Three: February 18, 2020 (Stonetown, Mpendae, Maungani) Story

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…joy it and have created their own brass bands. This band has been together for 20 years. Performers: Salmin Ali Borafya (trumpet, leader), Ali Borafya (base drum), Fatihi Hassan (trombone), Ali Rajab (trombone), Ahmed Hassan (drum), Mahmud Ali (cymbal), Abdalla Iddi (tabla). Dancers/singers: Pili Idi (lead singer) Aisha Khamis, Zainab Khamisi, Aldeh Jonas, Nafla Khamis.  Director: Omar Mohamed – he didn’t play in the band but directed it and spoke…

Day Two: February 17, 2020 (Stonetown) Story

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…Sleiman Mwalim, Saidi Simai Mkanga, Vuai Juma Vuai. Ibrihim Ali Hassan has two brothers and two sons (youngest is 10) in this group. Songs:  Mzuri Sana Nabia – About the Prophet Mohamed Yaa Nabia Salamu Alaika – Greeting for the Prophet Mohamed sung in Arabic.  Hongera Bwana Harusi – Congratulations to the bride and groom Ilifurahika – The whole world is rejoicing after the battle of the prophets Ndoa Ni Sunna Adhimu – Perfect Marriage…

Nyota Ze Meremeta Group

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…tel for over twenty years and teaches at the Dhow Countries Music Academy. For 50 years he’s taught music in Zanzibar and promotes other musicians. Other members of this group include: Ramadhan Muhidan (accordion), Ali Ibrahim Musa (Kanan or Qanun), Tatu Hamisi Amur (accordion), Asha Khemisi Amur (violin) and Malick Anas (fiddle). Malick is 75 and has played with the Professor since 1961. All songs were very Arab influenced by all the lyrics are S…

Global Influences Project: Artist Submissions Page

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…ten ignore the paths taken right before them. The two sides always looking for each other but never meeting. For the song I used samples from the Ohangla drum solo and the nyatiti group singing. I wanted to feel like a part of their band, trying to figure out how I would contribute to their style of music and have this conversation spiritually with them.” You can hear more of his music on Soundcloud:soundcloud.com/amzi-odek Want to get involved in…

The Revival of the Entongooli Page

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…h. All of the bark is trimmed off of this wood during the process to allow for a smooth base ready for the next stage: Cow dung! Getting things Dung! Excuse the pun, but there is no way around this fascinating part of the process! To protect the base of the Entongooli, the maker must smear it with cow dung, coat it entirely and then leave it to dry. This process is to protect the wood from cracking, and also to protect it from weevils and insects…

Imachina Group

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…is for weddings. The songs include: Hoya: This is encouraging the groom to forward and be welcome. Mbabo: This is about everyone coming together for the wedding. Khuchende Pole: This song is telling everyone to walk slowly to and from the wedding so all the people can gather and honour the bride and groom. The Shishebo process – this is about rites of passage, and specifically male circumcision. The songs include: Bikubanda: This is a song that mo…

Day Zero: 6 March 2022 – Travel To Stream Story

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…ernet connectivity and online streaming services. This solution works well for urban-based performers where the infrastructure exists and is relatively easy to access, but does not apply to those based in peri-urban areas and villages with limited or no access to the relevant infrastructure. Bearing in mind these challenges facing rural-based musicians, we at Ketebul Music were prompted to reconstitute our infrastructure and operations by obtainin…

Super Phoenix Band Group

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…don’t know: Fadhilee then taught the band to play his song, We Don’t Know. This is about politicians who pay lots of attention to voters when it is election time but then are never around to be accountable for anything once elected. It is about the frustration of so many people with their elected officials who do nothing for them. There were two versions: here’s the second: We Don’t Know….