The History Of Benga Music: A Report by Ketebul Music Story
…t African countries—Kenya, Uganda and Tanzania—covering an area of over 68,000 square kilometers. The Luo who live around its shores in Kenya speak a western Nilotic tongue distinctly different from their Bantu neighbours to the north and south, and their Kalenjin distant cousins to the east. The Luo comprise close to 3 million people. Their forefathers migrated south from the Bahr al Ghazal region in what is today know as Southern Sudan in a stea…
Central and Eastern Kenya: Days 5-11: Ketebul Studios, Nairobi Story
…to record a set of legendary musical artists – all of them in their late 60’s-70’s, all of them critical to Kenyan music history. These artists were: Ochieng’ Nelly Mengo Ochieng’ Nelly was born Nelson Ochieng Orwa in 1943 in South Nyanza. The guitar came to Kenya after WWII and inspired a lot of young men who were steeped in village music. One of these was Ocheieng’ Nelly who got his first guitar in 1961 and his playing was shaped by the Luo Nya…
Central and Eastern Kenya: Day 4 – Nkubu to Mukuuni to Nairobi Story
…ly children from the trip! We packed for a final time and departed for Nairobi. We made pretty good time to Ketebul music, where we unloaded our gear. Then we headed for the Fairview, a 20 minute drive that took about 90 minutes due to traffic! We all crashed early knowing we had almost a week in the studio starting tomorrow morning!…
Central and Eastern Kenya: Day 3 – Nkubu to Mariene to Murungurune to Nkubu Story
…route: Irimbene Cultural Dancers and Self Help Group This group formed in 2000 with 21 young men. They are led by Edward Kiogura. This is Authi style, they are Ameru from the Irimbene Village, upper Kiungone Sublocation, Abogeta West Division. The group uses Mbere (shakers) worn by Bernard Nkonge, Ginfold Mbae, Amos Munthi and Fraras Ikunda. They also use a flute, Coro, is performed by John Mwiti. The group was in beautiful costume and so energeti…
Central and Eastern Kenya: Day 2 – Muranga to Kangema to Nkubu Story
After a quick breakfast, we loaded up and departed at 09:00 for a 10:00 session in Kangema. Here’s our map: Our first joy was the site of Mount Kenya as we hit the road. We met our local contact, Jane Kagai, and then travelled to the KCC area, a lovely field about 100 meters below the road. While a lot easier than the hill we faced in Kisoro (SW Uganda), we nonetheless had to take our 44 bags down to the site. We set up under a tree and recording…
Central and Eastern Kenya: Day 1 – Nairobi to Kiongwe to Muranga Story
We all met at the Fairview at 5:30 AM, packed and departed at 6:00AM, travelling from Nairobi to Kitui, on the Mombasa Road, arriving at 10:00AM. We picked up our local contact, Dominic Mukora, and drove to the Kiongwe Market to record our first group. Here’s our route: The site passed the first Singing Wells test, lots of chickens and children; we find their noises the perfect backing track for all our recordings. The market structures were beau…
Central and Eastern Kenya: Day 0 – London/Nairobi Story
…has been our primary contact person to support this trip (e mail: lkoome2000@yahoo.com) Raphael Sipalla (Audio 4) our ‘Influences’ artist (e mail: ruffmaud@yahoo.com) We will be interviewing them throughout this trip to provide additional color to our Field Reports. We spent our Saturday packing and preparing the vans for the trip. Let’s remind you of our team – we cheated and took photos from the trip that follows: Tabu Osusa STEVE KIVUTIA & PAT…
Central Uganda: Day 7 – A Magic Day in Entebbe Story
…no better than the other Batwa so I thank you for choosing me. I am happy 1000 times over. My message represents the rest of the Batwa people. I listened to the recording of my song – it was so nice, so sweet.’ But we had one last special treat of music. We then played for Jovah an influences session with Eddie Grey, where he produced Inyange. We played it back to her and she danced with her new baby, Gerald, for the full song. She said that her h…
A Tanzanian Effort to Salvage the Music of the Past News
…about the music of the past, so they will like it.” With an estimated 250,000 hours of material on reel-to-reel tapes and vinyl records, some of it in an advanced state of decay, the task of the Tanzania Heritage Project is certainly a daunting one. But Benson is convinced that once it’s made available, his fellow Tanzanians will rediscover their love for muziki wa dansi. Nor is it just about Tanzania; Benson also has a bigger point to prove abou…
Kenya’s Amazing Musical Instruments News
…d most important instrument in Luo music (though we also encountered it in central Kenya, where it’s called the Wandindi). When well-played, it takes on the role of the “fiddle” found in Irish or American country music. The Orutu is a one-string instrument played with a bow, whose notes are created by finger pressure against the central stick, producing the effect of ‘fretting’ notes. Watch here as the Aloka Ohangla Group plays “Nyar Karapul” (the…
Central Uganda: Day 6: Kampala to Entebbe Story
…sunny and hot. We cooked. Buganda Music Ensemble The Group was founded in 2004, led by Albert Bisaso Ssempeke Jr. Son of Dr. Albert Senior, a legend. Music style: Kiganda. Dr Albert Ssempeke, father of Junior was a legend. He was a palace performer for the King. Albert Jr’s grandfather was a palace gatekeeper and flute player in the palace. Albert Junior started to play at 10 years old and his father taught him all the main instruments – he plays…
Interview: fusion band Ndoto Afrika News
…Why is the group called Ndoto Afrika? We represent a dream. A dream every African youth aspires to achieve. We represent the African Dream. Ndoto means ‘dream’ in Swahili, a local African language and Afrika is the Swahili way of spelling Africa. Why are you interested in branching from purely urban music to a traditional/ urban mix? The love for our motherland. There is a popular saying that ‘others call it the ‘Dark Continent’ but to us it’s ju…
Central Uganda: Day 5 – Jinja to Kampala Story
…were founded in 1990. The group were voted group of the year in Uganda in 2004. Their leader is Haruna Walusimbi. They have 4-5 drummers depending on the song, 2-3 flute players, 2 tube fiddle players and 2 thumb pianos. They also have the traditional Ugandan Xylophone. All instrumentalists also sing and are supported by three ladies who sing and dance. The three core members are: Walusimbi Nsibambi Haruna: He the Founding Director of Nile Beat Ar…
Discussions with Peter Cooke: ethnomusicologist and Ugandan music expert News
…Peter’s work to record the King’s musicians of the Buganda Kingdom in the 60s and 80s. You can listen to some of those recordings here. Here, too, is a full list of Peter’s work on African music. We asked Peter to tell us a little more about his time working with Musisi in the 60s. “In 1967, as head of Music at Kyambogo and at the suggestion of the wonderful young musician Bulasio Busuulwa, one of the former royal flute players, who was already wo…
Central Uganda: Day 4 – Jinja Story
…We stayed in the wonderful Gately Hotel on the Nile in Jinja to record three groups: The Bigwala Cultural Group, Adagha Nalya Drama Group and The Bakuseka Majja Matta Group. We shall refer to this day as “Two Legends and a Lot of Big Horns”…
Central Uganda: Day 3 – From Mbale to Iganga to Jinja Story
…the local mountain) Ngoma (generic term for drums) Troupe and starting in 2009 played all sorts of functions that would bring money in to support the band members, all of which live on the premises. Shortly after, a friend of Julius’s donated some brass instruments and Julius started a brass band, called the Elgon Hero Brass Band. When you combine the two bands, the traditional and the new brass sound, Julius says, they blew audiences’ minds. As t…