Day One: 7 March 2022 (Shikangania and Mukumu) Story
…at some of the venues chosen for the recordings had no main power outlets. Fortunately and for a nominal fee, good neighbors always came to our rescue by allowing us to tap into their main power supply lines with our snake cable. When all the issues were sorted out, the rest of the recording went smoothly with Johnstone Mukabi and the Omutibo Stars coming on stage at 11:00am. Accompanied by Francis Massanga on vocals, they were joined by guest mus…
Global Influences Project: Artist Submissions Page
…ten ignore the paths taken right before them. The two sides always looking for each other but never meeting. For the song I used samples from the Ohangla drum solo and the nyatiti group singing. I wanted to feel like a part of their band, trying to figure out how I would contribute to their style of music and have this conversation spiritually with them.” You can hear more of his music on Soundcloud:soundcloud.com/amzi-odek Want to get involved in…
The Revival of the Entongooli Page
…h. All of the bark is trimmed off of this wood during the process to allow for a smooth base ready for the next stage: Cow dung! Getting things Dung! Excuse the pun, but there is no way around this fascinating part of the process! To protect the base of the Entongooli, the maker must smear it with cow dung, coat it entirely and then leave it to dry. This process is to protect the wood from cracking, and also to protect it from weevils and insects…
Field Recording Report by Kahithe Kiiru Story
…lead and one rhythm, a water dispenser drum and vocals only, the group performed for us six original compositions. Among them, the popular hit composed by Luseno in 2006 entitled “Mukangala”. This inspired Fadhilee to join in and we recorded “Mukangala” Influences. Fadhilee also shared one of his original compositions called “We don’t know”, which we recorded in two versions, accompanied by Itenya on guitar only and accompanied by his back-vocals…
Mohamed Uthman Kidumbak Group Group
…at 16 and taught himself the violin and bass. He went to Egypt off and on for six years on a scholarship from the DCMA to study violin and the oud starting in 2000. He’s been teaching at the academy for 18 years. Members of this group include: Mohamed Othman Faki – leader, on violin, Kheri Mizaka Aliy on African Bass, Makame Ali Juma on drum, Buruhami Makame Haji on 2nd drum, Mgeni Seleiman Makame on sticks, Said Ame Othman on shakers, Aikazija A…
Support Singing Wells Page
…inging Wells recording session. Each group receives a payment for their performance, which they can use to help them continue practicing and performing in the future. The songs and videos we record are archived and published, giving each group further opportunities to gain an income from their music. Our Gift to You As well as a special thank you on our website, we’ll send you details of the song your donation funded and an MP3 download of the tra…
Omong’oluk Traditional Dancers Group
…about the instruments and costumes used by the group; these included: Atenus: The bass drum Igelu: Shakers Akwara: Sticks Isiman: Jingles worn around the ankles Etwoo: A gourd that you blow into for a ‘bass’ beat. The dancers wore “Emukule”, skins of cows and more rarely, Cheetahs. One of the dancers wore a “Amugwar”, a head piece made up of antelope horns….
Imachina Group
…is for weddings. The songs include: Hoya: This is encouraging the groom to forward and be welcome. Mbabo: This is about everyone coming together for the wedding. Khuchende Pole: This song is telling everyone to walk slowly to and from the wedding so all the people can gather and honour the bride and groom. The Shishebo process – this is about rites of passage, and specifically male circumcision. The songs include: Bikubanda: This is a song that mo…
Recording Resources Page
…tively out in the field. With that in mind, we have created some resources for other groups to use for working in the field. Please feel free to use the below resources for your field trips in whatever region you are based, and please do reach out to us. We love to meet others who are passionate about music in their own region! Village Visit Management Audio Recording Protocol Field Visit Workflow We hope these are useful for other researchers in…
Day Two: 8 March 2022 (Ilesi) Story
…d our technical team went straight to work, setting up the musicians but before we could start recording, and just as the previous evening’s session, it started to rain. Luckily we were partially indoors so we did not get too wet. After about an hour the skies cleared and we were able to resume the recording session. However it took a bit of time for the group to get some of their traditional instruments, including the adeu deu, in tune in with th…
Super Phoenix Band Group
…don’t know: Fadhilee then taught the band to play his song, We Don’t Know. This is about politicians who pay lots of attention to voters when it is election time but then are never around to be accountable for anything once elected. It is about the frustration of so many people with their elected officials who do nothing for them. There were two versions: here’s the second: We Don’t Know….
Recording, archiving and sharing the traditional music of East Africa Page
…be shared amongst the widest audiences and become a source of inspiration for new musicians. Here for Research? Click here! Whether you are a Musicologist, a student or just interested in the field, head this way to see more of our detailed field reports, group biographies and in-depth information regarding the various different instruments and styles of music we have encountered on our field trips. Here for the Music? Click here! Want to just en…
Day Zero: February 15, 2020 – Assemble in Zanzibar Story
…time. Muhsin…decided to teach her…at the time it was considered immoral for women to join taarab groups and sing in public… She helped …transform taarab to the point where woman are now usually the lead singers. …Between 1928 and 1950 she recorded over 150 recovers…It is through her recordings …that Taarab became widely accessible. Later, further Egyptian influence was incorporated into the genre by including full string sections as well as a…
A Report by Professor James Isabirye – Indigenous music learning in contemporary contexts: Nurturing learner identity, agency, and passion News
…n music and instruments. We know that generations to come will be grateful for the work he has put in to continue these traditions. He has also written a report analysing how indigenous learning can inform modern schooling, in which Singing Well’s gets a featured mention as collaborators within his project. You can read more about that here: https://journals.sagepub.com/eprint/XGBCQ8EJIVZXHMMGUZ2V/full James Isabirye is a lecturer of music and mus…
Fundraiser for Matthew Watmon News
We are sad to say that a special talent, and a dear friend of Singing Wells, Matthew Watmon is currently in a critical condition in hospital. We are urgently trying to raise funds to support him and his family in this difficult time, and we hope that some of our followers may be able to help us. If you are based in East Africa, please get in touch with Matthew’s brother, Constantine Odida ((MTN) +256-782-236-742 and (Airtel) +256-704-261-037). I…
Singing Wells Approaches 5 Million Views News
…s is a project worth showing people! We can’t wait to bring more songs and stories to the world. Keep an eye out on the Singing Wells Youtube channel for the footage and recordings from our field trip to Zanzibar and Pemba….