The Entenga Drums: Part 1 Story
…emble’ (1968) and ‘Essays for a humanist: an offering to Klaus Wachsmann’ (New York, 1977, pp.1-57), are available at SOAS and at the British Library . But, with few exceptions, this music largely died when the Buganda palace was attacked and destroyed on May 23-24, 1966. The king fled, the musicians were disbanded, the drums destroyed. And the Entenge were considered dead. That is how we felt in 2013 when we considered reviving the drums. But we…
Central and Eastern Kenya: Days 5-11:An Interview with Gregg Story
…that say ‘see our animals not our people.’ And business is looking for big numbers which means popular things, which sadly means easy to digest, disposable pop culture. The whole drive to “marketing” is killing our culture. If the numbers don’t come in on something than you stop it. But culture is hard to really invest in. You don’t go for the popular musicians doing the big things. You have to go to the real groups in the rural villages. And they…
The History Of Benga Music: A Report by Ketebul Music Story
…the demand for session musicians went down. Many of these pioneer ‘sessionists’ have since passed on. Only a few of the sessionists are still in operation. They include Osumba Rateng, wo has since relocated from River Road to his rural home in Sega, Siaya County. And as new trends emerge on the market and technological advances pose new challenges, Benga continues to hold its own as the definitive Kenyan sound. END Reprinted for MIA with permissio…
Central and Eastern Kenya: Days 5-11: Ketebul Studios, Nairobi Story
…ed traditional music – but I kept telling them I was taking their music to new places. We knew we were on to something big because everyone responded well to it. I think it is fine to be creative and innovative and rebel – but be a rebel with a cause. Too often kids rebel without a cause – they aren’t rooted. I was a session musician at AGS (African Gramophone Studio) and CMS (Capital Music Studio) studios, both on River Road. I formed Sega Sega a…
Naizungwe Drums News
…by long time Singing Wells partner Prof. James Isabirye about an exciting new project he was hoping to undertake – the revival of the naizungwe drums of the Basoga people in Uganda. James led our revival of the entenga royal drums of the Buganda kingdom starting in 2015 and contacted Singing Wells with the hope that we would support him with funding for his new project. We are excited to announce that we have agreed to support James in his endeav…
Central and Eastern Kenya: Day 3 – Nkubu to Mariene to Murungurune to Nkubu Story
…ll in Nicabune’ – it is a song to prepare the boys being circumcised for a new thing that is about to befall him, e.g., the circumcisers knife, responsibility (new ones that they don’t have), not going back to the mother’s hut, etc… In this context, the knife is cutting away his old life and forcing him into a new life. Ruuji rukuru, led by John Gitoriga, means ‘old water’ and is a song to prepare a boy for manhood. Water is a cleanser so the wate…
Central and Eastern Kenya: Day 2 – Muranga to Kangema to Nkubu Story
…preparing the next take. They also handle the end, usually asking a whole new set of questions about the songs. The video and audio group then break down most of the set, but Audio 1 creates a mix of the session and plays back key songs, while creating a CD of the performance to give to each group. Very often this is the first time the groups have heard themselves over speakers and will be the first recording they have. We then breakdown final mi…
Entenga: Performing twice for the king of Buganda News
…e then invited to shake hands with the king, and upon learning that James knew ethnomusicologist Peter Cooke, the king invited them to the palace to perform. They performed the song “Ganga alula”, a version of which we recorded during our visit in 2016. James played the Kyawakati and Entemyo, John Ssempeke played the Nakawombe and the younger boys played the rest of the drums. This is a wonderful story for the Entenga players, and it is really enc…
Central Uganda: Day 7 – A Magic Day in Entebbe Story
…h below. The group practiced and performed two songs: Ugandan Lullaby: We knew that Jovah and Maita knew lullabies and James came up with the idea of doing a combined lullaby involving each of the singers, using a traditional song from their village. James directed the group through rehearsals and Maita played guitar to three separate lullabies: from Jovah, from Passy and from James. We did one with guitar and one version without. Here’s the Lulla…
A Tanzanian Effort to Salvage the Music of the Past News
…about how to take care of children or how best to help one another build a new, independent Tanzania. “It was all about love, all about unity, all about coming together and building a new nation”, said Benson Rukantabula, who also works on the project. But as with any state-sponsored propaganda, some messages were politically acceptable, while others were not. Also in the archives are other historical gems, including speeches (there’s one the Aga…
Central Uganda: Day 6: Kampala to Entebbe Story
…bow harp: The bow harp, or Ennanga, which was played by Albert Junior is a new instrument for us and he is only one of 3 master players. It was played in solo performances and the Ennanga player was the advisor to the king, as people would bring him messages for the king that he would turn to song. Mulirwana: it means neighbor and the song is about people who don’t trust their neighbors and they believe that anyone that doesn’t trust their neighbo…
Central Uganda: Day 5 – Jinja to Kampala Story
…azi Ow’omwano Tanoba: Tamenha Ibuga Nalufuka: This was an incredible dance number that ended with all the Singing Wells crew, and many of the hotel staff, jumping up and dancing with the group. Here is their music: James Isabirye says, “It is a challenge for me to talk about Nile Beat because I have so many feelings about it. But what I’m most proud of its contribution to the preservation of Ugandan culture by organizing the only festival since 20…
Discussions with Peter Cooke: ethnomusicologist and Ugandan music expert News
…called the National Teachers’ College at Kyambogo) and had established the new music department. During his time at Kyambogo, Peter had recorded much royal music. Excitingly, we also learned that Peter knew Musisi, one of the last remaining entenga players from the Buganda Palace, whom we met during our last trip in December 2015. Musisi is now working with James at Kyambogo to implement our entenga restoration scheme to preserve and promote this…
Central Uganda: Day 4 – Jinja Story
…s/traditions and can train the youths. One already died in May to move the number from 4 to 3 and one of the three surviving is very ill. But it is almost certain, now that the trumpets won’t disappear. Young people have some interest, thankfully, and are learning.” Click here for further reading on the Bigwala. Here’s their music: Adagha Nalya Drama Group Our second group was from the Bukoona Village and called the Adagha Nalya Drama Group. Their…
Central Uganda: Day 3 – From Mbale to Iganga to Jinja Story
…n Hero Brass Band. When you combine the two bands, the traditional and the new brass sound, Julius says, they blew audiences’ minds. As the bands have grown there are roughly 160 total members of his group, of which 100 are performers. They are roughly divided between the two bands. For income, they do performances and also work four acres of land to feed themselves. Many of the members also do arts and crafts or a skilled trade – Julius’s dream i…
Before They Pass Away News
…remonies that tribal people believe is crucial to gaining wealth. In Papua New Guinea’s highlands, he recorded how the Huli people shave their heads when they become a man, and continue to do so every day. With that hair they create wig that they decorate with feathers from birds, and that wig is a personal project that they continue to add to throughout their lives. He followed the Samburu people in Northern Kenya as they travelled across the lan…