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Bigilia Group Group

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…tree and the women were sitting on the Mbuzi, which is used to cut the coconut for Wali (Coconut Rice). The dancers all had lovely necklaces (Usalu), hats (Kigarama) shakers (Mbugu), whistles (Firimbi), and ‘brooms’ (Usinga). The group leader was Asha Saidi Kazidi. The style was Unyago. Here is the group: They played 12 songs, including Magic Moments and Influences Sessions: Zakulola: You’ve come to see us play Wake Kwa Ume: Female to male Nataka…

Samuel Namatete Group

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…rms most of his original compositions in Kiswahili….

Fanuel Amimo Group

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…s first single in 1964 with David Amunga as producer, in a studio owned by Andre Crawford and Betty Tete. His second record was produced by Sammy Osere for Lamore record label, while his third song led to his fall out with Polygram records in 1974. After that, he started producing himself and established his own label entitled African Beat. We recorded five of Amimo’s well known songs: “Safari ya Magadi”; “Ndeshera Omwana”; “Harusi ya Leah”; “Omwa…

Twone Mbee Group

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…his song talks about the President’s call to stop corruption. The call to chase after time comes from the society that won’t condone these malpractices….

Singing Wells Sampler 2011 – 2013 Album

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This is a special sampler album put together, which contains some of the best recordings and tracks we have made as part of the project. It includes field recordings, influences recordings made in the field, influences recordings made in the Ketebul studio in Nairobi and a special collaborative effort between Abubilla Music and some of the musicians recorded by The Singing Wells project.

Pius Wafula Group

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…le, used to play with a famous local group called “Webuye Jua Kali” up to 2009, when he founded his own group. Today the group counts 5 members who play the following instruments: LITUNGU – a 7-string traditional lyre; ISIRILI – a one-string fiddle; LUENGELE– a percussive idiophone, they use a wooden stool struck with wooden sticks; ENG’OMA – a generic term for drums, they use a plastic water container also struck with wooden sticks; CHISASI – sha…

Makunga Group

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…mances: Intro, Freestyle recording of their entrance. Masasi: the celebration song after circumcision completed Nindo: Song on social issues Muhene: Song during girl ceremony where she reaches puberty and now must be hidden from village for 40 days (song acts out how girl learns to reject the advances of men, represented by two men playing shakers) Muziki: A song to gain support of the people for the music and dance Muziki: Freestyle Muhongwa: ano…

Peter Akwabi Group

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…; “Lusafina”; “Uchukuzi wa Sasa”; “Vipusa Shuleni”; “Maisha ya Mjini” and “Kifo cha Mukabi”. Akwabi plays with his trio – nephew Muhammed Akwabi on the Fanta bottle and on the eng’omadrum, and his brother Sylvanus Anyangu on the second guitar and other bottle (ichupa)….

Shitakha & Balozi Band Group

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The band was founded by Eric Shitakha in 2007 and is from the village of Likhovero. There are normally 8 people in the group. All songs are traditional but arranged by Eric and his partner Moses Alusa. Their style is Milbo. They use drums and shiriri, but also a Shikhorli which we haven’t seen before. This is a shaker/bell, where two ball bearings of different sizes/tones are welded into metal pouches and then he plays. Moses is considered the be…

Shem Tube Group

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…Shem Tube is a pioneer of the ‘Luhya Omutibo’ sound and had a big hit with his band Abana ba Nasery (Nursery Boys, including Justo Osala on guitar and Enos Okola on percussion; they played throughout the ’60’s and ’70’s.) Their style was linked to three part harmonies, two finger picked guitars and a ‘fanta bottle percussionist.’ In the 80’s, Shem formed a new band, Les Bunyore , before reforming Abana ba Nasery in the ’90’s….

Albums Introduction Page

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…ng Wells project is to record and share the music we record in East Africa and one of the ways in which we can share this music is through our albums series. For each project we undertake, we curate an album of the resulting recordings. In most cases, this will include at least one recording from each group recorded. Where it works artistically, we’ll arrange the tracks on the album in chronological order of the recording date – so you can experie…

Omong’oluk Traditional Dancers Group

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…r of the Omong’oluk Traditional Dancers is Ibriam Aduomg Omong’oluk, the grandson of the founder of the dance group, Longinos Omong’oluk who started the group in the early 1990s. He died in 1998 at 87 years old. We first talked to Ibriam about the instruments and costumes used by the group; these included: Atenus: The bass drum Igelu: Shakers Akwara: Sticks Isiman: Jingles worn around the ankles Etwoo: A gourd that you blow into for a ‘bass’ beat….

Wendo Group

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…rform at political forum. The group also uses the Vilingi (whistle). They performed 4 songs: Kiuluni Kui Landeni (going to London) Mbovoi Kisanga…

The Kalenjin of Kenya Album

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The tracks on this album were recorded in March 2012 on location in the field in Kenya, as part of The Singing Wells trip to record the music of the Kalenjin.   The album opens with Ben Kisinja on the Burkandit, recorded in Kapsokwony on the 5th March 2012. Also recorded in the same session were the Chebonet Group and the Teriet Band. We also have a short snippet of The Masirtaret – a performance that was sadly cut short by rainfall – one of the…

Mumias United Group

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…Mumias United was founded in 1997 by Francesca Odour. They have 38 members and 22 showed up for our performance. They perform in the Imbira style. They are part of the Wanga tribe, which is a sub-group of the Lua, known for their Kings (Nabongo). We performed next to the mausoleum where four kings were buried, dating back to 1700s….

Tarajazz Group

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…rom Zanzibar) with Singeli (a new tribal rhythm). Taarab came from early 1800’s as Egyptian music. In Zanzibar the Mother of Taarab, Siti Binti Saad, made Taarab more popular in the 1920’s to 1950’s. We spoke to Hassan Mahenge, the assistant director of this band. He is a teacher at the DCMA. He teaches the Oud and plays the saxophone. All the students at the DCMA study traditional music such as Taarab as well as Western music. Members of the grou…