Here for the Music? Page
…recordings on the Field and at Ketebul Studios in Nairobi. The albums are available to download through our Bandcamp store in your choice of formats. The proceeds from the sale of our albums will be fed back to the musicians involved in the recordings, wherever possible. Galleries As well as filming and recording, our incredible team also find moments to take some beautiful photography of our surroundings. Head here to see some images of our time…
Day One: January 18, 2019. Assemble in Tanzania Story
…nging Wells, a field visit is when we visit a specific region of East Africa and record musical groups in villages. On average, we do one field visit a year, recording roughly 20-25 groups, and a 100-125 performances. We have roughly 1,000 videos online. Our general setup for a recording is: a) Steve is in charge of audio and we typically have two general mics for the group and 5-6 specific microphones for singers and musicians, b) we have three v…
Mohamed Uthman Kidumbak Group Group
…usic in the DCMA. Kidumbak is a musical style with three main influences: Taarab, Unyago and Rumba. Dumba stands for a large drum. So Kidumba is a smaller, bongo style drum. Adding Ki to the beginning of the word makes it small. Mohamed Othman had no musicians in his family. He became interested in Kidumbak style music at 16 and taught himself the violin and bass. He went to Egypt off and on for six years on a scholarship from the DCMA to study vi…
Day Four: 10 March 2022 (Rongo) Story
…recording in Kisumu, Dave Otieno joined us in Rongo and teamed up with Fiston Lusambo to continue our experimental fusion of contemporary elements with traditional sounds of Western Kenya region. Dave and I go back a long way as we worked together on several musical projects under the Nairobi City Ensemble. Other notable projects with Dave were during the period of Spotlight on Kenyan Music, which was a collaboration between Ketebul Music and the…
Day One: February 16, 2020 (Ngawala Hotel) Story
On our first day of recording, we follow Siti Binti Saad’s footsteps to Bi Kidude and to Amina Abdalla, a performer we met on the grounds of the Ngawala Hotel (Coincidently, Ngawala is another name for Dhow), where we recorded three groups. Nyota Za Meremeta – The group’s name means ‘twinkling stars’. They play in the Taarab style and are led by Professor Mohamed Ilyas, who played at the Serena Zanzibar Hotel for over twenty years and teaches…
Page
…s and celebrate how music in the modern age can transcend global barriers. Alongside our partners, London record label, Abubilla Music, and Kenyan music studios, Ketebul Music, we are launching our Global Influences Project. We have curated a series of musical loops, taken from our field recordings across East Africa over the last decade, and are looking to commission several artists, producers, dancers, videographers and songwriters to show how t…
Global Influences Project: Artist Submissions Page
…is also the lead instrument in this particular arrangement. The piano and gaara add more depth to the chorus parts and pull us away from the shakers’ high pace forcing us to lay back some more. I think the end result leans more towards dodo, at least to my ears.” We love what Stefano has done to make this track sound truly his own. If you want to see more of his work, you can follow him on… Instagram: @stefanositanne Twitter: @stefanositanne Sound…
Day Six: January 24, 2019 From Mwanza to Dodomo to Nzali to Nairobi Story
…ssing. Think driving. And then think a lot more about driving. From Mwanza to Nzali, from Nzali to Nairobi. But we don’t need to waste blog posts on driving, although we did meet every kind and wonderful Tanzanian police officer on the route. They wanted to know about our safety equipment, our battery covers, our insurance, our plates, and at times, they just wanted to know what we were thinking. So lovely. So many stops. But we digress. From…
Recording, archiving and sharing the traditional music of East Africa Page
Our goal at Singing Wells is to record, archive and share the traditional music of East Africa for two important reasons – to sustain and celebrate the extraordinary cultural music heritage of the region and to help make this legacy relevant and fresh to today’s audiences. As a group of sound and video engineers, producers and musicians, we set out on this mission not to become ‘fossil collectors’ and store the recordings in inaccessible archive…
Imachina Group
…specifically male circumcision. The songs include: Bikubanda: This is a song that mocks other tribes and peoples that don’t carry out these rituals and ‘are afraid of the knife.’ Nuli Musata: This is a song that is encouraging the young men to be brave and go forward. Magic Moment: We then did a magic moment isolating the percussion….
The Revival of the Entongooli Page
…We are absolutely thrilled to be a part of supporting the revival of the Entongooli, an incredible stringed instrument that is on the brink of dying out. Our friend and colleague Professor James Isabirye, who has also headed up the revival of the Royal Entenga Drums and the Bigwala, has travelled to visit Mr Mukadisi, who is educating a group of children on how to build and play this instrument in the hopes of continuing it’s legacy. Below you wil…
Matende Culture Isukuti Youth Group Group
…orded the group Matende Culture Isukuti Youth Group, which is led by John Stone Khakabo Asutsi since 2006. There are 35 members of the group. The soloist is Stanley Liai. Their instruments include: The Isukuti Isatsa: The Big Bass Drum Mutibo: The bigger, ‘mother’, of the smaller drums Mutiti: The smaller, ‘son’, of the smaller drums Imbati: The horn Shirili: Single string instrument Tsichenjele: The rings The group dances in ‘processions’ for dif…
Support Singing Wells Page
…sponsor the Singing Wells Project Singing Wells is a charitable project, managed and funded by the Abubilla Music Foundation a UK registered charity (reg. no: 1142173). Our work to record, archive and share the music of East Africa is funded by donations. Funds are used to support our field recording trips, provide a permanent music archive and also to help the communities we visit gain an income from their music. You can help us support music co…
Field Recording Report by Kahithe Kiiru Story
…sion, Obasie was accompanied by a percussionist on a drum called atenus amwatonitand by Mzee Ikobulo on a traditional wind instrument made out of a plastic pipe and a gourd. They called it etuo aporutu. We were all mesmerised by the Elder’s robust yet sweet voice and unique style of performance – a perfect end to a fruitful day of recording. DAY 3 – Monday 19th February 2018 The third day of our field recordings started in Kulisiru village of Siri…
Day Three: February 18, 2020 (Stonetown, Mpendae, Maungani) Story
We drove back to Stone Town and the DCMA to record our first group. After we finished there we drove to Mpendae, about 20 mins from Stone Town to record the second group. From there we drove for another half an hour to Maungani to record the third group: Tarajazz – This group was formed by the director, Suleiman Makame, who studied classical piano and music. He became interested in Jazz and created an African fusion of Taarab and Jazz about tw…
FAQ’s Page
…Singing Wells via our YouTube channel. Each music video has a donation button associated with it and you can donate £1, £5, £10,£20 or £50 to help support a music group you particularly like. Find us on YouTube here. If I support you where will the money go? How do I know it will be well spent? Donations to Singing Wells can be made through The Abubilla Music Foundation. Your donation will be restricted for use in East Africa to support the proje…