Mohamed Uthman Kidumbak Group Group
…usic in the DCMA. Kidumbak is a musical style with three main influences: Taarab, Unyago and Rumba. Dumba stands for a large drum. So Kidumba is a smaller, bongo style drum. Adding Ki to the beginning of the word makes it small. Mohamed Othman had no musicians in his family. He became interested in Kidumbak style music at 16 and taught himself the violin and bass. He went to Egypt off and on for six years on a scholarship from the DCMA to study vi…
Elgon Ngoma Troupe Group
…auty and music. He hopes the troupe will give them opportunities to travel away from their homes, but also to preserve the traditions of Eastern Uganda to the rest of the world. ——– You can contact Julius at juliuswolimbwa@gmail.com or PO Box 2254 Mbale, Uganda You can find the Troupe on Facebook here. You can watch a video about the group here. Some of the musicians we recorded were: Bikumbi Yusuf (solo Adungu), Wamumdu Albashir (bass Adungu), Ky…
Day Three: 9 March 2022 (Kisumu) Story
…oria. In 2001 he moved to Nairobi City and recorded his first song Mamano Daa which enjoyed massive radio airplay locally. However, earnings from royalties accrued from the song could not sustain him in the city and a disillusioned Olith Ratego went back to his village in Siaya County. He came back to Nairobi two years later and signed up with Ketebul Music where he released the album osuga in 2003. Olith Ratego has performed in many European citi…
Support Singing Wells Page
…sponsor the Singing Wells Project Singing Wells is a charitable project, managed and funded by the Abubilla Music Foundation a UK registered charity (reg. no: 1142173). Our work to record, archive and share the music of East Africa is funded by donations. Funds are used to support our field recording trips, provide a permanent music archive and also to help the communities we visit gain an income from their music. You can help us support music co…
Day One: January 18, 2019. Assemble in Tanzania Story
…nging Wells, a field visit is when we visit a specific region of East Africa and record musical groups in villages. On average, we do one field visit a year, recording roughly 20-25 groups, and a 100-125 performances. We have roughly 1,000 videos online. Our general setup for a recording is: a) Steve is in charge of audio and we typically have two general mics for the group and 5-6 specific microphones for singers and musicians, b) we have three v…
Day Two: February 17, 2020 (Stonetown) Story
…usic in the DCMA. Kidumbak is a musical style with three main influences: Taarab, Unyago and Rumba. Dumba stands for a large drum. So Kidumba is a smaller, bongo style drum. Adding Ki to the beginning of the word makes it small. Mohamed Othman had no musicians in his family. He became interested in Kidumbak style music at 16 and taught himself the violin and bass. He went to Egypt off and on for six years on a scholarship from the DCMA to study vi…
Day One: February 16, 2020 (Ngawala Hotel) Story
On our first day of recording, we follow Siti Binti Saad’s footsteps to Bi Kidude and to Amina Abdalla, a performer we met on the grounds of the Ngawala Hotel (Coincidently, Ngawala is another name for Dhow), where we recorded three groups. Nyota Za Meremeta – The group’s name means ‘twinkling stars’. They play in the Taarab style and are led by Professor Mohamed Ilyas, who played at the Serena Zanzibar Hotel for over twenty years and teaches…
FAQ’s Page
…roject jointly operated by Ketebul Music, a non profit music studio in Kenya and the The Abubilla Music Foundation, a UK registered charity. Our goal is to preserve the music traditions of East Africa and make this music relevant to the next generation of musicians and fans. Who works for the Singing Wells project? Our team is made up of audio and video engineers from both Ketebul Music and Abubilla Music. You can read about members of the team if…
Field Recording Report by Kahithe Kiiru Story
…ed in elaborate costumes, the group displayed two traditional dances (imbiraand isuna) and sang six songs orchestrated in a soloist and choir response manner typical for national folk music festivals and competitions. We also recorded Magic Moments focusing on percussive instruments only and an Influences improvisation with Fadhilee. Our last session for the day was scheduled to take place in a nearby village of Mumias sub-county. Here we met Rich…
Day Zero: 6 March 2022 – Travel To Stream Story
…sed performers were able to migrate their shows and concerts onto online platforms, reaching their audiences at their homes via live streaming. In doing so, they created new income-generating platforms, as some of these online acts allow audiences to support the musicians via M-pesa and Pay-Pal contributions. Another possibility was to sell tickets with the use of online access codes that admit ticket holders into the virtual performance. The resu…
Day One: 7 March 2022 (Shikangania and Mukumu) Story
…ning we drove from Ilesi to Mukumu Girls’ High School, situated along the Kakamega-Kisumu road. Our first recording of the day was to be with Johnstone Mukabi, son of the legendary guitarist George Mukabi. The senior Mukabi is regarded by all as the pioneer of omutibo, arguably the most popular musical genre in the region. It would not be our first meeting with Johnstone Mukabi since we had previously featured him on the Singing Wells project in A…
Day Two: 8 March 2022 (Ilesi) Story
…of being rained on so we arranged for Spade to pick up the musicians from Malaba and bring them to Josephine Garden in Ilesi. Like the Omutibo Stars and the Super Phoenix Band that we recorded the previous day, we had worked with the Obasie Palnyang family band in 2018 while the patriarch and founder of the group, Obasie Palnyang, was still alive. By one o’clock the group arrived and our technical team went straight to work, setting up the musicia…
Global Influences Project: Artist Submissions Page
…is also the lead instrument in this particular arrangement. The piano and gaara add more depth to the chorus parts and pull us away from the shakers’ high pace forcing us to lay back some more. I think the end result leans more towards dodo, at least to my ears.” We love what Stefano has done to make this track sound truly his own. If you want to see more of his work, you can follow him on… Instagram: @stefanositanne Twitter: @stefanositanne Sound…
Recording, archiving and sharing the traditional music of East Africa Page
…g Wells is to record, archive and share the traditional music of East Africa for two important reasons – to sustain and celebrate the extraordinary cultural music heritage of the region and to help make this legacy relevant and fresh to today’s audiences. As a group of sound and video engineers, producers and musicians, we set out on this mission not to become ‘fossil collectors’ and store the recordings in inaccessible archives. We work with musi…
Imachina Group
…specifically male circumcision. The songs include: Bikubanda: This is a song that mocks other tribes and peoples that don’t carry out these rituals and ‘are afraid of the knife.’ Nuli Musata: This is a song that is encouraging the young men to be brave and go forward. Magic Moment: We then did a magic moment isolating the percussion….
The Revival of the Entongooli Page
…who has also headed up the revival of the Royal Entenga Drums and the Bigwala, has travelled to visit Mr Mukadisi, who is educating a group of children on how to build and play this instrument in the hopes of continuing it’s legacy. Below you will find footage and information about the Entongooli and how the project is working to restore this instrument back to it’s former glory. Skip ahead to your preferred section… A Musical Education Finding…