Hannah Calascione Staff Profile
…ogy at Cambridge University in 2013. She is joining the Singing Wells team for the field visit to Northern Uganda 2012 and has researched the area in great detail, writing reports on the tribal groups and their music and traditional instruments. Hannah will be armed with a microphone as she interviews the musicians and documents their oral histories, providing the all important context for the songs and dances we will be recording in the field. …
Day Zero: 6 March 2022 – Travel To Stream Story
…ernet connectivity and online streaming services. This solution works well for urban-based performers where the infrastructure exists and is relatively easy to access, but does not apply to those based in peri-urban areas and villages with limited or no access to the relevant infrastructure. Bearing in mind these challenges facing rural-based musicians, we at Ketebul Music were prompted to reconstitute our infrastructure and operations by obtainin…
Conclusion: Challenges and Recomendations Story
…th their description in an interview. If we had done detailed preparations for the field and a recce, we could have informed the makers of all the stages we wish to record and have them prepare several instruments at different stages of completion to facilitate and economise on filming time. From a methodological point of view, for us to be able to build on the original concept of the series and remain scientifically both pertinent and correct, a…
Pius Wafula Group
…ers who play the following instruments: LITUNGU – a 7-string traditional lyre; ISIRILI – a one-string fiddle; LUENGELE– a percussive idiophone, they use a wooden stool struck with wooden sticks; ENG’OMA – a generic term for drums, they use a plastic water container also struck with wooden sticks; CHISASI – shakers made out of gourds. We recorded five of Pius’s original compositions and were amazed with his rough yet mellow voice….
Day One: January 18, 2019. Assemble in Tanzania Story
…rs and musicians, b) we have three video cameras operating – one wide shot for full performance, one close up to capture details of instruments and one roving camera to provide a second angle on the performance and c) we interview all group leaders to understand group musical styles and background, instruments and songs. In almost every village, we struggle with spellings of songs and instruments as these can differ by village and by band. We full…
Mohamed Uthman Kidumbak Group Group
…at 16 and taught himself the violin and bass. He went to Egypt off and on for six years on a scholarship from the DCMA to study violin and the oud starting in 2000. He’s been teaching at the academy for 18 years. Members of this group include: Mohamed Othman Faki – leader, on violin, Kheri Mizaka Aliy on African Bass, Makame Ali Juma on drum, Buruhami Makame Haji on 2nd drum, Mgeni Seleiman Makame on sticks, Said Ame Othman on shakers, Aikazija A…
Day 2 – Sunday 2nd July 2017 Story
…nyatiti making process; learn additional details on sizes and measurements for resonators as well as for the arms and the head; note vernacular names of tools used for making a nyatiti (patas, pel, etc.); learn details on choice and procurement of nyatiti skin for the resonator; note on methods of attaching strings to the resonator; and confirm that transmission of skills was traditionally done solely by observation. Obong’o also spoke of 3 witchc…
Support Singing Wells Page
…ica, funding the recording sessions in the field. There may be as many as six different music groups performing on one day and your donation will mean that every music group is able to perform and their songs and dance will be recorded by our field team. Funds will be used to provide for two field-recording engineers from Ketebul Music, a non profit organisation in Nairobi and our project partners. Your donation will also provide for gratuity paym…
Day Three: February 18, 2020 (Stonetown, Mpendae, Maungani) Story
…joy it and have created their own brass bands. This band has been together for 20 years. Performers: Salmin Ali Borafya (trumpet, leader), Ali Borafya (base drum), Fatihi Hassan (trombone), Ali Rajab (trombone), Ahmed Hassan (drum), Mahmud Ali (cymbal), Abdalla Iddi (tabla). Dancers/singers: Pili Idi (lead singer) Aisha Khamis, Zainab Khamisi, Aldeh Jonas, Nafla Khamis. Director: Omar Mohamed – he didn’t play in the band but directed it and spoke…
Global Influences Project: Loop Library Page
…n download the project brief here or head back to the main page for more information. If you want to independently release your music for sale or streaming using these samples, please get in touch with us so that we can grant you a license. Loops By Tempo/BPM Adungu Cultural Troupe – 111bpm Joginda Boys -116bpm Hiari Ya Moyo – 121bPM Rubanga Kingdom Awach Boys – 127BPM Otacho Young Stars Shoe Shine Box – 143BPM Aloka Ohangla Drum Solo – 146bpm Ekh…
Recording, archiving and sharing the traditional music of East Africa Page
…be shared amongst the widest audiences and become a source of inspiration for new musicians. Here for Research? Click here! Whether you are a Musicologist, a student or just interested in the field, head this way to see more of our detailed field reports, group biographies and in-depth information regarding the various different instruments and styles of music we have encountered on our field trips. Here for the Music? Click here! Want to just en…
Here for the Music? Page
…find moments to take some beautiful photography of our surroundings. Head here to see some images of our time on the field, the people we meet and the stunning scenery. YouTube You can find the full collection of our video recordings on our Youtube channel. With over 500+ videos for you to choose from, delve into the world of East African music and dance with us. “We set out on this mission not to become ‘fossil collectors’… We work with musicia…
Day Four: February 19, 2020 (Maruhabi Palace) Story
…et us at with the first group and brought us to this one. They sing and perform mainly for weddings and celebrations. Performers: (all male): Juma Fadhul Juma (leader and secretary but did not participate), Fadhili Faki (director and plays violin), Mohamed Khamisi (violin), Khamisi Vuai (bongos), Khamisi Bato (bongos), Ameri Sefu ( Sanduku – sinle string base), Ahmed Juma (sticks and table), Sheha Makame (shaker= cherewa) Dancers and chorus (all…
Here for Research? Page
…ur daily reports written from the field during our yearly trips. Head here for detailed information about the performances we record, the musicians we meet and the instruments that they are playing. Alongside this, expect interviews, historical information and first hand accounts of the way East African music has developed and grown. Instruments In depth information and photography of the different musical instruments used in East Africa. This dat…
Recording Resources Page
…tively out in the field. With that in mind, we have created some resources for other groups to use for working in the field. Please feel free to use the below resources for your field trips in whatever region you are based, and please do reach out to us. We love to meet others who are passionate about music in their own region! Village Visit Management Audio Recording Protocol Field Visit Workflow We hope these are useful for other researchers in…
Day Three: 9 March 2022 (Kisumu) Story
…n stage was Olith Ratego, a musician whose unique dodo style is one of the oldest forms of music performed by the Luo people of Western Kenya. Olith Ratego is a self-taught musician who plays a musical instrument fashioned by himself. It is a replica of the nyatiti (an eight stringed traditional lyre), which he calls okoddo and is modified to the pentatonic scale. Olith Ratego’s recording session went uninterrupted and was completed shortly before…