Day 2: Sunday, 2017 February 19th Story
…songs and do an “Influences” session. This gave the village children time to get to know us and understand our mission. By the end they were singing along to all the songs. In addition to being a professional musician, Leo also teaches music to school children so he is a natural with kids. On all the songs that he did, he had the whole village singing and laughing. We learned about the Bi Kidude and Unyago style. Throughout this trip we will enco…
Day 1: Saturday, 2017 February 18th Story
…reating a specific post for him, so he could continue drumming for all visitors to the government. Because he was blind, he was invited to perform with specific women groups, of songs for women by women, of songs that no males could see. Every day we will tell more about Mzee Morris and his music (see picture below). We will also talk about his legacy and the attempts of his family and fans to keep his name and his music alive. Like all Singing We…
Our journey to the Royal Drums: in the words of James Isabirye Story
…knew Sebuwufu, a xylophone player who knew all about the drums and agreed to help me. Together, we found out that Peter Cooke had recorded the drums and we listened to some of these recordings. But then, Sebuwufu passed away in August 2015 and I realised I had a big problem now. He might have been the last person who knew the drums. But I remembered that Sebuwufu had heard of someone named Musisi, a drummer that had played at the palace. Musisi h…
Central & Eastern Uganda: Day 3, Part 1- Drum Making and Palace Players Story
…rum In the first stage of stringing the drum, “you tie the top skin and bottom skin together with nylon strings then take the tied together drum and put this into the sun for 24 hours.” This is a hugely skilled job. Essentially, he is tying the top skins to the bottom skin through a series of stitches that wrap around the drum. The top is pulled evenly down about two inches over the lip of the top. The bottom is a more uneven cut and so sometimes…
Central and Eastern Kenya: Days 5-11:An Interview with Gregg Story
…my village life. When we gathered for big celebrations, the entire village took to the road to walk for miles to a central location. We walked all night. And we sang all night. The old people walking with the children, all of us singing. And now we have a nice road that probably gets us to that site in 20 minutes by car. But what have we lost? We’ve lost the connection that comes with all generations singing together, with laughter and joy. We san…
The History Of Benga Music: A Report by Ketebul Music Story
…g’ Kabaselleh, a Luo pop artist who occasionally teamed up with Laban Juma Toto, formerly of the Hodi Boys band, to produce some of the best rumba melodies sang in the Luo language. Kabaselleh’s love for rumba saw him adopt the name of Congo’s celebrated pioneer musician, Joseph Kabaselleh ‘Le Grand Kalle.’ Some of Ochieng’s sons like Babu Kabaselleh and Reggie Kabaselleh are now well-known musicians in their own right, same to his siblings who ma…
Central and Eastern Kenya: Days 5-11: Ketebul Studios, Nairobi Story
…. I Love You Kanini Mukabi This is the son of the great omutibo player George Mukabi; we recorded 5 songs with him all of which were his father’s: Mutoto Si Nguo Ram Lus Tunga Kweli Nougo Om ulanga Wa Muka Kunywa Kidogo …
Central Uganda: Day 7 – A Magic Day in Entebbe Story
…aid, ‘When you came things changed for us. We received money which we used to buy household things, chickens and clothes. We now have a plan to buy goats, a male and female for every member of our community. You changed our lives and we invite you to come back and see us again so we can show you what has changed for us. You have invited me to Entebbe and I want to jump up so high! I feel so good from deep within me. I am no better than the other B…
Central Uganda: Day 5 – Jinja to Kampala Story
…he only festival since 2005. Many people are performing around the country today due to those festivals. The group is very literate in music and we had a clear vision from 1990 of what we wanted to do. We are not doing badly and have a comfortable life from the performances. Some musicians who didn’t even have a bicycle not have houses. We are showing you can have a musical career. We are growing our knowledge and getting better at representing th…
Central Uganda: Day 4 – Jinja Story
…gourds in the right shape – so he has a standing order throughout the area to buy any gourd that can be shaped into the horns (he is also trying to start a gourd revolution so people start using them again to store liquids and stop using plastic) The coordinator and lead female vocalist in the group is Irene Nabirye. The group is made up of 6-7 Bigwala players and drummers, plus dancers and singers. They performed four songs and then we did a magi…
Music Depositories and Archives around the World News
…tended and now most of the material is made available for anyone to listen to, where copyright permits. Although a fantastic resource, its interface is quite dated; read Peter Cooke’s profile to hear his suggestions for updating the system, where his work is archived. 4. Smithsonian Folkways Smithsonian Folkways is a not for profit record label, set up by the Smithsonian Institute, the world largest museum and research complex in America. Incopo…
Singing Wells in Numbers…. News
…Andy did a litte homework for this one: Number of recordings of groups: 374 (this does not include other recordings like Magic Moments, Influences, etc…) Number of groups recorded: 83 Number of hours of music: 27 hours and 30 minutes. …
James Isabirye and Tabu Osusa Discuss East African Music News
…erstand what makes us unique. When we hold festivals, we ask the musicians to talk to the audience, tell them their stories and who they are. For almost every festival, I am told by some government official that they want to open the show and talk about culture. I say no. I tell them that the people don’t need to hear from some politician about their culture. To learn about culture, you need to hear from people that live the culture. So I ask the…
Report from Womex 2013 News
…roject and its aims and objectives, with listening stations for passers by to listen to the music we had recorded. We had a few instruments from our collection on display, and some even got played by some of our fellow Womexians as this photo from Louise shows: I gave an interview for Icelandic radio about the project. And around 150 people entered our competition to win an iPod shuffle – direct from one of our listening station. We’ll be making t…
The Birara Batwa Community Story
…ommunities live a long way from town and have to make this arduous journey to buy provisions two or three times a week. The Birara Community live on a small plot of borrowed land at the top of a steep hill. We parked on the track a the bottom of the hill and carried all the recording equipment up a narrow path to the top. It was hard work- and we needed the help of one of our Batwa host to carry the generator – but the view, and the warm welcome f…
A recording studio which fits into the back of an SUV Story
…st Hotel in Kisoro, Uganda!) We can also combine the two recording units into one to increase the number of inputs, while still working off battery power. The laptops use Avid ProTools recording software – an industry standard for recording and music production. The microphones we have chosen are industry standard models used in studios the world over but, most likely, not seen in the villages of East Africa. The equipment has been carefully selec…