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Toroka Uje Group

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…wed a band member, Steven Jonas about drum names. Steven is also known as “Tomato”, a name given to him because he fits so well in any band he joins, like a tomato works with any sauce or salad. The drums were from smallest to largest: Chaavo Ndogo – small drum The Kinganga (Makonpe) or Kidalidali (Zaramo) – smaller drum Chapuo Kubwa – big drum. Boi – long drum, one sided Ndungula – big bass drum Nyanga – the shakers, made of empty tins filled wit…

3. Background of the Naizungwe drums Story

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…ded traditional value systems that had come with foreign civilization also took their toll, causing erosion of the traditions. Can you describe the style of this tradition? It is percussive. The central concept is polyrhythms interlocking. Drums play loudly. The louder the better because loud is power, strength. People who have a healthy life are energetic and they often express that through music and dance and more. How are the drums played? The…

Adagha Nalya Drama Group Group

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…a proverbial Waiswa of old who used to shy away from women. It is a common folk song. “Omuntu Kyakola”: When someone is jealous about what someone else is doing; when some one works hard, others want to bring you down. “Yoyenda”: The one you love. The song invites everyone to show who they love to the rest of the community. Performed at introduction ceremonies – a traditional party where a girl introduces the man to her parents. “Nsomesa Nsomesa”…

Bigwala Cultural Group Group

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…: The coordinator and lead female vocalist is Nabirye Irene. The group are from the village of Bukoona and travelled to the Gately on the Nile Hotel in Jinja for the recording session. The Bigwala is the name of the trumpets they play. Song Meanings “Muwe Bwobona Asaba”: When someone asks you kindly assist them. “Mperekera Omwana Womurembe”: When you are walking with someone by your side they are the special one and you don’t look at anyone else….

Eridat Makwiri Group

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…go complaining to the husband. The message in the song is to not wait for everything to be done for you. “Paulo Wawanyera”: This is someone’s name, meaning Paul, son of Wawanyera. Paul was a chief. He visited certain places and found they had made him party with lots of food and drink. He actually visited his brother in law who was jealous of him as a chief. So he decided to poison him. The singer is trying to warn Paul that his death is coming. “…

Namaddu Troupe Group

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…o suffer? A woman can’t have a baby so her husband beats her and sends her to the witch doctor who ensures she gets pregnant. She then returns to husband, who has been off drinking, and they reunite. “Kwakira Wiita”: A song about eating new food, particularly millet, after the harvest. But the children don’t stay home and are out all the time, so they suffer from bad spiritis. They need to be home in the house for the good spirits. Gradually they…

Hiari Ya Moyo Group

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…Wanyamwezi Community and performed in the Ngoma Style. Their instruments include: Ngoma (drums) and Njuga ( bells). We recorded four performances: Muhala Wane: a love song Kauwowa Naye: a song urging the youth to be brave in facing the challenges in everyday life Mwanana: a song in praise of one’s friend. Lyuwa Laloka: it is sunset and time to conclude whatever business and return home to your family…

South Teso Jazz Group

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…g sound is complemented with a home-crafted drum-set they refer to as akicheketin their vernacular language. This is a set of metal tin drums of different sizes joint on a wooden stand, together with bottle tops and a metal plate. Finally, the ensemble also a metal ring called edongotanditwol– shakers made out of gourds and seeds….

Liwambwe Group

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…They had unique drums, including small drums with wooden spikes on bottom to be embedded in sand, called the Siganga. They also had a pair of drums called the Likuti and a long drum called the Msondo, and a very long thin drum called a Neya. In the dance they had a character in a mask called a Lipiko, who wore a vest called a Mjuga. They played five songs: Malala Kujunga: Essentially means ‘be calm and quite, we are about to perform and need you…

Nyota Ze Meremeta Group

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…r musicians. Other members of this group include: Ramadhan Muhidan (accordion), Ali Ibrahim Musa (Kanan or Qanun), Tatu Hamisi Amur (accordion), Asha Khemisi Amur (violin) and Malick Anas (fiddle). Malick is 75 and has played with the Professor since 1961. All songs were very Arab influenced by all the lyrics are Swahili. They played five songs: Bashraf Ilyas: An instrumental song written for the Professor’s father Na Munikome: This means ‘leave m…

Bukaala Twesitule Troupe Group

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…d the factors influencing the spread of HIV and how the community can come together to deal with it. Very tragic song telling the story of deaths with man sobbing at one point. “Akabira” (Worship Song): Means a small forest where spirits tend to run, deep in the trees and high in the mountains. But they are not always well cared for and they then tend to cause havoc with the rest of family members. “Omwenge” (a local brew): This is about how the l…

Day 1 – Saturday 1st July 2017 Story

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…local nyatiti players; ‐ Discussion on whether a good nyatiti maker needs to be able to play the instrument as well; ‐ Names of currently best nyatiti makers in the area, according to Meshack and mention of several masters who passed away; ‐ Discussion on playing positions (traditionally played while seated on a stool, some contemporary artistes play while standing as well) and its cultural and symbolic importance; ‐ The practice of praising peop…

Day 9 – Sunday 9th July 2017 Story

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…ists of two arms and a cross‐bar.” Through a group interview, we attempted to compare them in: size (size of resonator; length of arms and per extension of strings); materials of fabrication (types of wood); body parts (any specific additional parts and why); strings number; playing techniques (position of instrument; hands positioning and fingers involved in playing; plucking techniques); tuning and sound (central string, sound spectrum, twin str…

Conclusion: Challenges and Recomendations Story

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…anager, and the fixer or any other individual that might act as the translator from vernacular languages into English during field recording. If this function is to be filled by the fixer (which was the case in this first recording mission), I believe he should be informed and prepared in advance accordingly. I mention this because we have noted that a lot has been ‘lost in translation’, hence data collection objectives and ways of achieving them…

The Singing Wells podcast #3 Podcast

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…Here is podcast number 3. In this podcast, we look at the development of Abubilla Music – one of the partners in The Singing Wells project – from initial idea, to music label. There are interviews with members of the SMCC, and music from the SMCC, Louise Calf, Gus Warriner, Tati Kalveks, Chris Kozlowski and Ketebul artist Winyo.   Click here to download the podcast….