1. Introducing the Naizungwe drums Story
…ms that James talks about: http://www.singingwells.org/wp-content/uploads/2017/10/Peter-Cooke-naizungwe-recording-1.mp3 http://www.singingwells.org/wp-content/uploads/2017/10/Peter-Cooke-naizungwe-recording-2.mp3 What makes this project particularly exciting, is the difference of approach required compared to the entenga drums. With the entenga we found a surviving old master player (Musisi) who was able to teach a younger generation of musicians…
Day 7: Friday, February 24th, 2017 Story
…ysical recordings of Tanzania musicians, many of which are rotting away on dusty reel to reel recordings. And that is it. We then rushed to the airport to depart to Nairobi for a weekend of recording at Ketebul Studios. And thus ends our first Field Visit to Tanzania. Enjoy the videos as we produce them. …
Day 5: Wednesday, February 22nd, 2017 Story
…called the Siganga. They also had a pair of drums called the Likuti and a long drum called the Msondo, and a very long thin drum called a Neya. Here’s the set: In the dance they had a character in a mask called a Lipiko, who wore a vest called a Mjuga. They played five songs: Malala Kujunga: Essentially means ‘be calm and quite, we are about to perform and need you to be quiet’ Nchakacha: A dance with the Lipiko (masked character) Tumpete Mwana:…
Day 4: Tuesday, February 21st, 2017 Story
…y: Muheme (the tree to make the best drums). Interestingly, we later had a long conversation with Leo about wooden drums. He said that most drums are now steel, because it takes a whole tree to make one drum and you can’t afford to keep cutting down trees in villages. He then told the story of another tree, the Mninga, which is a very rare tree out of which the best marimbas are made. He was in the market one time and found an old bed made out of…
Day 3: Monday, 2017 February 20th Story
…the Dar es Salaam Development Corporation. They had multiple hits in the 80’s and 90’s including: Mpenzi Edita (name of a lady who portrays the lead singer) and MV Mapenzi (essentially the ‘love boat’). The latter is an East Africa classic that most people know. Throughout this trip, we will spent a lot of time with Henry, starting with this first night of live recording at the Bagamoyo Country Club. Leo: Leo is Henry’s son and has been our Influ…
Day 2: Sunday, 2017 February 19th Story
…ing for three reasons: We had the whole day so were able to record a large number of songs and do an “Influences” session. This gave the village children time to get to know us and understand our mission. By the end they were singing along to all the songs. In addition to being a professional musician, Leo also teaches music to school children so he is a natural with kids. On all the songs that he did, he had the whole village singing and laughing…
Day 1: Saturday, 2017 February 18th Story
…ight as a result of a bout of small pox. He died in 1999. Throughout his long life he drummed. Here’s Leo Mkanyia , our 2017 Influences Artist, describing his experience listening to Mzee Morris’s music: “He wasn’t normal. He plays his drums like a guitar. You have to listen very carefully to realize not only is he keeping the beat, but he’s also carrying a melody. And he uses 10-12 drums, sometimes more. This is not normal. Every drum was a not…
Our journey to the Royal Drums: in the words of James Isabirye Story
…are? This matter has concerned a circle of my friends deeply since around 2003 and we’ve all tried to deal with it. I have a circle I talk to all the time about this, including Julius Kyakuwa, Centurio Balikoowa, Haruna Walusimbi, Sarah Mukyala and Cornelius Mwima. We all understand that without intervention, somehow, all this music – all this culture will die. But we also know that the issue will always be resources: how do we bring new resources…
Central & Eastern Uganda: Day 4, Part 1 – Reflections Story
…song-writing. Are all instruments the same? Here we are less sure. The xylophone is extraordinary and continues to thrive outside of palace life. Xylophones didn’t disappear in Uganda village life after the fall of the kingdoms in 1966 because they were part of village life. We don’t need to rediscover the xylophone and we are fairly sure it is not on the endangered list. Contemporary Ugandan musicians are incorporating the xylophone into contempo…
Central & Eastern Uganda: Day 3, Part 2 – Interviews with Musicians of Uganda’s Royal Palaces Story
…no Kyobe: “I was born in Ggavu on the main road. I learned to play the xylophone (Amadinda) as a young boy and they took me to the palace in 1960. In a typical day, all musicians hung out talking and practicing until we were called in to play. There was music all the time. I was not there for the attack but on the day of the attack my father was killed. They came into his village and saw a picture of the king on his wall. He asked them who they we…
Central & Eastern Uganda: Day 3, Part 1- Drum Making and Palace Players Story
…round it in a long circle, going around and around, creating strings over 40 feet long. The skill involved to do this of even width without cutting the string off is amazing. 7. Drying and rolling the cow hide strings To dry and roll the long strings he takes us next door to an alley, where he has put together very long strings, tied between a banana tree and stick in the ground. “After creating the strings I tie them between the banana plant and…
Central and Eastern Uganda: Day 2 – Kampala to Jinja Story
…dying on the proverbial vine. James Isabirye found James Lugolole around 2005 and set out to restore the tradition. They formed a new group, which we recorded in 2013, and they re-discovered the gourd seeds and started coordinating farmers to grow the next generation of trumpets. There are now four trumpet groups and about 20 trumpets, with many more growing in the fields in different parts of Busoga. Everything about the Bigwala model has become…
Musisi’s Story, Part 1: The Fall of the Buganda Kingdom Story
…s gardens. The King asked him to go out and report any news. He came back 10 minutes later and said the soldiers were now far closer having broken into new rooms closer to where we were. The King asked him to go out again and find any other news. The man didn’t return and the King told me that meant he was killed and we must run. Soldiers were everywhere. He grabbed me and we ran through several palace gates and came into one of his Throne Rooms (…
The Return of Bigwala News
…ch were thought to have been lost, to be rediscovered and grown. Now over 100 students have been trained in building the instruments, and have played at two royal celebrations. There seems to be a promising future for this important thread in the tapestry of Uganda’s cultural history. Sources: https://www.atlasobscura.com/articles/ugandan-music-bigwalahttps://ich.unesco.org/en/news/uganda-young-ugandans-mobilized-for-safeguarding-bigwala-music-and…
The Entenga Drums: Part 1 Story
…he swamp plant). Tune the drums: they had the old recordings and Musisi’s 50 year old memories and they gradually figured out how to tune them. Much like a xylophone. Learn to replay them: Musisi knew a lot of the songs, but they needed to learn each complex part for each of the six drummers. Perform live to understand how to ‘mix’: the final step is to play live and learn the right mix of instruments – the volume of each drummer, when to come in,…
Central and Eastern Kenya: Days 5-11:An Interview with Gregg Story
…rely lets us scratch the surface. We did 5 songs per group, but they have 100. We could have had a dozen people come on influences. We could have rehearsed performances and help the groups reach a far higher level of performance. And in every location, we could have recorded another 20 groups. It is all out there and it is all amazing but fading fast, and we are two teams in two cars chasing after it, trying to capture as much as we can. But as a…