Hiari Ya Moyo Group
…as formed in 1957 by their grandfathers and is located in Dodoma. They are from the Wanyamwezi Community and performed in the Ngoma Style. Their instruments include: Ngoma (drums) and Njuga ( bells). We recorded four performances: Muhala Wane: a love song Kauwowa Naye: a song urging the youth to be brave in facing the challenges in everyday life Mwanana: a song in praise of one’s friend. Lyuwa Laloka: it is sunset and time to conclude whatever bus…
Zam Zam Group
…Nyumba Ya Vipaji, The House of Talent, in Rahaleo. All male group ranging from age 7 up to 40, ten all together today. They sing Islamic and secular songs for weddings and celebrations. It was mainly an acapello performance with one flute made out of a bamboo stick. The singers included: Ibrahim Ali Hassan (lead singer, flute ), Issa Ali Hassan (lead singer), Mlenge Ali Hassan, Othman Mlenge Ali, Afann Mlenge Ali, Iddi Abdallah Mohd, Abdillah Sal…
Fanuel Amimo Group
Born in 1947, Fanuel Amimo hails from Shianda location of Butere sub-county (Kakamega County). With age, he unfortunately lost his sight but still as ever before continues to play omutibo. Raised in a family of musicians, Amimo started playing in early childhood. H recorded his first single in 1964 with David Amunga as producer, in a studio owned by Andre Crawford and Betty Tete. His second record was produced by Sammy Osere for Lamore record lab…
The Singing Wells podcast #3 Podcast
…Here is podcast number 3. In this podcast, we look at the development of Abubilla Music – one of the partners in The Singing Wells project – from initial idea, to music label. There are interviews with members of the SMCC, and music from the SMCC, Louise Calf, Gus Warriner, Tati Kalveks, Chris Kozlowski and Ketebul artist Winyo. Click here to download the podcast….
Namaddu Troupe Group
…y reunite. “Kwakira Wiita”: A song about eating new food, particularly millet, after the harvest. But the children don’t stay home and are out all the time, so they suffer from bad spiritis. They need to be home in the house for the good spirits. Gradually they return home and all is well….
Conclusion: Challenges and Recomendations Story
…ing: Showing us the trees where the wood for the instruments are extracted from; Where possible, felling of the tree; Preparation of the wood from the tree: trimming the bark, treating etc.; Carving and shaping of the wood for the body and frame of the instrument; Preparation and treatment of the skin for the instruments; Preparation of the material used to attach the bridge; Final construction and assembly of the instrument. All of these stages a…
Recording Resources Page
…ns, videographers and ethnomusicologists. However, it has taken us time to really work out the best processes for working effectively out in the field. With that in mind, we have created some resources for other groups to use for working in the field. Please feel free to use the below resources for your field trips in whatever region you are based, and please do reach out to us. We love to meet others who are passionate about music in their own re…
What We Do Page
…styles, themes, harmonies and instruments. Influences is led by musicians from Ketebul Music or singer/songwriters from the areas we are travelling to during our field visits. “Singing Wells can’t be just about archiving. We can’t be fossil collectors. We also have to make sure we can bring these traditions into modern music. We are doing this with Winyo – he really does bridge the traditional with the modern and you saw the reaction of the villa…
Patrick Ondiek Staff Profile
…oining Ketebul Music and following the ‘Spotlight Series’ when he began to really love tribal music. So when the Singing Wells project offered him a new opportunity to discover the music roots of East Africa, Pato jumped at the chance. Why? “First, I love the exposure to different cultures – even my own. I have never heard a lot of the tribal music, even around my own villages. Our trip to Nyanza in November blew me away. I have never heard music…
Day Three: Bungoma Town to Kakamega Story
…rs Lidungu: stringed instrument Isiriri: Single string instrument (is this really the Shirili?) Mirembe: Xylophone Olwika: Horn Isukuti: Hand-held ‘conga’ drums Kayamba: shakers Likata: sticks Ikengele: Ring Chapuo: Big bass drum They performed six songs, with the sixth song finishing exactly when the rains came crashing down on us. While they had a couple of traditional songs, most of their performances were to allow students to feature specific…
Nile Beat Artists Group
…n Jinja and perform traditional Ugandan dances. The group takes their name from the River Nile, which starts at Jinja on the edge of Lake Victoria. A previous member of the band was Seby Ntege, who left Uganda in the early 2000s and moved to the UK, keen to evolve his sound. He plays the Kora, and much of his writing combines West African instruments with an East African writing style. Song Meanings “Ikobo Kobo”: It is a type of herb. It is a song…
Eridat Makwiri Group
…d the food. The wife who had prepared the food tried to keep the food away from the lazy wife and the lazy wife would go complaining to the husband. The message in the song is to not wait for everything to be done for you. “Paulo Wawanyera”: This is someone’s name, meaning Paul, son of Wawanyera. Paul was a chief. He visited certain places and found they had made him party with lots of food and drink. He actually visited his brother in law who was…
Bungoma Roots Band Group
…They were quite good and had all their school fees paid for. During breaks from playing at the school they took up ‘Marketing’ and showed up at any events that were being held. The band members held day jobs, mostly in construction, and then would gig in the evening, often in clubs filled with drunkards. However, after years of hard work and managing to record multiple records, they needed to bring in other musicians to form a much bigger band. Th…
Umoja Wa Kusini Group
…s a very experienced dance troupe of the Mdomdu style. They are originally from the village of Msanga and the Wanyamwezi. All the dancers where a necklace called Simbi, made of cowry shells and a ‘skirt’ around the waist called a Kibwaya. Their smaller drums are Dali Dali and larger drums are Mapipa. They also use the marimba. They played 9 songs, 5 regular performances and four ‘magic moments’: Mkwaju Ngoma: actually four songs in one. About a ch…
Bigwala Cultural Group Group
…: The coordinator and lead female vocalist is Nabirye Irene. The group are from the village of Bukoona and travelled to the Gately on the Nile Hotel in Jinja for the recording session. The Bigwala is the name of the trumpets they play. Song Meanings “Muwe Bwobona Asaba”: When someone asks you kindly assist them. “Mperekera Omwana Womurembe”: When you are walking with someone by your side they are the special one and you don’t look at anyone else….
Adagha Nalya Drama Group Group
…twin and the song is about a proverbial Waiswa of old who used to shy away from women. It is a common folk song. “Omuntu Kyakola”: When someone is jealous about what someone else is doing; when some one works hard, others want to bring you down. “Yoyenda”: The one you love. The song invites everyone to show who they love to the rest of the community. Performed at introduction ceremonies – a traditional party where a girl introduces the man to her…