Field Recording Report by Kahithe Kiiru Story
…est hits, songs that any Kenyan can easily identify with: “Kweli Ndugu”; “Mtoto si Nguo”; “Sengula Nakupenda”; “Kunywa Kidogo” and “Watu Wanasema Uongo”. Fadhilee’s reaction to this last session was worth the wait, as he discovered the author of “Kweli Ndugu”, a song he had done a cover of years ago. Therefore, we recorded one last Influences with Fadhilee playing the song alongside Mukabi. The day was closed with a photo session ringing together…
Support Singing Wells Page
…ssion. Each group receives a payment for their performance, which they can use to help them continue practicing and performing in the future. The songs and videos we record are archived and published, giving each group further opportunities to gain an income from their music. Our Gift to You As well as a special thank you on our website, we’ll send you details of the song your donation funded and an MP3 download of the track, plus a commemorative…
Recording Resources Page
…field. With that in mind, we have created some resources for other groups to use for working in the field. Please feel free to use the below resources for your field trips in whatever region you are based, and please do reach out to us. We love to meet others who are passionate about music in their own region! Village Visit Management Audio Recording Protocol Field Visit Workflow We hope these are useful for other researchers in the field. Please…
Day Five: Ilesi, Khayega to Kisumu Story
…here!) Iminyi: This is a type of bird that hides in roofs and is difficult to find, but is a strong bird. The song tells the story that the best fighting bulls are not the ones preening around the village, but rather they keep to themselves until the fight. And then they win. The Shiselelo procession – this is for weddings. The songs include: Hoya: This is encouraging the groom to forward and be welcome. Mbabo: This is about everyone coming togeth…
Day Zero: February 15, 2020 – Assemble in Zanzibar Story
…m, studied music in Egypt, where he learned to play the Qanun and returned to Zanzibar to form the Zanzibar Taarab orchestra. Of course, there are a variety of musical styles in Zanzibar, including (every use of quotes in this post are direct quotes from the DCMA): Ngoma: “Ngoma literally translated means drum and is a term to encompass all local traditional forms of dancing, drumming and singing. There are literally hundreds of different ngo…
Here for Research? Page
…stain and celebrate the extraordinary cultural music heritage of the region and to help make this legacy relevant and fresh to today’s audiences.”…
Here for the Music? Page
…you are in the right place. For some of our stories, videos and the chance to listen to some of our Singing Wells Albums, head to the links below. Stories Read some of our most memorable stories from the field, featuring stunning photography taken by our team. Learn more about the communities we meet, the instruments that are being played and the background stories behind some of the photohraphy on our website. Albums Head here to see the collecti…
Day Zero: 6 March 2022 – Travel To Stream Story
…me venues also adapted to hosting online performances, directly streaming shows to mobile devices and computers of audiences wherever they may be. With the prevailing situation, it is becoming increasingly apparent that the ability of performers to earn a living is quickly shifting to a dependence on access to Internet connectivity and online streaming services. This solution works well for urban-based performers where the infrastructure exists an…
2. Naizungwe Drums – progress report 1 Story
…uyanga sub country, Bugweri County in Iganga district. Muhamudu was taught how to make drums by two of his uncles who shared their wisdom and experience with him, and tells us that ever since he was young, his relatives and neighbours have all been drum makers. This begins to make sense when he says that one drum offers 54 different jobs: cutting the tree, shaping the trunks, putting cow dung on frames, drying skins, making strings etc. For the 24…
Day 6: Thursday, February 23rd, 2017 Story
…Victoria Park After a late night at the concert, we got up early and drove to Victoria Park to record Umoja Wa Kusini, lead by Francis Daudi Njawa (Chichi). Victoria Park is similar to a park we used in Kampala. It contains many village huts built in many styles. Umoja Wa Kusini is about 13 years old and is a very experienced dance troupe of the Mdomdu style. They are originally from the village of Msanga and the Wanyamwezi. All the dancers where…
Day 3: Monday, 2017 February 20th Story
…here the porters who were carrying massive loads to be shipped finally got to stop and rest. Near Bagamoyo is the village of Kimara Ngombe where we recorded Toroka Uje, a drum and dance band. Toroka Uje Toroka UjeWe arrived just as they were tuning their drums, by fire, and quickly interviewed a band member, Steven Jonas about drum names. Steven is also known as “Tomato”, a name given to him because he fits so well in any band he joins, like a tom…
Day 2: Sunday, 2017 February 19th Story
…omen. It is all about teaching young girls to prepare for womanhood, be it how to behave in the village, how to behave as a wife, and how to be a mother. The women invited Sophie into one of the huts to watch their dance in private. In Uganda and Kenya we have a lot of recordings of rites of passage, mostly around male and female circumcision rituals – happily the songs survive but not the rituals in the places we visited! But we have far less on…
Day 1: Saturday, 2017 February 18th Story
…We are also here to try to bring this music to new artists and audiences, to show how it can inspire and inform more contemporary artists. This is why we always bring ‘Influences Artists’ with us on each trip and this is why our nights are filled with ‘hotel’ recordings where our ‘Influences Artists’ are reworking songs with the more traditional artists we discover in the villages. In Mission 2, we are ‘fusionists’, trying any old blend of new an…
A Report by Professor James Isabirye – Indigenous music learning in contemporary contexts: Nurturing learner identity, agency, and passion News
…estoring the Royal Entenga Drummers, and is currently working on a project to restore the lost lyre, the Entongooli. You can read more about this project on our website here. We are very grateful to be partnered with such a visionary for the future, and protector of traditional East african music and instruments. We know that generations to come will be grateful for the work he has put in to continue these traditions. He has also written a report…
Our journey to the Royal Drums: in the words of James Isabirye Story
…I had was that we could reach Musisi through his sister-in-law. Now I had to find Musisi. He said his sister-in-law lived in Kasawo. Well it took me forever to find that village. After crossing swamps and taking wrong turns I kept asking for the village. Finally I found it and started asking for the sister-in-law. I found her and had only one question: is Musisi alive? He was, she said. But he lives in Kiboga which was about three hours away. She…
Ketebul Music presents Shades of Benga Online News
…modern Kenyan music, examining external influences from the English waltz to Afro Cuban Rumba and how they helped mould new music styles across Africa. Rumba was brought to Eastern Africa via the itinerant Congolese musicians Edouard Masengo and Jean Bosco Mwenda who’s intricate guitar-picking styles largely shaped the present Kenyan sound, with the Benga playing a dominant role. Currently, you can get advance copies from Ketebul Music Studios or…