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Central Uganda: Day 4 – Jinja Story

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…ty to help amplify instruments. Every time we try, we struggle but we have to get the solution.” Here’s their music: The Bakuseka Majja Matta Group Our final group was also a stand out act, with the legendary performer (yes, as Tabu said we had two legends of Ugandan music visit us today) – Natha Matta Nyende performing for us with his band the Bakuseka Majja Matta Group. Nathan is 76 years old and has been blind since 1956. He formed his group in…

Singing Wells in Numbers…. News

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Published in: About Singing Wells

…Andy did a litte homework for this one: Number of recordings of groups: 374 (this does not include other recordings like Magic Moments, Influences, etc…) Number of groups recorded: 83 Number of hours of music: 27 hours and 30 minutes.  …

Report from Womex 2013 News

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…their work, and it looks great. Hopefully we can help the project and work together in some way in the future.   Showcases Visited Mike and I were present at the opening concert – curated by Cerys Matthews at the fantastic Wales Millennium Centre in Cardiff Bay. The show was a showcase of traditional Welsh music including performances from Matthews herself, The Welsh Ballet and The Treorchy Male voice choir. I heard a bit of a day showcase from th…

A recording studio which fits into the back of an SUV Story

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…st Hotel in Kisoro, Uganda!) We can also combine the two recording units into one to increase the number of inputs, while still working off battery power. The laptops use Avid ProTools recording software – an industry standard for recording and music production. The microphones we have chosen are industry standard models used in studios the world over but, most likely, not seen in the villages of East Africa. The equipment has been carefully selec…

A quick summary of the Singing Wells Project News

…ouldn’t help but joining Jovah in song: 5. Singing Wells is about bringing together tribal music and wonderfully talented young performers like Akello from Uganda… We brought Akello to Northern Uganda. She joined almost every band. Here she is with the Watmon Cultural Group singing Amari… Or with the Adungu Cultural Group singing Awinyo… 6. Singing Wells is about capturing how cool, how relevant this music is through Magic Moments: Listen to the N…

73,603 views on YouTube News

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…and enjoying what we are all about – bringing the more traditional sounds of East Africa to an enthusiastic audience. Thanks for watching!   Our top 3 video hits In third place, this is the Nyerere Wa Konde Music Club from Sita Village, Gede in Kenya’s Malindi District. It was the very first video we uploaded to YouTube following our field visit to the Coast Region to record the music of the Mijikenda tribes.     Is second place is a video from o…

A new type of city Story

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…hat the capital would be like; this image speaks a lot about the city. The number of ‘proper’ buildings were few and in only the small centre. It was hilly and most of the roads were not built for vehicles. The shops were small shacks mostly and at night stayed open, lit by candle light. There were animals everywhere and make-shift houses, which starkly contrasted to the taller office buildings you could see in the distance. Despite this unconvent…

The Boy with the Headphones Story

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…SW Uganda where we recorded the music and dance of the Batwa people. The story of the Batwa can be read in detail by following the featured link below, but for now we will tell you about this little boy with the headphones. It was on our second day in Kisoro when we travelled to the Mperwa Batwa community. Consisting of just a small number of families, the Mperwa have settled on a small area of borrowed land just a few kilometres from the town.  …

The origins of Singing Wells Story

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…ough a series of e-mails that travelled the world, Tabu and I were brought together by Joyce Nyairo, then of the Ford Foundation, East Africa office. After several long e-mail exchanges and a few Skype calls, we agreed to start the Singing Wells project. We both knew we wanted to do something to preserve the music but it took us a while to define exactly what to do. Finally there was a eureka moment – the best thing we could do was to go the music…

Day 8: Entebbe to Nairobi and Ketebul Studios Story

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…had a chance to interview Tabu about the Uganda trip: Q: What did you want to get out of the trip?. A: In each of our trips I’m trying to focus on the one or two things the region is know for. In the coastal regions of Kenya, I wanted to make sure we recorded their shakers, the Kayamba (hand shaken idiophones with dried seeds inside), the Lungo (broken glass moved in a big bowl) and Ndema (2 brass rings played in ringing and muted tones). In the R…

Day 7 (pm): Recording at the Airport Guesthouse, Entebbe Story

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…ened: the rebels arrived to his village and asked him to show them the way to town. In a way this was a blessing, because his family was saved (often, on abduction, the rest of the child’s family would be killed, so they’d feel angry, distant and unable to return home). Once they arrived at the town they wouldn’t let Odika go and it was clear he was a prisoner. He only managed to escape once the rebels believed he was one of them, and stopped watc…

Day 7 (am) – back to Kampala: Naguru to Entebbe Story

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…ion caused by the war. The name translates tohow much is left’ referring to how the war hasn’t taken everything in the North, they still have happiness. The next song was called ‘Yom Chunya‘ is of a similar style, and it means ‘my heart is happy’. They then sang a song in part English and part Swahili, called ‘Pearl of Africa‘. This was actually written by Jimmy Adokwun around five years ago, but it uses traditional styles to convey their messag…

Northern Uganda: Day 6 – Soroti to Kampala (a driving story) Story

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…g to a clapper board and keep recording through the whole take. We learned to get all the computer and cameras on the same time signature. We learned the roles of each camera (1 is stationary, full group, 2 is politely called fingers/feet and faces and 3 is context and overcoming the weaknesses of 1 and 2’s position). We even sorted out after a while how to stop the groups from starting the song while our poor clapper board person (Nick) was still…

An Evening with Mserego Mwatela Group News

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…et your group is so young and vibrant. How have you managed to do this? A: To get the young people involved I decided to go to schools and teach music. I compose new material with my students and come up with something they like. I watch how they dance and whether they feel the rhythms and I try to teach them what I’m doing, but I also adapt to how they feel the music. I let them take the music where they want to take it as long as it is rooted in…

Northern Uganda: Day 6 – Soroti to Obuell-Lira to Soroti Story

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…second half of the day was, well, not so good. We needed to leave at 13:00 to get to Kampala before nightfall. No night driving is a Singing Wells rule given how scary the roads are. We actually left at 12:45 and got about 20 minutes outside of Soroti only to have a car breakdown. So we had to turn around and get back to Soriti for a quick welding (by a guy on the street in flip flops..). We didn’t leave Soroti until about 15:30, knowing we now fa…

Northern Uganda: Day 5 – from Pakwach to Soroti (a road trip) Story

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…teed to find a beautiful Ugandan child smiling beneath it. The women are altogether different, carrying baskets of nuts and spices, water jugs, charcoal, thatched bundles, etc…. This, of course, gives them a ram rod straight posture, giving them a majectic air and a very practical crown. Before talking about the markets, let’s now talk about the middle of the road, where the vehicles are. There are two types of African roads. r oads in the day. An…